Roadside Grave by Cassandrea Xavier
No title available

if i look back, i am lost
Lint Roller? I Barely Know Her
One Nice Bug Per Day
wallacepolsom
No title available
Peter Solarz

pixel skylines

Kiana Khansmith

⁂

祝日 / Permanent Vacation
Not today Justin

No title available

blake kathryn
he wasn't even looking at me and he found me
Xuebing Du
occasionally subtle

★
trying on a metaphor
Cosimo Galluzzi

seen from T1
seen from Indonesia

seen from Lithuania
seen from United States

seen from Türkiye
seen from Indonesia

seen from United Kingdom

seen from Philippines
seen from Russia

seen from United States
seen from Belgium
seen from United States

seen from Croatia
seen from United States
seen from United States
seen from United States

seen from Italy
seen from United States
seen from Indonesia

seen from Indonesia
@cassandreaxavier-blog
Roadside Grave by Cassandrea Xavier
Faceless by Cassandrea Xavier
Gift to You by Cassandrea Xavier
Shallow Heaven by Cassandrea Xavier
Dia Agradavel by Cassandrea Xavier
A photo from a current installation project. The physical installation, which takes place in a dark room, consists of a photographic still image from this scene displayed in a lightbox at one end of the room. Within the room 3 different sounds play, all overlapping each other but coming from different sides of the room. Depending on where the viewer is standing, they hear one noise more heavily than the other two, and whichever noise they hear will manipulate how they view and connote the image emotionally: to stand near the sound of waves crashing gives the piece a naturally, soothing feeling; to stand by the sound of fire crackling gives the piece a sinister, apocalyptic connotation; standing where the choral folklore song “Sweet Day” by Ralph Vaughn Williams is playing gives the image a transcendental, religious motif (the song itself depicts the tale of those in nature that are beautiful but must eventually die). The project is about expanding the practice of imagery beyond something static and one-dimensional.
Sweet Day by Cassandrea Xavier.
A photo from a current installation project. The physical installation, which takes place in a dark room, consists of a photographic still image from this scene displayed in a lightbox at one end of the room. Within the room 3 different sounds play, all overlapping each other but coming from different sides of the room. Depending on where the viewer is standing, they hear one noise more heavily than the other two, and whichever noise they hear will manipulate how they view and connote the image emotionally: to stand near the sound of waves crashing gives the piece a naturally, soothing feeling; to stand by the sound of fire crackling gives the piece a sinister, apocalyptic connotation; standing where the choral folklore song “Sweet Day” by Ralph Vaughn Williams is playing gives the image a transcendental, religious motif (the song itself depicts the tale of those in nature that are beautiful but must eventually die). The project is about expanding the practice of imagery beyond something static and one-dimensional.
ADDITIONAL DISPOSABLE FILM PHOTOGRAPHS FROM THE BEGINNING OF 2016
Buildings by Cassandrea Xavier Via Flickr: Shot on a disposable film camera
Third Floor Washroom by Cassandrea Xavier Via Flickr: Shot on a disposable film camera
Jail Cell by Cassandrea Xavier Via Flickr: Shot on a disposable film camera
David's Room by Cassandrea Xavier Via Flickr: Shot on a disposable film camera
Narrative Art Series, Behind the Scenes: Cake by Cassandrea Xavier Via Flickr: Shot on a disposable film camera
Original/actual photograph: www.flickr.com/photos/cassandrea-/25174343192/in/datepost...
Narrative Art Series, Behind the Scenes: Print Out by Cassandrea Xavier Via Flickr: Shot on a disposable film camera
Original/actual photograph: www.flickr.com/photos/cassandrea-/25292587365/in/datepost...
Bloody by Cassandrea Xavier Via Flickr: Shot on a disposable film camera
Lost in Springfield: a Crystallization of Memory
This was a found photograph/installation/mixed media series I created in March of 2015, that I recently revisited (and re-edited, hence reposting in its new glory). In the summer of 2014 I found a family photo album at a park sale that belonged to the summer of 1969. A family from Springfield, Missouri's photos and memories had somehow made it's way to my hands in Toronto. Eventually I used the photographs to create this series in which I investigated the ephemera of the human existence and the glorification of memory. I crystalized the photographs in a physical solvent, as well as crystallizing some items that felt like tangible representations of memory. My series is a desperate plea to make the memory of these humans I never knew last forever, whilst also creating a new life for them.
by Cassandrea Xavier
Lost in Springfield: a Crystallization of Memory - Bones by Cassandrea Xavier Via Flickr: This was a found photograph/installation/mixed media series I created in March of 2015, that I recently revisited (and re-edited, hence reposting in its new glory). In the summer of 2014 I found a family photo album at a park sale that belonged to the summer of 1969. A family from Springfield, Missouri's photos and memories had somehow made it's way to my hands in Toronto. Eventually I used the photographs to create this series in which I investigated the ephemera of the human existence and the glorification of memory. I crystalized the photographs in a physical solvent, as well as crystallizing some items that felt like tangible representations of memory. My series is a desperate plea to make the memory of these humans I never knew last forever, whilst also creating a new life for them.
Lost in Springfield: a Crystallization of Memory - Flora by Cassandrea Xavier Via Flickr: This was a found photograph/installation/mixed media series I created in March of 2015, that I recently revisited (and re-edited, hence reposting in its new glory). In the summer of 2014 I found a family photo album at a park sale that belonged to the summer of 1969. A family from Springfield, Missouri's photos and memories had somehow made it's way to my hands in Toronto. Eventually I used the photographs to create this series in which I investigated the ephemera of the human existence and the glorification of memory. I crystalized the photographs in a physical solvent, as well as crystallizing some items that felt like tangible representations of memory. My series is a desperate plea to make the memory of these humans I never knew last forever, whilst also creating a new life for them.