d e v o n
Claire Keane
KIROKAZE
Sade Olutola
we're not kids anymore.
let's talk about Bridgerton tea, my ask is open
todays bird

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AnasAbdin

shark vs the universe
Mike Driver
tumblr dot com
Aqua Utopia|海の底で記憶を紡ぐ
TVSTRANGERTHINGS
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pixel skylines
styofa doing anything

⁂

blake kathryn

JVL

seen from United States

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@captainthot
Honestly? Shoutout to those of you who are completely fucking lost in life. Those who don’t know what they want to do with life. Those who are stuck in a certain part of life and can’t get out. Those who are reaching for dreams they feel are impossible to reach. Those who feel like they’re accomplishments are being overlooked. Those who feel like their enough just isn’t enough. It is. You can make it. You will make it. There is an opening at the end of the tunnel.
the oft unspoken truth of society is that the line between quirky and cringy is often how conventionally attractive you are
Jules Laforgue, tr. by Vernon Watkins, from “Complain of that Good Moon,”
forever writing unsent letters on reddit
how to read like a writer
I see a lot of posts about how people will read an amazing book and feel like they’ll never be able to do anything like it, and it completely discourages them. I’ll admit, it’s really difficult as an unestablished writer to picture yourself writing something as amazing as what you’ve just read, but the important thing to remember is that these amazing pieces can build the foundation of your own work, and that reading these things is to your own advantage. Some important questions to keep in mind while reading are:
What is the author including that I’m not? Is there anything in their prose that startles you? a phrase you wouldn’t use, an unexpected flow of a scene, an atmosphere to their story that you haven’t seen used in a particular genre, etc. These things are all yours to weigh for their usefulness in your own work.
What do they describe first? This can set the tone of the entire piece, and is great in establishing atmosphere, and even bigger themes of the book. More than that, first descriptions can be strong lasting images for the reader when used effectively. Lasting images of the piece help create a stronger emotional resonance.
How does the author introduce characterization? Some authors use small moments of actions, the character’s own narrative voice, other characters’s interactions with them or opinions of them, contrast between characters, and even outright stating characterization (which can be insanely effective and elegant in certain styles). It’s important to recognize how the author in question does this, especially when it’s distinctly resonant with you. This is an open foundation for you to build your own characterization on.
Are they more sentimental or cynical? This is mostly the scale of measure I use when analysing an author’s voice. Overall, they’ll usually swing to one side of things. But more importantly, try to look at the overall blend of the two, and how the voice tends to shift to either one while writing certain scenes, or characters. Often, either one could be used to contrast, add to characterization (such as with a pov), denote a change in setting (effectively shifting atmospheres), etc.
Hope this helps someone out there!
February 24, 2020
The Eye-mote, Sylvia Plath
[ID: What I want back is what I was]