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@c0mpss
people you love . . . they made you who you are ( they’re still part of you ) if YOU stop being you, that last bit of them that’s still around inside, who you are [ . . . it’s gone. ]
( * i. this is an independent + mutuals only glenn rhee the walking dead and a verse in the last of us . please do not assume anything because glenn will be canon divergent and a mix of hc based. written by willow 1.26.2023 pinned post. doc
affiliated with : rh3es ( ᵉˣᶜˡᵘˢⁱᵛᵉ )
a visual : when maggie , @rh3es , and hershel surprise glenn for his birthday.
my daughter @rh3es
𝐒𝐄𝐓𝐓𝐋𝐈𝐍𝐆 𝐃𝐔𝐒𝐓 𝐏𝐑𝐎𝐌𝐏𝐓𝐒.
basically i was looking over the protective prompts and the hero prompts and it hit me that like. the unbridled angst and vibes of the whole “post-battle” scene, or a scene set after an attack or a disaster or smth, needs to be ADDRESSED!!! and so y’all get the full weight of my angst today, sprinkled with a lot of teamwork and selfless and sacrificing vibes. i hope you enjoy! do NOT add further contributions to this list!!! i will curse your potato crops!!!
DIALOGUE PROMPTS.
“ can you hear me? hey… [NAME], can you hear my voice? “
“ come on… wake up. please… please wake up… “
“ oh! oh, thank god! i thought we lost you… “
“ hey, hey… look at me, okay? you gotta get up now. you think you might be able to walk? ‘cause they sent for back-up, and if they find us… we cannot let them find us. understand? “
“ go, go! save yourself! i’ll buy you some time! “
“ we both know i’m not walking out of this one. it’s okay, alright? it’s okay… just… do me a favor, will you? will you make them pay for this? i don’t care how. but… don’t let them get away with it. “
“ hey, how badly are you hurt? can you move? you think you can walk? “
“ if you can’t walk, i’m gonna have to carry you, alright? we can’t stay here. “
“ hey, look at me. i’m slowing you down, we both know it. it’s okay. i’ll hide and wait for back-up; you get yourself out of here. “
“ you’re gonna need to climb up on my back, you’re slowing us down with that injury. “
“ will you quit talking like that?! i’m not leaving you behind! “
“ what the hell are you doing here?! i told you to get out of here! “
“ you’re shivering… hey. hey, listen to me, okay? everything’s gonna be alright, i promise. here… take my jacket. don’t worry, i’m warm-blooded. “
“ i’ll get blood on your shirt… “
“ hey, don’t you dare close your eyes, you hear me? you die in my arms, and i’m gonna stick the dry-cleaning bill for this shirt in your coffin, that’s a promise! “
“ i know we almost died just now, but… am i the only one who’s hungry? “
“ we need to get you to a hospital… “
“ hey, come on now… you’re okay. you’re good, right? “
“ i must be hurt pretty bad if you’re being this nice to me. “
“ quit playing the martyr. we’re not leaving you behind. “
“ you know, i hate to be the negative voice, but… did… did we just lose? “
“ look at me… i’m not gonna make it. it’s okay, i’m fine with that. but… you can’t stay here. you’ve got a good long life ahead of you. and you’re smart, too; too smart to wait around here and waste that long life. so you get out of here, and you go live that life. live it for both of us. will you promise me you’ll do that? “
“ back-up isn’t coming. is it? we’re on our own, right? “
“ can’t sleep, huh? it’s okay. it’s probably all that adrenaline and shock; i can’t sleep, either. wanna keep each other company? “
“ i don’t give two shits about the back-up; i’m just happy you’re alive. “
ACTION PROMPTS.
as always, add a “+ REVERSE” to switch the roles!
[ CARRY ]: having found the receiver in an injured/weak/unconscious state, the sender carries them in their arms to safety.
[ TILT ]: the sender gently tilts the receiver’s chin up so that they can check to see if they’re okay.
[ PULL ]: sender takes the fallen receiver’s hands and carefully pulls them up so that they’re standing once more.
[ WAIST ]: sender, while physically supporting and steadying the receiver, loops an arm around their waist for extra support.
[ BACK ]: sender crouches down slightly to let the wounded receiver climb on their back, giving them a piggy-back ride to safety afterwards.
[ HAIR ]: while in the process of checking the receiver for injuries or other signs of harm, the sender gently brushes several strands of hair from their eyes.
[ TEND ]: sender begins to care for the receiver’s injuries.
[ LEAN ]: the wounded sender leans against the receiver for physical support.
[ SUPPORT ]: the sender encourages the wounded receiver to lean against them for physical support.
[ PUSH ]: the sender gently pushes the receiver back to lie down so they can check them properly for injuries.
[ COAT ]: sender removes their jacket and drapes it around the shoulders of the trembling receiver.
[ BLANKET ]: just as they’re all about to go to sleep, the sender covers the receiver with their own blanket.
[ AWAKE ]: the sender, unable to sleep, gets up to go for a walk, and finds that the receiver is also unable to sleep.
