evidence

one artist's cross-pollination CatherineWhite.com

[catherine-white]

(#49) Dream Map

Catherine White Stoneware, woodfired, natural ash glaze h 17" w 19" d 11"

[catherine-white]

(#02) Winged Metamorphic 2

Catherine White Stoneware, woodfired, natural ash glaze h 17" w 19" d 11"

[catherine-white]

Catherine White-- recent work

I am excited to share the online preview of my recent anagama fired work. I always love getting people to use my work because I feel these objects reach their full expression through interaction. It's harder to convey their actual volume and heft online, but one advantage to an online exhibit is that each piece gets equal space no matter its size. go to https://white-frederick.com/ to take a look. Sales will "open" or "go live," whichever term you prefer, on Sunday July 12 at noon, EDT.

[catherine-white]

Aperture vase 2026

Catherine White

Woodfired stoneware natural ash glaze

[catherine-white]

Stancills Bowl 1                                                                                                             

Catherine White

wild clay, woodfired, natural ash glaze h 3"  w 8"  d 8"

[catherine-white]

Fragments of nothingness

Catherine White 2026

Woodfired stoneware

[catherine-white]

Catherine White #13 summer shards 2025

woodfired stoneware natural ash glaze

[catherine-white]

Courtesy of SoNoMa by SingleThread

[catherine-white]

catherine white #8 summer shards 2025

garlicscapes in escarpment vase

[catherine-white]

Hans Coper

Stoneware, layered white slips and manganese oxide over a textured body, interior with manganese glaze

Victoria & Albert Museum

[grabsomeironmeat]

Hans Coper

[catherine-white]

#1 summer shards 2025

Catherine White

aperture vase with poppies

[catherine-white]

Catherine White

Woodfired stoneware

Natural ash glaze

[catherine-white]

Blade moon with garlic scapes

Catherine White

Woodfired stoneware

Natural ash glaze

[catherine-white]

Catherine White

Large vase

Woodfired stoneware natural

Ash glaze

2026

[catherine-white]

I realize that part of why I like writing on the computer is that I am certain it can be read. I have the luxury of spell-check and the potentially rich pool of web resources. I can quote and link with the click of a finger. When I write by hand it is fast and a direct link to my mind, but it is illegible for most. My handwriting is a form of hieroglyphic chicken scratch. It holds the risk of misspelling and incomplete letters. My loopy shorthand, substituting for the careful penmanship that I was taught in third grade, is perhaps the purest form of irregular communication.

[catherine-white]

from 2014

[grabsomeironmeat]

Kazuo Yagi