Rest in fucking pieces, Mr.Tippy

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Rest in fucking pieces, Mr.Tippy
The Office (2005–2013)
Holiday Knights The New Batman Adventures
It’s like I have ESPN or something.
AMANDA SEYFRIED as KAREN SMITH in MEAN GIRLS (2004)
With the pandemic firmly at the back of Western minds, the front of Western minds is free to focus on important matters like the Oscars, which traditionally celebrates Caucasian filmmakers. This year promises to be different, but it isn’t.
Oscar night, disaster strikes for the 10,000 white hopefuls as a South Korean entry makes movie history.
AUDREY HEPBURN in BREAKFAST AT TIFFANY’S (1961)
AUSTIN POWERS: INTERNATIONAL MAN OF MYSTERY 1997 – dir. Jay Roach
#same
LETHAL WEAPON (1987)
Brad Pitt & David Fincher on the set of “Se7en”
look at my arm right there. see that? i got that when i was eighteen years old, and i’ll tell you something i regret it ‘cause this tattoo don’t come off. i have a tattoo of a cows head because i loved that cheese then. so i get the cow, and i go in there, and i’m a little drunk and i said gimme that cow head from that cheese i love that cheese. now i have a cow, a cheese cow, on my arm brendon. don’t get a tattoo. that’s what i’m telling you. play soccer. brendon take a look at my chest. no i’m serious look at that. you know what that is right there? thats the woman from the chiquita banana. i got that tattooed on my chest. i am an idiot. i got trademark products all over my body, it’s like going to a market, because i was drunk one night. don’t live like me, alright? now you go out there and play great
Good Burger (1997) dir. Brian Robbins
You met me at a very strange time in my life.
Fight Club (1999) dir. David Fincher
“Is evil something you are? Or is it something you do? My pain is constant and sharp and I do not hope for a better world for anyone. In fact, I want my pain to be inflicted on others. I want no one to escape. But even after admitting this—and I have countless times, in just about every act I’ve committed—and coming face-to-face with these truths, there is no catharsis. I gain no deeper knowledge about myself, no new understanding can be extracted from my telling. There has been no reason for me to tell you any of this. This confession has meant nothing….”
AMERICAN PSYCHO (2000) dir. Mary Harron and Morgan J. Freeman
Batman Begins (2005) dir. Christopher Nolan
PSYCHO (1960) dir. Alfred Hitchcock