I have come into possession of an ornithology book from the 1930's and they had such a way of describing birds back then, modern publishers of birding booking should take note! Here are some of the bangers.
yes, this book refers to the anhinga as a water-turkey
What’s really cool about this is that cephalopod (octopus, squid, etc.) intelligence evolved completely separately from intelligence in tetrapods (which includes primates, dolphins, crows… basically any other intelligent animals you can think of). Cephalopods are very, very far away from us on the tree of life. For context, you and a starfish are more closely related than you and an octopus. The last common ancestor of humans and cephalopods was the so-called Urbilaterian, the hypothetical first animal with a left-right symmetric body. This animal almost certainly had, at most, an extremely simple nervous system, without anything resembling a brain.
All this is to say that the fact that this octopus appears to be dreaming means one of two things. Either
a) dreaming is a very, very old thing indeed, going directly back to the Urbilaterian. This would mean that almost every animal, from insects to starfish to sea slugs to newts, is likely to have the ability to dream in some capacity or another (unless they have specifically lost it by evolutionary simplification).
or
b) dreaming evolved entirely independently in cephalopods when they developed greater intelligence. This would suggest, at least, that there’s something very fundamental about dreaming related to intelligence itself, which causes it to emerge independently when sufficient intelligence arises.
Needless to say, either of these outcomes would be really very cool.
The Epaulette shark is only about 9 million years old as a species, making it the most recent branch in the shark family. And it is slowly but surely evolving into a land animal
Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 鬓边不是海棠红/Winter Begonia
Winter Begonia is the tale of the intertwined lives of a wealthy, westernized businessman and a bratty, dramatic Peking Opera performer as they navigate the historical landscape of 1930s China.
It is a slow historical ramble of a show, to the point where I couldn't really say it has a single plot. Events just happen in their lives, and the show follows them with a pleasant steadiness. Characters go away, and sometimes they come back. Interpersonal conflicts rise and then get resolved. Sometimes you just get to sit and watch part of an opera happen. The last third of the show develops a slightly more cohesive narrative, but even then, it's still mostly a loose constellation of events related to larger goings-on in the culture.
So if you're looking for tight plots and fast-paced action, you'll want to look somewhere else. But if you're the kind of person who likes to wrap up sometimes in a gentle warm blanket of a beautiful show, I have five reasons you should give this one a try.
1. Oh, they're in love
Perhaps the most notable thing about Cheng Fengtai and Shang Xirui is that they spend the entire show smiling at one another, staring longingly at one another, and/or making each other laugh.
A lot of danmei couples depend on having at least one partner who, if not outright tsundere, is at least stoically long-suffering -- which is romantic, sure, but also exhausting in real life. These two read about as married as any danmei pair I've ever seen because they make one another smile all the time. They're incredibly touchy and affectionate from basically the moment they meet. They're not just in love, they actually like one another.
Now, don't get me wrong: These two are both absolute exhausting gremlins who deserve one another so they don't have to be anyone else's problems. But they're good-natured enough about their respective gremlin natures that when one of them lets loose with his rascality, the other tends to think it's hilarious.
They don't even have the mandated danmei breakup! They're never mad at one another for more than the length of an episode. Most of the time they're just refreshingly normal about one another (or, you know, about as normal as two drama queens can be). And when they're being not normal about one another, it's because the circumstances they are currently enduring are not normal either.
They're so in love that by the time you get to the last episode, everyone in their lives is like, gee, those two sure are in love. For the main couple in a Chinese-censored BL adaptation? That's pretty darn in love.
2. The costumes!!!
Of course I have to gush over the costumes. Several major characters are professional opera performers, and their wardrobes are just stunning in complexity and detail -- and accuracy, apparently.
But they're not even where all of the wardrobe budget went! Everyone looks great, from the dapper upper class to the household servants to the street performers.
I also can't get over how everyone looks so cozy in their winter outfits. The show really wants to hammer home how cold Beijing is, and so most non-opera clothes are either heavily quilted or furry. Not a single outfit in this show is slimming (except maybe for some of the gorgeous gowns Cheng Meixin wears). It's all about conserving body heat, which means a lot of people walk around basically wearing mildly tailored quilts all the time. I love it. I envy it.
3. Oops! All bottoms!
This is a show of very soft men. It helps that very many of them have spent their whole lives playing female roles, but even those that haven't tend to be pretty darn soft.
(And I'm not even talking about the way people keep handing Cheng Fengtai babies and he loves it.)
Du Luocheng and Shang Xirui are absolutely what happens when you get two soft gay guys who are kinda into one another, but they're both too lazy to top, so they just become best friends instead.
Fan Lian stands as a testament to how you can be the only heterosexual in the show and still be soft as hell.
The old married gays. Softness level: off the charts.
Chen Renxiang's role is that of the opera frenemy, and he's incredibly soft about it. (This actor is also apparently in the Sha Po Lang live-action adaptation! Maybe someday it will be released...)
Opera underling La Yuehong hardens up later in the show, but even when he does, there's still a tragic softness to it.
Even the baddies are soft! Pretty much all the rival opera bitches fall into the "love to hate" category -- and nearly all of them win at least some sympathy from you before they leave the story for good.
There's one more soft boy whose presence surprised me, and that is Xue Zhicheng/Kujo Kazuma, a sympathetic Japanese character. Every other Japanese character in the show is sinister somehow -- not surprising, considering the drama is set during the brutal Japanese occupation of Beiping/Beijing.