[ TOGETHER ]: when the receiver awakens, they discover that the sender has been sleeping next to them, arms wrapped around one another for warmth, comfort, protection ( or something more… )
[ BANDAGE ]: the sender sits down across from the receiver and begins to bandage their wounds.
[ DRAG ]: unable to leave them behind, the sender drags the wounded receiver out of danger and into a safe hiding place for both of them to wait until help arrives.
[ TOUCH ]: the sender nudges or touches the receiver to check and see if they’re alright after the attack.
[ CLEAN ]: the sender gently and carefully begins to bathe the blood/soot/ash/dirt from the receiver’s skin during a moment of calm.
[ PRIORITY ]: when they arrive at a designated safe place, the sender refuses to be examined or cared for until the receiver is taken care of first.
[ PROMISE ]: before leaving to get help/food/water/a rescue mission etc, the sender assures and promises the receiver that they’ll return safely, refusing to bring them along or to stay behind.
[ BROKEN ]: after having promised the receiver that they’d return, it’s learned that the sender died during their mission. how does the receiver respond?
[ TRAPPED ]: after having promised the receiver that they’d return from a mission, the receiver learns that the sender has been kidnapped or otherwise trapped, requiring a rescue mission to bring them home.
[ RESCUE ]: the sender and receiver reunite after the sender embarked upon an infamously perilous rescue mission to save the receiver.
[ FOUND ]: after a massive rescue mission to try and find the missing receiver, the sender is the first to find them just as the efforts are about to be abandoned.
[ HOPE ]: just as the receiver is about to lose hope in ever finding the sender again, a message or clue of some kind is discovered that essentially guarantees that the sender is still alive, restoring the receiver’s hope once more.
[ CLING ]: having finally been reunited, the sender pulls the receiver into a tight, overwhelmingly relieved embrace, clinging to them and burying their face in their shoulder. the whole deal. make it EMOTIONAL–
[ TEARS ]: having finally found the receiver, or having finally been found by the receiver, the sender breaks down in tears of relief, fear, and many other emotions as they officially reunite.
[ SACRIFICE ]: knowing that the circumstances only allow one of them to survive, the sender sacrifices their life in order to guarantee the receiver’s survival and safety.
( * i. maggie recalling the glenn she knew before the brain damage, especially after the damage that negan did to his brain.
glenn w/ a thg , spn, marvel and other verses coming soon 💀❤️
KANG TAE OH as LEE JUN HO EXTRAORDINARY ATTORNEY WOO
voicemail : glenn , it’s hannah … call me back. it’s about dad. severed relationship with his parents , glenn packed up his bags and left home. his older sister would help as much as she could but she had her own bills to pay. he decided to do this own his own & live a life without being a disappointment. he didn’t speak to his father after they fought … his mom was quiet , unsure what to do. old fashion , listen to your father —– glenn ! glenn ! … leave him [ i have no son ] accepted into his first choice , glenn wanted to be a professional photographer … taking pictures of people . . places . . objects . . animals. his father thought it was a joke , saying he wouldn’t get a job anywhere and it was a silly dream. be a doctor ! an accountant ! something , anything but some starving artist. living in atlanta , georgia was great ! he had an apartment , a used car that was still good . . school life was great until he hit financial debt. bill after bill , he was stressing out about how to get things paid. pizza boy ! he got that job pretty easy but it didn’t pay the bills. hey ? wanna make some extra cash ? yeah —— CAR THIEF. enjoyed the thrill but it still wasn’t good enough and he was on his knees , sinking in debt . . until the virus hit. thank you to the world ending …
( * i. siblings : hannah “ hana “ rhee ( 41 ) status: unknown , glenn rhee ( 39 ) status: alive , alexandra “ alex “ rhee ( 32 ) status: alive , and quinn rhee ( 27 ) status: alive / personals do not interact / npcs
( * i. miserybled asked: “ let me go …. “
hands grabbed at his shirt but digits loosen up when he told him to let go. “ shane . . . hold on, “ feet shuffle back as he tries to stall the other. “ don’t go ------ think about it rationally . . . if you go in the heat of the moment , you’ll only get yourself hurt. “
HARD-TO-FIND HURT / COMFORT SENTENCE STARTERS.
a selection of some of my favorite underrepresented lines and phrases for one of my favorite tropes! feel free to change wording and pronouns and provide context as necessary. do not add to this list.
TO THE THREAT.
“let them go.” / “let me go.”
“take me.” / “take me instead.”
“don’t hurt them.” / “i’ll do anything you say.”
“what do you want with me?”
“where are you taking them?”
“what did you do to them?”
“where is receiver?”
“give them back.”
“get away from them!”
“get off them!”
TO THE HURT.
“can you hear me?”
“wake up… please, wake up.”
“are you with me?”
“stay awake.” / “you have to stay awake.” / “please, stay awake… please…” / “promise me you’ll stay awake.”
“don’t close your eyes.” / “open your eyes for me, name.”
“there you are.”
“just a little longer, okay?”
“i know it hurts, i’m sorry, it’ll be over soon.”
“shhh, it’s alright.”
“i need you.” / “i still need you.” / “i need you to be okay.”
“do you remember what happened?”
“name?! name! what happened?!”
