The patterns that connect / Les chemins qui relient. Perfume and mixed media.
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@catherinewillis
The patterns that connect / Les chemins qui relient. Perfume and mixed media.
Title: Lord of the Rings. White painted plaster. A bronze to be
#catherinewillisstudio
Expo au Jardin Propice, Perche, Normandie, France. 2016. Merci Annie Yver.Photo Marie-France de Monneron pour Ouest-France. Merci Marie-France.
Moscow, December 2016
With Birgitta Jonsdottir and Larry Lessig. The most intense day of filming of my life is about to end. Itâs -12°C and I do not want to leave. Yet someone is missing in this street. Citizen Four is no longer with us, But he will be everywhere in our film. MEETING SNOWDEN Coming soon on Arte #thisiswhatdemocracylookslike
Moscou dĂ©cembre 2016, Avec Birgitta Jonsdottir et Lessig2016. On vient de finir une journĂ©e totalement folle de tournage. Il fait -12°C, il est minuit et je nâai aucune envie que cela sâarrĂȘte. Dans cette rue, il manque lâun de nos personnages. Citizen Four n'est plus avec nous, Mais il sera partout dans notre film. MEETING SNOWDEN BientĂŽt sur Arte. #cequilrestedeladĂ©mocratie
Citizen four !
MEETING SNOWDEN - the premiere in Paris
Was it the glass of wine I had before, the air conditioning gone mad, Remiâs music that caught my heart, your gazes stolen by the shots, their words everywhere ? During the Premiere of MEETING SNOWDEN on the Max Linder huge screen, I started to shiver.
In the audience, a blend of my worlds, family, friends for life, my many partners in crime. I saw the little girl, the student, the lover, the woman, the author, the citizen, the sister, the friend, the traitor, the mother. As the sun in Moscow was rising on the screen, I tried to collect my thoughts for the little speech I was supposed to deliver at the end of the film. Some words on their words. Alone by the back of the packed cinema, I could not get my arm to obey nor my hand to hold the pen. There was no way I could control anything anymore. The film was there, on screen. So I looked again this story unfold. As I had a thousand times without me intervening really.
The end credits ran too fast, taking away the name of all those that crafted this piece of work with me. The lights came back. And then I saw your many faces, shaken, as I was after the filming, and in your eyes, a little star, a light, a thank you. I got that I was the body the idea had chosen to materialize itself, to pass along. Capturing this conversation between these three bigger-than- life characters was an adventure I can not even start to describe. My part is done. But the trip is just beginning.
THE FILM WILL AIR ON ARTE ON JUNE 15
Larry Lessig and Birgitta Jonsdottir on stage,
greeted by a standing ovation,
before a debate with the audience (with Pascale FaugĂšre - amazing translator)
Many thanks to Julie Perris and Paul Rozenberg (my producers), Alain le Diberder, Kay Mezeberg and Marco Nassivera (Arte), who commissionned the film. In the picture below, Benedicte Jeannerod - Human Right Watch, and Cecile Coudriou - Amnesty International, two partners for the premiere, Julie Perris and Marco Nassivera (hosts for the night).
Est-ce ce verre de vin avant le dĂ©but de la premiĂšre, la climatisation de la salle, la musique qui part et mâattrape les tripes, vos regards happĂ©s par lâimage, leurs mots partout ? Pendant la premiĂšre de MEETING SNOWDEN sur lâĂ©norme Ă©cran du Max Linder, jâai commencĂ© Ă trembler.
