Ms Muffet (YOU DO NOT HAVE PERMISSION TO TRACE, COPY, OR REFERENCE!! YOU DO NOT HAVE PERMISSION TO USE, EDIT, OR REPOST!!)

bliss lane

tannertan36

#extradirty
đȘŒ

pixel skylines
The Bright Sessions
đ
Fieri Frames
Show & Tell

Game Changer & Make Some Noise
hello vonnie
sheepfilms
occasionally subtle

Love Begins

romaâ
Aqua Utopiaïœæ”·ăźćșă§èšæ¶ă玥ă

oozey mess
RMH

Origami Around
noise dept.

seen from Philippines
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@butternubsmushrooms
Ms Muffet (YOU DO NOT HAVE PERMISSION TO TRACE, COPY, OR REFERENCE!! YOU DO NOT HAVE PERMISSION TO USE, EDIT, OR REPOST!!)
Trade with Kiwi
Why canât life be like this
More art $10 ych and $5 chibi (DO NOT COPY, REFERENCE, TRACE, EDIT, OR USE!!! DO NOT STEAL ART OR CHARACTERS!!)
Mood boards Ive created
(Kink, ddlg, nudity, etc. blogs DO NOT INTERACT!!! YOU WILL BE IMMEDIATELY BLOCKED!!)
From my other blog
I love my sona so fucking much
reblog if you love your sona so fucking much
†Give love! Spread love! â€
Go and tell your favorite artist something nice about their art! Go-go-go!
Donât forget: This also applies to Fanfiction.
DONT FORGET: THIS ALSO APPLIES TO FANFICTION.
DONT FORGET: THIS ALSO APPLIES TO FANFICTION.
DONT FORGET: THIS APPLIES TO LITERALLY ANY KIND OF CREATIVE WORK, ART, FANFICTION, ORIGINAL FICTION, ANIMATION, MUSIC, LITERALLY ANYTHING AND EVERYTHING
Tumblr: Woe is me. I wish I had money to support all these wonderful artists. If only there was something I could do to support artists for free.
Every artist on Tumblr, desperately sweating and shoving this image in yâalls faces:
Iâm on a diet so the only way I can satisfy my constant cravings for junk food is through art.
I made these icons for myself originally but anyoneâs free to use them I suppose! The Steak one was commissioned though.Â
Iâm being asked a lot if I offer these icons as commissions and I do! You can get cute little food icons like this for $10 USD!
Just message me here or on my Twitter if youâre interested â„
Mushroom landart by Jill Bliss
shitty artist feelings:
A few tips everybody should consider. Iâve experienced all those and some more. Iâm not good at english but I hope you get it. Go and support some artists out there and let them draw you nice shit. Not as nice as FairyNekoDesu but still will be cool so give them a chance and youâll be surprised.
THIIIIS.
All of these things.
Especially the deadline. If you donât have a deadline thats way in advanced itâs not gonna get done by then. I am almost always taking on a ton of projects at once and sometimes need a break from it to: work on stuff for me, work on stuff for friends, search for jobs, be the work slave of parents, actually relax and try to relief stress, technical difficulties, researching on how to do stuff, ect.
Sometimes itâs done in a day. Sometimes itâs done literally a year later. But I always update the people I work with so they know I havenât forgotten.
Do NOT rush your commissioner. Let them work at their pace and it will be worth it. Rushing them insures a rush job which will very likely make the quality decline.
All this is true. Also, ref sheets are the most important thing ever. I canât stress that enough. They make the job A LOT easier (instead of having to compare 10 different pics between each other and see that everything fits, you just look at 1!!)Â If you plan in commissioning your character a lot, or even if its not yours (like from an anime or something) Either commission one or look for ref sheets of the show (because there are!).
Also i strongly suggest not using Instant Messaging. Information can be lost pretty easily there and itâs hard to come back to it. Use emails instead. The info stays there, and itâs easy to search for it. Itâs also an excellent way to keep track of the descriptions, so if either the client or artist made a mistake, you can see the email threads and see whoâs right straight away. also pushy clients LOVE instant messaging. Pls no.
This post is really nice! :D
Tutorial: plastic keychains
I know a ton of you have been waiting for this one. Teaching you to make your own plastic keychains!
To start off, I think the biggest question everyone has is what I use to make them. I work with shrink film. You might be familiar with Shinky Dink brand shrink film as a kid. I use Grafix brand white inkjet shrink film. The inkjet kind is relatively pricey compared to the regular kind. If youâre using regular, I donât recommend you stick it in your printer. Sharpie markers would be good for that.
Alright, now open up the file with the images that youâre working with. Make sure your images are a lot bigger than you want your finished product to be since they shrink significantly.
Youâll also want to lighten the opacity to about half. I go somewhere between 50-60%.
Now print your image out! Iâve found that it works best for me when I have it at the plain paper setting, and standard print quality.
Holepunch with a ÂŒ" holepuncher BEFORE you shrink them. Itâs so much more work to have to punch holes when your plastic is thick!
Cut out your design, leaving the amount of border you want.
Set them on a tray for convenience. An aluminum foil sheet works too, but I recommend cookie trays because they are easier and quicker to get out of the oven.
Preset heat. Your shrink film package will tell you what temperature to set it at, but I find that it isnât always accurate for me. I generally set temperature to 350 degrees or so.
