marcos sorensen

art & Inspiration

[weirdlandtv]

Swirling Art Deco covers for PARA TODOS by Brazilian cartoonist/illustrator, José Carlos (1884-1950).

[project-ragna-rok]

The Mike Mignola guide to graveyards - from the November 1997 edition of Wizard Magazine

[cacheyalater]

Love it. What a fun project. Brought to you by a master.

[charnel-grounds]

Danse Macabre (1922)

[thedankmemes]

[ghaas]

The Postman Always Rings Twice ad, 1946

[oldvintageglamour-deactivated20]

Marilyn Monroe on red velvet, 1949 ❤️😍❤️😍❤️

📸: Tom Kelley

[diana-andraste]

La Dame ovale, Leonora Carrington, 1939

Illustration by Max Ernst

[woundgallery]

Edward Hopper, Summer Evening, 1947

[davidhudson]

Leonora Carrington, April 6, 1917 – May 25, 2011.

With André Breton, Marcel Duchamp, and Max Ernst, who are standing behind Morris Hirshfield’s Nude at the Window (Hot Night in July). 1942 photo by Hermann Landshoff.

[taf-art]

Inseparable Friends (1941). Morris Hirshfield.

[bauhaus-movement]

From Wassily Kandinsky's "Dance Curves: On the Dances of Palucca," 1926. Published in Das Kunstblatt arts journal, also in 1926. Photos by Charlotte Rudolph.

[fiftyyearstoolate]

[artyeux]

Romy Schneider in ‘Max et les ferrailleurs’ (Claude Sautet, 1971)

[jareckiworld]

Henryk Płóciennik (1933-2020)—Honeymoon (2A) zincography, 1981

[un-cerebro-hambriento]

Talleres de artistas famosos Famous artists’ studios

[gatabella]

15-year-old Ray Bradbury with Marlene Dietrich, 1935

“I was madly in love with Hollywood… I had been roller skating all over the town and was absolutely obsessed with getting autographs from all those glamorous stars. It was great. I saw really big MGM stars like Norma Shearer, Laurel and Hardy, Ronald Colman. Or I would hang out all day in front of Paramount or Columbia, then rush to the Brown Derby to look at the stars coming in or out of there. I saw Cary Grant, Marlene Dietrich, Fred Allen, Burns and Allen – everyone who’d been to the coast. Mae West appeared every Friday with her bodyguard. …I still have these autographs, and the wheels from the rollers also survived to these days. Almost all of those people I had met are already gone, but by some miracle Marlene and George survived. The light coming from these photos is like a repeated session of my life about a slightly stupid, but always loyal boy who terribly didn’t want to grow up.”

- Ray Bradbury

[theartisticendeavor]

Vintage Magazine - 1950 Detective Yearbook

Blood-Lusting Demon And The Overnight Blonde!

Art by Fred C. Rodewald