symmetrysymptom:
by Marc Nagtzaam https://ift.tt/2R1OpAb
The Stonewall Inn
Claire Keane
ojovivo
TMBGareOK. The Official They Might Be Giants tumblr
Sweet Seals For You, Always
Interview Vampire Daily
Show & Tell

No title available
One Nice Bug Per Day

Kiana Khansmith

No title available

❣ Chile in a Photography ❣

Jar Jar Binks Fan Club

shark vs the universe
YOU ARE THE REASON
I'd rather be in outer space 🛸
Mike Driver
The Bowery Presents
Keni
★
seen from Tanzania

seen from Malaysia
seen from Spain

seen from United States

seen from Colombia

seen from China

seen from Japan

seen from United States

seen from Brazil
seen from United States
seen from Türkiye

seen from United States

seen from Malaysia

seen from Malaysia
seen from United States
seen from Singapore
seen from Canada

seen from United States

seen from United States

seen from Malaysia
@chairoffice
symmetrysymptom:
by Marc Nagtzaam https://ift.tt/2R1OpAb
We've teamed up with Australian publishing imprint MoodWar to release their out-of-print 'Nothing Pleases; I Like The Country Teasers' by Max Easton. Previously unavailable outside of Australia and New Zealand, we're very pleased to be able to make this edition available to now ship worldwide. We've put it up to pre-order on our website and it'll ship out on Monday 29th January!!
http://bit.ly/2Dv4OtP
'Nothing Pleases; I Like Country Teasers' is the third and final contribution to a trilogy of print essays by Sydney music writer Max Easton (TEMPERED, Mess + Noise, Crawlspace). Following on from 'Life Makes Me Nervous; I Like the Butthole Surfers' and 'Barely Human; I Like Randy Newman,' it charters the career of Glaswegian 'evil country band,' the Country Teasers: the mouth-piece of song-writer Ben Wallers (The Rebel). From 1993 to now, Easton charters the fourteen year recorded history of the band that saw them celebrated as vile satirists, musical subverts (with the impossible mission statement of merging aspects of country and hip-hop with garage rock recording sensibilities) and ultimately left them with little more than cult fandom to show for it. With Wallers walking defiantly into discussing matters of race and misogyny through the medium of vicious (and problematic) satire, 'Nothing Pleases' battles with the question that befalls any of the subverts - was it worth it?
718 http://ift.tt/2p8VLYJ
Wolfgang Weingart, TM Typographische Monatsblätter, 11, 1970, Museum für Gestaltung Zürich
Sophie Taeuber-Arp (1889–1943), Composition à cercles et rectangles / Composition with circles and rectangles, 1933. gouache on paper, 32 x 32 cm
http://www.mattwilley.co.uk/
#randomobject
Ellsworth Kelly. Green Curves from the series Line Form Color. 1951
Photo http://ift.tt/2mAfqiS
By Mariana Abasolo
andren: (via 24497741010_b5f425fd17_b.jpg (1024×736)) http://ift.tt/2zHefns
at Good Press
A free edition made for the Viktor Rogy ‘Marbles In My Mouth’ install @good_press back in September ‘16. Rogy’s work still blows my mind, all thanks to @dizmal_human for the introduction (at Good Press)
typo-graphic-work:Drawing57. 대망명2015, Exhibition http://ift.tt/2AoYWwb
Another reprint while I was at it - a free one sheet in mailorder @good_press - CRE1967 placed as an advert in the NME circa ‘96 - zoooooom 🔬