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@cat-interpolation
ART WORK
Yoshiyuki Tanaka & Sakae Sato, 1987
Tokyo Poetry Journal (ToPoJo) Vol. 15: Visual///Visionary Poetry, 2024
Pierre Mariétan, Rose des vents, GERM (Groupe d'étude et réalisation musicales), Not On Label, 1987 (then Mana, 2017) [midcenturyclassical]
dom Sylvester Houédard, Typestract 140763, 1963 [Richard Saltoun Gallery, London. © dom Sylvester Houédard]
Source
I wonder what Mae got up to this Harfest 🎃🍂
˗ˋˏ ♡ ˎˊ˗
i can do anything i want with these fish now twt / store
forever in love with @salavante's greenbrier mice and their cowls so i had a lot of fun coming up with some of my own
tag yourself i'm the one wearing bottlecaps
Untitled (Riverbed No.1) 2015
Zhou Wendou
Material:Cast Aluminium Size:240x130x6cm
In the dry and cracked bed of the Yellow River, I saw the microscopic boundaries in nature, which were originally whole, separated by the lack of water, and each small piece became an individual. The cracks, on the other hand, are intact and link together to form a net. This is very much like society today, where in the real world people are becoming more and more alienated from each other, but the virtual world of the internet connects people who are not connected to each other. When a boundary is formed, new connections emerge and vice versa. Through the restoration of cracked land, space and boundaries are transformed and I realise that the concept of ‘restoration’ is also about ‘reconnection’. The restoration of the cracked land is a kind of ‘healing’ of my concern for the living environment, both for nature and for me.
Translated with DeepL.com (free version)
Construction site, composition.
By Matti Merilaid.
I'm also selling these old OCs.. first image, critter is $10. second, Carson - $20. Alouette - $25. DM me if interested.
critter has SOLD