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JVL
Jules of Nature
Monterey Bay Aquarium
KIROKAZE

if i look back, i am lost
Keni

tannertan36
we're not kids anymore.
Sade Olutola
2025 on Tumblr: Trends That Defined the Year
d e v o n
sheepfilms

oozey mess

Janaina Medeiros

⁂
Cosimo Galluzzi
Show & Tell
Game of Thrones Daily

Discoholic 🪩

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@cheolchoi
🌈柴犬アンちゃん🌈 on X: “おみかんもそろそろ美味しい季節 https://t.co/Qrq8BpgASO” / X
Agnes Po Ying Leung - They don't eat people, 2023
yukiko noritake
kirby claw machine ⭐
Jusaburo Tsujimura
Arm of the Seine near Vetheuil, 1878, Claude Monet
i've been waiting for someone like you
when healing from a person.. you will have thoughts like “I loved them more than I loved anyone, I never knew I could love someone so much, I’ll never love someone that much again..”
It is important to realize that your ability to love that person didn’t come from them, it came from within you. You were always a lover, already someone who could love deeply. Just because they are gone doesn’t mean that goes away. They didn’t give you the capacity to love, they just gave you a place to express it. Don’t give someone else the credit for how hard you could love, that was you and it still is.
Detail from “Events surrounding the birth of Kṛṣṇa” ~ ca.1801 India. British Museum • via Bibliothèque Infernale on FB
Reblogging things on here like im 15 and tenderly cutting pictures out of magazines and taping them to my bedroom walls alongside movie ticket stubs and notes passed in class and photos and paint sample cards from lowe's
Me immediately after getting the Claire's vaccine
for the coming up collection, label message
Avalokitesvara, c. 1500, Cleveland Museum of Art: Korean Art
Guanyin (Avalokitesvara in Sanskrit) represents a primary figure of benevolence and compassion in the Buddhist pantheon. Identified early in Buddhist texts as a close attendant to the Buddha, by the 700s Guanyin’s popularity soared to such an extent in China, Korea, and Japan that the bodhisattva was often worshipped independently. Here at the lower left, Guanyin is depicted with the child Sudhana, a wealthy boy who, according to the final chapter of the Flower Garland Sutra, visited Guanyin’s abode Potalaka during a long journey to learn the bodhisattva path. Size: Painting: 104.5 x 41.9 cm (41 1/8 x 16 ½ in.); Overall with knobs: 188.9 x 64.8 cm (74 3/8 x 25 ½ in.) Medium: hanging scroll, ink, gold, silver, color, and cut gold-leaf on silk
https://clevelandart.org/art/1992.119