evidence

one artist's cross-pollination CatherineWhite.com

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Hans Coper

Stoneware, layered white slips and manganese oxide over a textured body, interior with manganese glaze

Victoria & Albert Museum

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Hans Coper

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#1 summer shards 2025

Catherine White

aperture vase with poppies

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Catherine White

Woodfired stoneware

Natural ash glaze

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Blade moon with garlic scapes

Catherine White

Woodfired stoneware

Natural ash glaze

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Catherine White

Large vase

Woodfired stoneware natural

Ash glaze

2026

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I realize that part of why I like writing on the computer is that I am certain it can be read. I have the luxury of spell-check and the potentially rich pool of web resources. I can quote and link with the click of a finger. When I write by hand it is fast and a direct link to my mind, but it is illegible for most. My handwriting is a form of hieroglyphic chicken scratch. It holds the risk of misspelling and incomplete letters. My loopy shorthand, substituting for the careful penmanship that I was taught in third grade, is perhaps the purest form of irregular communication.

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from 2014

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Kazuo Yagi

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Bottles after a discussion at bandana Pottery and looking at photos of bottles from Okinawa.

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an image from 2016

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#16 decembrance 2025

Catherine White

woodfired bottles 

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Bottles for the wood kiln

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Ernst Gamperl

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Wild poppies in wild clay bowl

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Spring flowers in dust print vase

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A cup family

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Escarpment vases waiting to be fired.

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Koichi Uchida