Cedro Plátano @cedro-platano - Tumblr Blog

NOTAS DE CAMPO

um filme de Catarina Botelho

Estreia na Competição Nacional do Festival DocLisboa 2017

"Notas de Campo" de Catarina Botelho 47min. | 2017 Desenho gráfico do cartaz - Vivóeusébio

ESTREIA MUNDIAL na Competição Nacional do Festival Doclisboa 2017 20 OUT / 18.45, SÃO JORGE – SALA M. OLIVEIRA 25 OUT / 21.45, SÃO JORGE – SALA 3 Co-produção: Catarina Botelho & Cedro Plátano

#Vi #doclisboa #catarina botelho #Cedro Plátano

cedro-platano

Synopsis Notas de Campo / Field Notes arises from the need to understand the period of austerity policies in Portugal, which began in 2011. It stems from a search that takes the shape of a journey during which two women share their life experiences and their thoughts on those years: how they changed their lives and political views. A generational gaze on that specific time, on a route towards the South, from Portugal to the Sahara desert – a movement of taking distance: a breath.

Documentary - 47min.

DOP and Directed by: Catarina Botelho

Sound recording and Grip: Helena Inverno

Editing: Helena Inverno

Mixing: Tiago Matos

Grading - Marco Amaral

Co-prodution: Catarina Botelho & Cedro Plátano

Financial Support by Calouste Gulbenkian Foundation

2017 © Catarina Botelho & Cedro Plátano

cedro-platano

#catarina botelho #Cedro Plátano #doclisboa

Synopsis

“In the Port of Leixões” is a documentary film in 3 episodes. The port was built at the mouth of the river Leça, in the late 19th century. Set near the towns of Leça da Palmeira (to the north) and Matosinhos (to the south), Leixões is the largest artificial port infrastructure in Northern Portugal. The Port of Leixões is a lively place, with very particular acoustic characteristics, where the sounds of the city blend with the typical tumult of sounds of the nearby ocean and port activities. The goal of this project is to recreate the Genius Loci of this harbour in a cinema projection.

First episode Panorama is in post-production has 27min.

Directed by: Renata Sancho

DOP: Mário Castanheira

Sound recording: Ricardo Leal

Editing: Renata Sancho

Mixing: Miguel Martins

Executive producer: Manuel Rocha da Silva

2017 © Cedro Plátano

#Renata Sancho #Cedro Plátano

Synopsis Notas de Campo / Field Notes arises from the need to understand the period of austerity policies in Portugal, which began in 2011. It stems from a search that takes the shape of a journey during which two women share their life experiences and their thoughts on those years: how they changed their lives and political views. A generational gaze on that specific time, on a route towards the South, from Portugal to the Sahara desert – a movement of taking distance: a breath.

Documentary - 47min.

DOP and Directed by: Catarina Botelho

Sound recording and Grip: Helena Inverno

Editing: Helena Inverno

Mixing: Tiago Matos

Grading - Marco Amaral

Co-prodution: Catarina Botelho & Cedro Plátano

Financial Support by Calouste Gulbenkian Foundation

2017 © Catarina Botelho & Cedro Plátano

#catarina botelho #Cedro Plátano

supercalli

_______, os girassóis esperam por ti todos os dias performance

3 de Junho 2016 20:20 / 21:00 / 21:40 Rua Poço dos Negros, 119 #manpower2016 #cedroplatano

cedro-platano

Manpower ‘16 - festival internacional de artes

artist - cedro plátano

interpretação - Paula Garcia

_______, os girassóis esperam por ti todos os dias performance

3 de Junho 2016 20:20 / 21:00 / 21:40

Rua Poço dos Negros, 119 #manpower2016

#Cedro Plátano #paula garcia #Renata Sancho

cedro-platano

a cedro plátano participa no W-MANPOWER ‘16

3 JUNHO 2016

às 20:20 / 21:00 / 21:40

Rés do Chão, nº119 / Rua Poço dos Negros

performance:

“_______, os girassóis esperam por ti todos os dias”

integrado no Manpower ‘16 - festival internacional de artes

MANPOWER 2016

3 JUNHO 2016 | 19h - 24h | Rua Poço dos Negros

“MANPOWER Festival Internacional de Artes é um entusiasmante festival na Rua Poço dos Negros, em Lisboa, que apresenta por uma única noite uma grande diversidade de arte, música e performance. O nome da rua, Poço dos Negros, é uma recordação pungente da escravatura, que contrasta com o seu charme intemporal e multicultural. Atualmente, um novo espírito criativo funde-se com o comércio tradicional criando ligações entre arte, arquitectura, design e teatro.

O festival de artes internacional lisboeta regressa em 2016 com o tema W-MANPOWER: Preferência por todos os géneros como tema que abarca as origens e significados de ambos, ‘manpower’ e ‘womanpower’, e orienta os trabalhos artísticos que mais uma vez irão ocupar as ruas, montras, restaurantes, locais abandonados e históricos da Rua Poço dos Negros. Com ‘Preferência por todos os géneros’ queremos celebrar o poder do homem e da mulher e ver para além das divisões de género, mergulhando no poder criativo que nasce da pluralidade que inspira a vida e a arte. A seleção de artistas para este ano, feita através de uma open call e de convites diretos, inclui trabalhos ambiciosos de performance, pintura, escultura, vídeo e instalação sonora que irão ocupar a rua durante apenas uma noite. Lisbon’s international arts festival MANPOWER returns in 2016 with the theme ‘W-MANPOWER: All genders preferred’ encompassing the origins and meanings of both ‘manpower’ and ‘womanpower’ which influence all of the artworks that will once again inhabit the streets, shop windows, restaurants, abandoned and historic venues of Rua Poço dos Negros. With ‘All genders preferred’ we want to celebrate the feminine, masculine and everything in between. To explore the past, present and future in relation to gender (and identity) informing both art and life. This year’s artists’ selection through an open call and invitation include ambitious new performances, paintings, sculpture, video and sound installations which will engage with the streets past and present histories for one night only. MANPOWER International Arts Festival is an engaging festival on Lisbon’s Rua Poço dos Negros presenting for one night only a variety of art, music and performance. The street’s name translates to ‘well of the blacks’ and is a poignant and weighty reminder of slavery, which is in contrast to its timeless and multicultural charm. Presently, a new sense of industriousness is merging with traditional linchpins of commerce creating links between art, architecture, design and theatre..”

#Festival Manpower 2016

supercalli

“Horas Extraordinárias #4” (2016) de Catarina Botelho ausentes “O Banho de Vénus” e “O Espelho de Vénus” de Sir Edward Burne-Jones (1833-1898) na Colecção FCG #galeriapresença (em Galeria Presença)

#catarina botelho

supercalli

“Horas Extraordinárias #8” (2016) de Catarina Botelho embrulhado “Naufrágio de um Cargueiro” de J. M. W. Turner (1775-1851) no Museu Gulbenkian #galeriapresença (em Galeria Presença)

#catarina botelho