[thespectraldimension-deactivate]

Images of surrealist/occult painter/writer Ithell Colquhoun’s 1970s tarot card designs.

[citrusfeelings]

help i am in hell except my body is the host of hell 

[citrusfeelings]

i am collapsing in this void of sound. no one can see it but my skin is breaking apart. 

who would have ever thought that a quiet room hurts? 

i’m trapped inside of the never-ending spin inside of my skull 

[touchbloodstain]

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[73775a]

ㅤㅤ

[melancholic-mind]

[mariedeboissy]

Cyclopette

adulée par les hommes telle une déesse 

[lola-leon]

Lola photographed by Mayan Toledano for MadeMe x X-Girl

[piabramley]

[casadabiqueira]

[citrusfeelings]

a year of red and blue behind my eye lids 

[elizabitchtaylor-deactivated202]

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The World Spins- Julee Cruise

This song still haunts me.

[citrusfeelings]

so heavy a year later 

[loumargi]

Rupert Bunny-A summer morning

[middleamerica]

Spanish Ranch, Tuscarora, Nevada, 2015, Kurt Markus

[loumargi]

Parmigianino Cupid Making his Arch(1533-1535)detail

[tunemine]

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One of the things that I love about music from the 50s and 60s is that even the most commercial, treacly stuff was still forced by the technology to sound human. There was no autotune and often not even any overdubs. They’re essentially live performances and they no matter how much they tried to smooth everything out and make it sound absolutely perfect, they just couldn’t do it.

“Sweeter Than You” is, without a doubt, a commercial, teen-pop crooner song. You can almost hear the teenage girls screaming over it. But after decades of perfectly produced pop, this almost sounds subversive: a shadowy song with a graceful, feather-soft touch. It’s gorgeous.

[loumargi]

Pierre Nolasque Bergeret (French, 1782–1863), Vénus et Mercure,