chalcogens

art is how we decorate space, music is how we decorate time

[topcat77]

Egon Schiele

“Crouching Nude in Shoes and Black Stockings” 1912

[fuzzbby]

Polina Pak.

[kkdas]

Sequoia National Park In California

[funeral]

The constant typing and swiping on the smartphone is an almost liturgical gesture, and it has a substantive impact on our relation to the world. I swipe away the information that does not interest me. I zoom in on the content that I like. I have the world firmly in my grip. The world has to accord with my desires. In this way, the smartphone amplifies self-referentiality. Through all my swiping, I submit the world to my needs. The world appears to me under the digital illusion of total availability.

Byung-Chul Han, Non-things: Upheaval in the Lifeworld

[beautifulbizarremagazine]

Balloon Dog anatomical model, designed by Jason Freeny, produced by Famemaster Toys

[thebonesofhoudini]

[cosmonautroger]

Kraftwerk

[possible-streetwear]

[shihlun]

[jamesusilljournal]

Dusk Till Dawn, Josh E Wylie, 2023

[topcat77]

Andy Warhol

Eggs, 1982

acrylic and silkscreen ink on canvas

[milksockets]

'chanel on ice,' 1997 by david lachapelle in leg - diana edkins + betsy jablow (1997)

[beljar]

And his heart, like the people who can only stand a certain amount of music, became drowsy through indifference to the vibrations of a love whose subtleties he could no longer distinguish.

Gustave Flaubert, from Madame Bovary, December 15, 1856

[tamsoj]

[...] and human speech is like a cracked kettle on which we tap crude rhythms for bears to dance to, while we long to make music that will melt the stars.

Gustave Flaubert, Madame Bovary

[8-bitstories-deactivated2020062]

[iindex]

[nemfrog]

“A composite of transverse body sections made from stereo-photogrammetry.” Anthropometry for Designers. 1978. 

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