Michelangelo (Italian, 1475-1564). “The Rebellious Slave” and “The Dying (or Sleeping) Slave”. Musée du Louvre, Paris. marble
Cosimo Galluzzi
One Nice Bug Per Day

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Michelangelo (Italian, 1475-1564). “The Rebellious Slave” and “The Dying (or Sleeping) Slave”. Musée du Louvre, Paris. marble
Hans von Schrötter (Austrian, 1891–1965). “Youth playing a Flute”, c.1913. oil on canvas
Anthony Maria Browne, Second Viscount Montagu
Artist: Robert Peake the Elder (English, ca. 1551–1619)
Date: ca. 1590
Medium: Oil on canvas
Collection: Yale Center for British Art, New Haven, Connecticut, United States
Description
Browne was a Catholic at a time when plots against Elizabeth I, a Protestant, had created a climate of suspicion toward those loyal to Rome. A visual essay in stoicism, this painting captures the defiance of a man who felt unjustly persecuted for his beliefs and wrongfully accused of treason.
Jonathan Wateridge, Stretch 2015 - 2016
Oil on Linen 225cm x 255cm
Marisa Berenson photographed by Barry Lategan on the set of Barry Lyndon in the Double Cube Room at Wilton House in Wiltshire, England, 1975. Costume designed by Milena Canonero and Ulla-Britt Söderlun.
Teodors Ūders
Death (1914)
No memory, 2025 - by Luis Henry Agudelo Cano, Colombian
by Leni Willimann-Thöni
source: collectionarchive.tumblr.com
An interval at the Opera - Georges Clairin, c. 1900
Norman Lindsay (1879–1969), “Madame Mystery”
etching, engraving, & stipple, 1920
source
Kathleen Cohen, Metamorphosis of a Death Symbol: The Transi Tomb in the Late Middle Ages and the Renaissance