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konoko

Amiga

Amiga mía

Hace mucho que nos conocemos,

Pero es en estos tiempos

que yo te veo más cambiada y madura,

más atractiva e irresistible,

Espero me comprendas

Cuando me sincero y te digo,

y espero no te ofendas pero

me excita tu cuerpo, de sobremanera.

Que me muero por sentir mío tu cuerpo,

Mientras nos hundimos

En el mundo de las fantasías

Donde el éxtasis, el goce y la lujuria

Son venerados como dioses.

Son respetados como sabios.

Ven, nadie te hará daño.

Me encanta sentir el éxtasis que guardas solamente entre tus piernas, aunque sea solamente una ilusión del humo de mi cigarrillo.

Lo que hay que hacer es follar, mi querida, porque dado que hemos nacido para follar, al hacerlo cumplimos con las leyes de la naturaleza, y toda ley humana que se oponga a ella sólo merece el desprecio.

Filosofía en el Tocador - Marqués de Sade

#marques de sade #sade #filosofia #en #el #tocador #book #booklover #books #marques #de #tuesday

azureviolins

Deathiversary of Antonio Stradivari

275 years ago, the greatest known violin maker died. We have no record of Antonio Stradivari’s birth, so let’s celebrate his life by honoring his death. He was born in a time when music was changing and the violin was taking on a new role within the group. It was once relegated to and accompanying role music, and after the Renaissance it was called to a melodic, soloing role. Up steps a violin maker from relatively unknown origins.

Cremona, Italy lives in the tomes of violin makers. Generations of makers lived there before Stradivari came along. Based on the age that was put on his labels, it is accepted that he was born in 1644. For a little historical perspective, this is after many perished when the plague ravaged Europe.

When Stradivari made his first violins in about 1660, they were obviously influenced by the Amati family. About 1690 the forms and archings of his violins morphed to create more sound. * He had introduced a new model and this was courageous because the demand for the bigger concert hall sound didn’t come about until the mid 18th century.

In 1704 he seemed to reach his optimal goal for sound as his instruments were extraordinarily brilliant with a full and powerful tone. 1704 to 1720 marks his “golden age” of making. My favorite instrument, the Soil, was made during this time in 1714. He made violins up until the mid 1730s. The instruments from his last years clearly show declining strength and skill.

His second wife died in March of 1737 and he was not long to follow. Antonio Stradivari, violin maker/pwner, died December 18th, 1737. He made an estimated 1100 instruments, sparked countless innovations in making, and lived to be about 94.

*There is speculation that around 1690 his sons started to have responsibilities in the workshop and business. It was common to use the head of the workshop’s name (Antonio) on the labels of the instruments coming out of the shop, so it wasn’t false attribution.

sosuperawesome

Dresses by Sylvie Facon, on Instagram

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supersonicart

“Cool & Collected” at Kenise Barnes Fine Art.

Opening on August 2nd, 2018 at Kenise Barnes Fine Art in New York City is the group exhibition “Cool & Collected,” curated by Lani Holloway and Avery Syrig.

The fourth iteration of “Cool & Collected,” the group exhibition offers work by five up and coming artists under the age of 35: Katie Barrie, Rebecca Levitan, Laini Nemett, Alex Osborne and Sophie Treppendahl.

The exhibition will be on view until September 1st, 2018.

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theonlymagicleftisart

Slice of Earth

Vladimir Lakic is an artist from Novi Sad, Serbia that creates paintings and digital artwork. Check out this incredible image and more on his page.

TheOnlyMagicLeftIsArt

Quisiera conocerte en pocas horas, mi querida amada del futuro; ya que todos se jactan en confirmar la existencia de mi "otra mitad"...¿por qué demoras tanto en hacerte notar?

crossconnectmag

Featured Art by Mikey Winsor.

SUBMISSION

Artist Statement: My work deals with a force that moves life. Sometimes it is plant stretching its branches. Sometimes an animal defending its territory. Sometimes a human seeking a calm place to exist in. Whatever it is; it is a ubiquitous yearning, yet intangible. In science, it might be an evolutionary initiation. In religion, a desire to be Godly. It is more like a thirst of possibility – than a thing. My work is a conglomerate of pieces accepting this journey. Myth, illustration, and expression weave into a situation in each work. Each situation involving time, possibility, and ultimately an action.

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