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oozey mess
official daine visual archive

Product Placement
Keni
occasionally subtle

Jar Jar Binks Fan Club
Cosmic Funnies
cherry valley forever
Cookie Run:Kingdom Official!
TMBGareOK. The Official They Might Be Giants tumblr
★

PR's Tumblrdome
"I'm Dorothy Gale from Kansas"

if i look back, i am lost

Origami Around
taylor price
Interview Vampire Daily
art blog(derogatory)

@theartofmadeline
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@cg1170-blog
(via Laughing Men In Suits)
(via Third World Success Kid)
(via Disaster Girl)
(via First World Problems)
Say “I look so good tonight”
God damn, God damn
Say “I look so good tonight”
What Do You Want?
I thought this scene was especially interesting because it speaks to much more than it simply looks like. The cop shooting Kendrick dead with only his fingers symbolizes the dangerous power of oppression to kill a culture and its people even without violence. Such a notion reveals the true injustice and wrong hidden in American society.
I thought this scene spoke volumes as well; I think it also alludes to how stereotypes and perceptions of young black males are influenced by how the police treat them. The police treating them with hostility and distrust often leads to society treating them the same way.
Nigga, and we hate po-po Wanna kill us dead in the street fo sho'
Kendrick Lamar (via mwin8)
What you want? A house, you a car, forty acres and a mule, piano or guitar anything?
Kendrick Lamar
This lyric is important because it references reparations in a line full of other expensive objects, alluding to the value of reparations.
#Ferguson and its attendant live streams created a similar feeling of shared temporality—particularly during the protests and confrontations with police.
Bonilla and Rosa
we hate po-po Wanna kill us dead in the street fo sho'
Kendrick Lamar “Alright”
“Good thing he wasn’t eating spaghetti when he was attacked he would have been charged with a felony.” -John Oliver
Another friend tells you you have to learn not to absorb the world. She says sometimes she can hear her own voice saying silently to whomever- you are saying this thing and I am not going to accept it. Your friend refuses to carry what doesn't belong to her.
Rankine, “from Citizen”