Mehmed Siyah Qalem
hello vonnie
Show & Tell

#extradirty
RMH
Claire Keane
Noah Kahan
art blog(derogatory)
Aqua Utopia|海の底で記憶を紡ぐ
The Bowery Presents

★
EXPECTATIONS
𓃗
trying on a metaphor
Sweet Seals For You, Always
Jules of Nature
No title available

shark vs the universe
sheepfilms

Discoholic 🪩

Andulka

seen from Indonesia
seen from Vietnam
seen from Türkiye
seen from Italy
seen from Algeria
seen from Colombia

seen from United States

seen from Colombia
seen from United States
seen from Spain

seen from United States
seen from T1
seen from Panama

seen from Bangladesh

seen from United States
seen from Philippines
seen from Egypt
seen from Tunisia
seen from United States

seen from United Kingdom
@cl0ven
Mehmed Siyah Qalem
František Kobilha. Tristan, Ex Libris Jaroslav Machač. 1910.
Tori Amos - “Blood Roses” From the 1996 album Boys For Pele
Watching You Without Me Kate Bush Hounds Of Love (1985)
Heinz Mack (German, b.1931)
untitled works - 1961-1970
Mo Xiaosong(莫晓松 Chinese, b.1964)
via
Peonies and butterfly Xu Chongsi
18th Century, Qing Dynasty
A. de Perre - Stämningsstycken, 1900-1910
William Degouve de Nuncques (Belgian, 1867-1935), La Grotte du Drac, Manacor, 1901. Oil on canvas, 48 x 60.5 cm.
Der Nachtmahr / The Nightmare (1790-91 / Oil on canvas) - Henry Fuseli Johann Heinrich Füssli
Shibori Furisode. Late 20th century, Japan. The Kimono Gallery. A large silk furisode featuring peony, wisteria and hydrangea motifs created utilizing a combination of weaving and shibori (tie-dye). Hiro-eri (unfolded) collar. Silk inner lining. The first step in creating this furisode would have been to machine-programmed weave on white silk the complex flower patterns. The countless spots and areas to be left white were then tied, and then the garment repeatedly placed in a natural “ai” bath –“Ai” is an extremely fast, deep blue dye obtained from the “tadeai” plant in Japan. Once the desired shade of indigo blue is attained, the garment is left for a final dry and the shibori “ties” released.
Attributed to Friedrich Gauermann (Austrian, 1807-1862), Study of a Tree. Oil on paper, 34.5 x 28 cm.
Max Ernst - La forêt, 1934.
Peter Gardiner (Novocastrian, b. 1965, Newcastle, NSW, Australia) - Ravensworth (Swamp Lantern III), 2012 Paintings: Oil on Canvas
Henri-Jules-Ferdinand Bellery-Desfontaines (1867-1910) - La Flamme
Let Us Enter into The Fire and Flames each Day’s Passions Offers…
The natural body has so much inspiration to be taken Even the shapes of your own cold skin by kelseyannaf http://ift.tt/25pryj8
Anish Kapoor, British-Indian born 1954