aun’jel yepp by paola barrachina

izzy's playlists!
sheepfilms
cherry valley forever
Three Goblin Art
I'd rather be in outer space 🛸
Stranger Things

pixel skylines

JVL

#extradirty
Claire Keane
Aqua Utopia|海の底で記憶を紡ぐ
Not today Justin
PUT YOUR BEARD IN MY MOUTH

Andulka

ellievsbear

祝日 / Permanent Vacation
we're not kids anymore.
will byers stan first human second

tannertan36
i don't do bad sauce passes

seen from United Kingdom

seen from United States

seen from Türkiye

seen from Singapore

seen from United Kingdom

seen from United States
seen from Spain

seen from Ireland
seen from Malaysia
seen from United States
seen from Sweden

seen from Malaysia
seen from United States
seen from Spain

seen from United States
seen from Germany
seen from China
seen from United States

seen from United States
seen from T1
@chewingonclouds
aun’jel yepp by paola barrachina
stolenbesos
Rebecca Horn, Cockatoo Mask, 1973 (stills from Cockfeather Mask Perfomance II)
Horn described using this mask in a performance exploring ideas of sexual availability and intimacy: ‘My face is covered by two intertwined, closed feather wings. The person standing before me touches the feathers delicately, then separates and opens the wings. The spread wings stretch like long bird wings, and softly enclose around [both] our heads. The feather-enclosure isolates our heads from the surrounding environment, and forces us to remain intimately alone, together.’ The use of the mask is deliberately ambiguous and the performance implies a tension between tenderness and aggression. (Text Via)
@brutalistarchitecture2
Ladies’ Powder Room at Annabel’s Mayfair | by annabelsmayfair
5.11.
Belgrade, Serbia.
Elena Rotenberg
Geraldine Gonzalez
Jiro Matsumoto's Wendy (1996)
Forget EVERYTHING you know
THIS is the story
Connemara, Galway, Ireland by tomtozer
Vivienne Westwood fall 1991
Drew Barrymore and Liv Tyler at the 1999 oscars