But this little guy is a gentle, well-meaning opera fan who just wants to watch his favorite performers! When his actions cause trouble, it's only because he's so well-meaning that he couldn't see how anyone could disapprove of his attempts at cross-cultural undertanding. He even comes to the rescue a few times, at significant personal cost!
Moreover, the show uses him to make it clear that there's a difference between the Japanese occupying force and Japanese people and culture. In fact, the show is pretty critical of people who conflate the two and use interest in the latter as evidence of support of the former. That is not a level of nuance I've seen from other dramas set in this time period, and I was pleased to see it.
In conclusion, the critial war shortage in 1930s Beijing was not food or medicine or ammunition, but tops.
4. A whole lotta ladies
Again, not even counting the fact that one of the two main guys, many of his buddies, all of his heroes, and several of the antagonists professionally dress as women.
The most notable of them is Cheng Fengtai’s wife, Fan Xiang'er. They've been married for years by the time the show starts, and they have a son together. Theirs is an arranged marriage that they've managed to make work so well that they've actually wound up liking one another ... most of the time. Remember what I said earlier about his being exhausting? She knows that better than anyone.
(Sidebar: If you are uncomfortable with a love story where one of the participants is canonically married to someone else, this may be one you want to skip. That said, there are several male characters in this show who have multiple wives and/or mistresses, so the metric of what counts as infidelity in this setting is ... loose.)
Beyond her, though, there are many more female supporting characters in this show, from all different socioeconomic levels, in all different kinds of situations.
A caveat: Some of the women (one in particular) are at times frustrating as hell because they're too often written as jealous shrews who believe all the terrible gossip they hear and act on it without having actual adult conversations with anyone first. I dislike this trope, mostly because it relies on making some smart women artificially very stupid for the sake of forwarding the plot. I have little patience for situations that could have been solved five episodes ago if somebody had just been willing to ask clarifying questions.
That said, I can't be too mad about that, because there are many, many more women who are not written like that. Some of them are good and loyal! Some are sneaky and self-interested! Some are callous and manipulative! Some are meek and traumatized! Some make terrible decisions! Some make terrible decisions but, like, you get it! You know, just like in real life?
The answer to better representation is almost always more representation. When a character is the only one of whatever they are, everything they do is kind of an indictment of that category, especially when that category has a history of stereotypical negative representation. When there are several others, the characters stop being representatives of that category and start being just plain characters.
5. It just feels good to watch
Don't misunderstand: This is not a happy fun time show where everything in sunshine and roses all the way down. There are plenty of tense and emotional parts. Not everyone we like makes it out of the drama alive. Not all love stories get a happily ever after. People disappoint one another all the time. Awful things happen when soldiers occupy civilian populations. Poverty is a bitch.
But the show itself remains a nice viewing experience. It's absolutely a feast for the senses, what with all the music and costumes and sets and props and old-fashioned cars and everything.
The story is very straightforward. It's never trying to do any complex schemes or mislead you before some big reveal. I imagine this could be a good show to put on in the background while you're doing something else. You're never going to be too desperately confused about what's going on if you zone out for a minute -- and if you are, just hang on for a bit, because by next episode, it'll probably be onto whatever storyline comes next.
I have not read the novel, and I cannot judge anything against its standards. However, my friend who has read parts of the novel tells me that the adaptation is much preferable, because in the novel, you get to hear everyone's internal narration -- and everyone's internal narration makes it clear they're all bratty, insufferable assholes. That is not the case here! Or, rather, they are often bratty and/or insufferable, but from outside their heads, it's a lot more charming.
Finally, it's legitimately a very good love story. Shang Xirui is the only person in Cheng Fengtai's life who loves him for who he is, not what someone else needs him to be. Cheng Fengtai goes from being enraptured by this beautiful little weirdo to basically wanting to wife him. They spend a lot of time taking care of one another, sometimes in the only ways they know how. They're capable of operating independently -- there are several episodes where their storylines diverge completely -- but they'd prefer not to. They've just each found their soulmate, and that's all there is to it. (The red thumbprint in the palm is about the most romantic thing I've ever seen.)
I'm a little surprised by how little I hear English-speaking fandom talk about this one, especially since (see below) it's a widely available, high-budget show that even has a Shang Xirui figurine, and there's no question about how in gay love these two are. But if you hop over to AO3, there's only 257 works total in the Winter Begonia tag, a scant 57 of which are in English, and if you've tried looking into the Winter Begonia tag on Tumblr, you know it's pretty quiet 'round here.
I can't be sure, but I'd assume that's partly because this is both a) a relatively low-stakes drama, and b) so enmeshed with actual historical events and concepts that you'd have to do at least a baseline amount of research before making any fan media. I would imagine that for some folk, this is a barrier to entry.
And it is 49 slow, gentle episodes long. I saw Tumblr posts asking which episodes are important, because the posters don't want to or can't commit to watching the whole thing. But the answer is ... all of them? none of them? There's no plot you'd be getting or missing with specific episodes. There are very few things I can think of that would even qualify as spoilers. It's just a walk through a couple very eventful years in the main pair's lives. I understand if folk aren't up for that, but if you are, this is really a gem.
Have I convinced you to give it a try?
I would say that Winter Begonia is perhaps the most easily watchable of any c-drama I've come across. Here's where you can find it:
iQiyi
Viki
Amazon Prime
YouTube
We watched most of it on YouTube, where the subs were perfectly fine. However, there was one episode where we had to switch platforms because the English subs were all out of synch, so we went to Amazon and they were fine there too. Other than that, I don't really have a sense of which translation experience is the best. Try them all!
(PS: If you feel like putting on a tinfoil hat, I'm just going to say, they look at one another like that in real life, too.)
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