‘Treasure’
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@catnapsonly
‘Treasure’
@betterthanforever‘s dragonborn paladin. I haven’t drawn a dragonborn in forever (not since my own boy Nox) so I hope it’s ok!
Movie night with my favourite Asgardians
‘and he knows how much I love snakes’
The more I think about this scene the funnier it gets tbh
Requests open!
Hey! So I’m looking to practice some more character drawing. If you have an OC you’d like to see in my style, feel free to drop me a message!
I’m particularly into drawing folks’ D&D characters, but all requests welcome! I’m also open to fanart!
So I’ve made a new art blog and I’m taking requests of all shapes and sizes to kick it off!
me and the gf rocking that double-pattern look for june
i love laying the FUCK down and sleeping
i was reading an article about how some professional clowns are afraid IT is going to cause business issues, and this one guy came forward to say he didn’t think it’d be a big deal and everything from his statement to description sounds like something made up for a tumblr shit post:
“‘A load of the folks who say ‘this is terrible for the industry’ have been clowning for about five minutes – they’ve not been through this before,’ says Ian Williams, honorary secretary of Clowns International, which claims to be the world’s oldest clown organisation. ‘It’s not going to kill off clowning. [The TV miniseries adaptation of It, starring Tim Curry] came out 27 years ago. I was clowning then, I’m still clowning now.’”
i’m sharing this again because this guy is possibly my hero he’s seen it all and does not give a fuck
he was clowning then and he’s clowning now
Some more copic practice
Some practice drawing profiles
a gnome and a tiefling walk into a wood...
I can’t quite wrap my head around John Cena-sized Ango, but I very, very much enjoy the idea of him eventually getting taller than Taako, and Taako being very huffy about it
some much loved npcs from my current campaign
There’s a difference between being happy and being distracted from sadness
when will i stop analysing every micro interaction and realise other people have moods and feelings that are not necessarily influenced by my presence
B (oc from ctc)