Chill Painting

Painting // Research and Notes Digital Sketchbook and Mindmap of Cindy Hill >www.cindy-hill.weebly.com

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Gee’s Bend quilts

[theglaze]

Molly Zuckerman Hartung

[paintingafterpainting]

molly zuckerman-hartung

[theglaze]

Molly Zuckerman Hartung

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Molly Zuckerman-Hartung

Chaos and Cosmos

2017

polyester, spandex, velvet, canvas, voile, enamel, oil paint. Sewn.

60 x 69 inches

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Daiga Grantina

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Daniele Milvio

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The Smurfette

Athena Papadopoulos April 28 - June 03, 2017

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Katie Bethune-Leamen - 'Someone has their party hat on hat on (yes, Miyazaki, right?!)'

'Someone has their party hat on hat on (yes, Miyazaki, right?!)'

[pricebullington]

Jonathan Mess

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MFA Open studios @ Concordia University

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Spotted painting ideas/ pallets

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It is a demonstration of freedom, of the ability to step outside of the norm, outside of politeness and predictability, and just, freely, without purpose or message, play.

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To play is to imagine; to imagine is political because it allows us to envision a different order, a different system, a different way to separate economic resources and power. In this light, games are potentially extremely powerful because they go further in terms of forms of identification.

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Eva Hesse

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Material has so much information already trapped on the inside of it. It has whatever it's chemically made up of, it's physical properties and then whoever loved it, kept it, and then threw it away. It already has its own history and residue like within that material. What can you improve on that. I don't think things should be so physically altered where they lose their sense of where they came from.

Abigail Deville, "Flair for the Dramatic", New York: Close Up, Art 21

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I think of trash as a record of existence. That these things were used by people. They are the archeological evidence of the present moment.

Abigail Deville, "Abigail Deville's Harlem Stories" , New York: Close Up, Art 21