KIROKAZE

Kiana Khansmith

titsay

Jar Jar Binks Fan Club
The Stonewall Inn
Noah Kahan

izzy's playlists!
No title available

Andulka
Xuebing Du

oozey mess

Love Begins
No title available
sheepfilms
Show & Tell
🩵 avery cochrane 🩵

Origami Around
untitled
Misplaced Lens Cap
cherry valley forever
seen from Brazil
seen from Bangladesh
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seen from TĂĽrkiye
seen from Colombia
seen from Saudi Arabia
seen from Colombia
seen from India

seen from United States
seen from Greece
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seen from Indonesia
seen from United States
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seen from Venezuela
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@cg1170-blog
(via Laughing Men In Suits)
(via Third World Success Kid)
(via Disaster Girl)
(via First World Problems)
Say “I look so good tonight”
God damn, God damn
Say “I look so good tonight”
What Do You Want?
I thought this scene was especially interesting because it speaks to much more than it simply looks like. The cop shooting Kendrick dead with only his fingers symbolizes the dangerous power of oppression to kill a culture and its people even without violence. Such a notion reveals the true injustice and wrong hidden in American society.
I thought this scene spoke volumes as well; I think it also alludes to how stereotypes and perceptions of young black males are influenced by how the police treat them. The police treating them with hostility and distrust often leads to society treating them the same way.
Nigga, and we hate po-po Wanna kill us dead in the street fo sho'
Kendrick Lamar (via mwin8)
What you want? A house, you a car, forty acres and a mule, piano or guitar anything?
Kendrick Lamar
This lyric is important because it references reparations in a line full of other expensive objects, alluding to the value of reparations.
#Ferguson and its attendant live streams created a similar feeling of shared temporality—particularly during the protests and confrontations with police.
Bonilla and Rosa
we hate po-po Wanna kill us dead in the street fo sho'
Kendrick Lamar “Alright”
“Good thing he wasn’t eating spaghetti when he was attacked he would have been charged with a felony.” -John Oliver
Another friend tells you you have to learn not to absorb the world. She says sometimes she can hear her own voice saying silently to whomever- you are saying this thing and I am not going to accept it. Your friend refuses to carry what doesn't belong to her.
Rankine, “from Citizen”