Dans la salle, il y avait presque tous mes mondes, ma famille, mes ami(e)s de toujours, mes partenaires de jeu, de lâĂ©dition, de lâactivisme politique. Jâai vu la petite fille, lâĂ©tudiante, lâamoureuse, la femme, lâauteure, la citoyenne, la soeur, lâamie, la traitre, la mĂšre. Toutes mes vies. Dans le noir, Ă©clairĂ©e par Moscou, jâai voulu prendre quelques notes pour ma petite intervention aprĂšs le film. Quelques mots sur leurs mots. Seule au fond de la salle presque pleine, je nâai jamais pu reprendre le contrĂŽle de ma main. Alors jâai lĂąchĂ© lâidĂ©e de contrĂŽler quoi que ce soit. Le film Ă©tait lĂ . Et jâai regardĂ©, pour la milliĂšme fois, cette histoire se raconter sans que jâintervienne vraiment. Le gĂ©nĂ©rique a dĂ©filĂ©, emportant trop vite le nom de celles et ceux sans lesquels tout cela nâaurait Ă©tĂ© que le rĂȘve dâune enfant gĂątĂ©e. Et alors vous avez applaudi. Jâai vu vos visages un peu sonnĂ©s, comme moi aprĂšs ce tournage, et au fond de vos regards, une Ă©tincelle, une larme ou un merci. Et jâai compris que jâavais fait mon travail. Que jâĂ©tais ce corps dans lequel cette idĂ©e Ă©tait venue se loger pour se matĂ©rialiser, passer. Capturer ce moment, cette rencontre entre ces trois personnages plus grands que la vie, Edward Snowden, Larry Lessig and Birgitta Jonsdottir Ă©tait une aventure bouleversante. Pour un tas de raisons, jâai lâimpression que le voyage ne fait que dĂ©marrer. A trĂšs vite pour dâautres projections, discussions, dĂ©bats et surtout la diffusion le 15 juin 2016 sur ARTE. Merci Ă Julie Perris pour cette soirĂ©e. Merci Ă vous qui Ă©tiez lĂ et mâavez signifiĂ© par vos mots et gestes, bienveillance, amitiĂ©s et tendresses. #biggerthanlife
Je viens de découvrir son interview Thinkerview. Bouleversée.
Exciting n.4 issue has arrived in my Paris studio. Like the 3 previous issues of this new international magazine created by multi talented Irish- born- living in- Provence Ruth Ribeaucourt @ruthribeaucourt it is the herald of a new world of peace and creativity that will happen after these dire times of chaos. I feel very proud that my work shall be published in issue 5 of FAIRE @FAIRE ( photos and interview by Ruth ) in April. #ruthribeaucourt #fairemagazine https://www.instagram.com/p/CazMg9aoMay/?utm_medium=tumblr
ArĂȘtes de trottoir.
Début Avril, sous un platane, Bd Beaumarchais, à Paris.
Greta Garbo.
Whaa..
The Thinker of Cernavoda 5,000 BCE [1024x768]
Bach : âMatthĂ€us-Passionâ, BWV 244 (ChĆur final : âWir setzen nns mit TrĂ€nen niederâ)
Solistes, RIAS Kammerchor et Staats und Domchor Berlin
Akademie fĂŒr Alte Musik Berlin
René Jacobs (direction)
Enr. 2012.Â
Haendel : âDominus a dextris tuisâ (extrait du Dixit Dominus (Psaume 109), HWV 232)
Solistes et Monteverdi Choir
Monteverdi Orchestra
John Eliot Gardiner (direction). (enr. 1976).
Who Are You?
by  SaáčsÄran
Who are we really? Are we our thoughts? Are we our circumstances? After all, if I think I am the King of Sweden then from my perspective I am. Conversely, if I am the King of Sweden and I think I am a barista at the Starbucks in Jersey City then I am.Â
If I think I am healthy but I am really dying from a disease which is without obvious symptoms then I am having the same experiences as every other healthy person. If I am a hypochondriac convinced that I am dying but in fact perfectly well then subjectively I am dying.Â
This raises the question is there an âobjective realityâ which remains the same regardless of human subjective experience? That is a true reality as opposed to a perceived reality. Of course, common sense says yes. This question is up for debate. Everything changes every nanosecond.Â
The Grand Canyon seems like a permanent fixture yet it changes just as much as the river which formed it. How can something be real if it is never the same from one instant to the other? It is as the sage said we never step into the same river twice.Â
Finally, if there is an independent reality then so what? What use is this knowledge to us? The main use I suppose is that the closer our subjective reality is to this objective reality then the better we can navigate the external world. If a blind person cannot see the living room couch that doesnât mean the couch does not exist. It is there.Â
Now, what of the things we cannot perceive with our senses? They also exist. Yet everything which exists to us exists only within our brain. We take in sense impressions, process them and then build an image of this outer reality within our brain and use this to navigate the external world and we convince ourselves that this mental image is in fact reality when at best it is a flickering shadow.
Who are you?
Title: L' Incubateur de Nuages. Gold painted ceramic. #catherinewillisstudio
In my Paris studio,
Imaginary Planets portraits #catherinewillisstudio
To be yourself in a world that is constantly trying to make you something else is the greatest accomplishment.
Ralph Waldo Emerson (via quotemadness)