“what did they do to you?”
“if they lay a finger on him/her/them/you…”
“if they touch a hair on his/her/their/your head…”
“those bastards.” / “if i ever get my hands on them…”
“i’m gonna get you out of here.”
“let’s get you out of here.” / “let’s get you out of this.”
“we gotta get out of here.” / “it’s alright, name. we’re taking you home.”
“can you stand?” / “can you walk?”
“i won’t let anything happen to you.”
“you’re safe.”
“it’s gonna be okay.” / “you’re gonna be okay, just hold on.”
“you’re hurt.” / “did they hurt you?”
“i’ve got you.”
“lean on me.”
“stay with me.”
“i can’t lose you.” / “i’m not losing you.”
“oh, name…” / “oh, kid…”
“receiver? receiver, it’s me. it’s sender.”
“i’m here.” / “i’m here. i promise.”
TO THE RESCUER.
"...where am i...?"
“what happened…?”
“i’m with you.”
“it hurts.” / “make it stop.”
“you came for me…” / “you came back…”
“you found me…”
“where were you…?”
“i’m sorry…”
“i was so scared.”
“i thought you’d never find me…”
“what are you doing here?”
“just go. you can still make it. don’t worry about me.”
𝑯𝒆𝒓 𝒉𝒆𝒂𝒓𝒕 𝒃𝒆𝒂𝒕 𝒓𝒊𝒄𝒐𝒄𝒉𝒆𝒕𝒔 𝒂𝒈𝒂𝒊𝒏𝒔𝒕 𝒉𝒆𝒓 𝒄𝒉𝒆𝒔𝒕 — at even the mention of telling Rick. 𝐷𝑜𝑛'𝑡 𝑙𝑒𝑡 𝘩𝑖𝑚 𝑘𝑛𝑜𝑤. 𝐶𝑎𝑛'𝑡 𝑙𝑒𝑡 𝘩𝑖𝑚 𝑘𝑛𝑜𝑤. The voice inside of her head chants as she tries to steady her breathing before closing in the distance. This is her burden to carry, her secret to keep but she’s set this into motion, placed this in his lap and now she has to tell him more than she wanted anyone else to ever know.
❝ No, it’s — ❞ But where does she begin? The words lock up in her throat, and get lost in the breath that leaves her lungs. ❝ It’s nothin’ to be concerned about, just lady things. He doesn’t need to know. ❞
removing the cap off his head , back of hand swipes at the sweat beading off his head. as she tries to explain her reasoning for not telling rick . . . lady things is the word that he decides its a solid reason. he really didn’t know much and its been a while since he’s lived with women. the only ones he ever lived with . . . where in his family. “ ah --- yeah sure . . . so just the test ? i can go out later. you sure that’s all you need lori ? ”
another au to share , glenn gets hit but not severe like deadly but it damages a part of his brain where . . . he ends up remembering everything from georgia to the scientist that tried to kill them all together.
( * i. heartshown asked: " okay, let’s talk this out. "
baseball hat sits on top of raven soaked strands . . . exhausted , he returned from the small town with the others but this time it was a request from lori . . though after reading the slip of paper. he was a little confused “ why didn’t you ask rick earlier ? did you want me to talk to him ? ” prepared to go after the other , he stops . . . as she cuts him off from the path to the house. “ lori ? ” it dawns on him , maybe it was something she didn’t want rick to find out but why?
( * i. carol
the dust has settled, the enemy is no more. at least not the living enemy. negan sits in a cell, left to rot for his crimes while his victims can finally breathe. well, most of them… there is a tension that lingers between alexandria and hilltop. carol can see both sides, but ultimately if they want to rebuild and be better than their attackers? mercy is the way to go. icy hues follow the others, watching as they haul supplies from the wagons to the bridge. or what used to be a bridge would be more accurate. a plan designed by rick to bring the communities together. it was a good plan in her eyes, and given how everyone had showed today? they believed it to be one too. tongue clicks as she tries to settle the restless horses when a presence is felt behind her. craning head to the side, the co-leader of hilltop is revealed, and a smile blooms upon her features. ❝ it’s nice to see everyone together, isn’t it? ❞
after everything they’ve been through . . . to finally see the end of the tunnel , a light shines down upon their heads. while they lost some great people along the way , he stands close to the finishing line. holding onto his wife’s hand and a few months before their son was born. thriving , the four communities gather , from alexandria , hilltop, kingdom , and oceanside . . . it felt like humanity was regaining its feet to conquering the past and moving forward to the future. today like any other , following the plan and supplies being divided amongst the communities . . . he sees her frame standing by. a slow approach as she acknowledges his presence. “ after everything . . . yeah. you should come by hilltop and see how much he’s grown, ” talking about hershel whose already running around and scrapping his own knees because he takes after his clumsy father.
( * i. deiridh asked: it’s a miracle you’re alive.
honestly . . . she had a point , considering how clumsy he was “ ouch --- mags, ” the added pressure against his brow. tending to the cut , a warning in her tone that’s still loving. “ i always come back . . . ” a glance up at her , as he sits on the edge.
MARVEL WISE . . . glenn rhee in his own universe is spiderman