Put them in the oven. Remember to keep track of time! I leave them in for about a minute and a half.
After time is up they should be super small! Magic!
If your charms are not flat, put something heavy on it right out of the oven when they are still hot and malleable.
If youâd like to, you can seal them now. In my last two batches, I used clear topcoat nail polish. The problem with that is that I need between 3-5 coats of it, and it takes a while to dry. Iâve been experimenting with modpodge.
For lariats, you can use jump rings or lobster clasps.
Here is one that I made that wasnât sealed. The finished texture after shrinking is a little bit rough. Thereâs nothing wrong with leaving them unsealed, but because they are inkjet printed, the colors wash right of without protection.
This is one that was sealed with modpodge. The colors become a little more vibrant and smooth and water resistant. Things often get stuck on when applying or drying so be careful.
These ones down here were sealed with clear nail polish. They come out shiny if you put enough coats, but the grainy texture will still be there.
Well, there ya go! Have fun making your own keychains!
fullten dunno how in to DIY you are, but this seems like a way to get more cute things in your life.
This is super cuteÂ
I do this!! You can also glaze them with Mod Podge Dimensional Magic! It gives it a nice, shiny surface. Resin would work too, and it would be more durable.
Art trade with someone on FurryAmino
My fursona Butternubs. Go check out this amazing artist guys
Oupsss by JohanneDauphinais
Layout Background Exercise
For Gobelinsâ entering contest, one of the request is background skills, and the ability, with a pen, to visualize yourself in a 3D space.
So I gaved myself an exercice than can be similar to what you can have during the contest, and which are the steps Iâm going through :
Here is a background concept done by Armand Serrano, for the movie Lilo and Stitch.
Letâs put the following consign : try to draw the âagainst fieldâ of this place (it mean, as in cinema, shooting in the opposite direction to another shot)
For this, we must be aware to : - Place our virtual camera correctly - respect perspective rules -placing correctly our objects in the space (what does make the âlinkâ between the two shots) - Keep a cool composition -respect the design -use our imagination to field the empty space
So, letâs do this !
1. Making a Map and a good thumbnail
-Itâs a good exercise to try put everything in a map, including the camera (CAM1) and visualize what we know and what we have to imagine ; not very easy, but itâs making win a lot of time for after !
- Then I just had to place the other camera (CAM2) on the other side, and begin to think about what would be in the room on the other side.
- When I did the map, I was working in the same time with a thumbnail of my scene (note : thumbnail is a very small drawing. Good to remember : small drawings for big ideas ! ) ; like this I could think about having a cool composition and match with the background in the same time. Thatâs why (as you might see) I decided to tilt a bit my CAM2, because I felt it more interesting for the composition.
2. Ruff drawing
- So here begin the interesting part :) itâs importent to begin by placing the horizon line, the vanishing points (in this case, two) and a perspective grid, all of this being sure itâs mathching with your thumbnail.
-Then, I built every objects, being sure itâs on the perspective, and puting all my ideas.
note : I was always thinking : this is a place where people are living, we have to FEEL It. Itâs passing by using the props and the randomness of their position to suggest this idea.
3. Line Up
- On this part I was always trying to be careful about keeping the style of the artist, about props design, and the way of working the line.
4. (Bonus) Shadows
- Personnaly, I wanted to try making she shadows on a traditionnal way, as they where doing before at Disney. For this I first scanned my drawing (to have a backup in case), then I used carbon powder, I was putting stronger at some places, using an eraser to have my lights, and my pencil to go into the detail in the lighting.
-Itâs important, when doing lighting, to know where the light come from, and what you want to show. Contrast is the master word ; with the light and shadow, you can choose to show more one thing than an other (for example, I chosen to show less the left part, and put on the light the right part)
My drawing could be better, about the choice of props and the angle, but I hope this tutorial helped you to see better the process to draw an âagainst fieldâ from an existing layout, hope you enjoyed :)
Be free to comment, cheers !
Perspective is hard to master, but important for everything. This really is a fundamental concept that you should attempt to master as soon as possible!
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Rebloging for later
A compilation of stuff I know about drawing Asian faces and Asian culture! I feel like many âHow-To-Drawâ tutorials often default to European faces and are not really helpful when drawing people of other races. So I thought Iâd put this together in case anyone is interested! Feel free to share this guide and shoot me questions if you have any! Iâm by no means an expert, I just know a few things from drawing experience and from my own cultural background.Â