Lost Highway (1997)
official daine visual archive

oozey mess
art blog(derogatory)
Sweet Seals For You, Always
No title available

Love Begins

@theartofmadeline
d e v o n
Game of Thrones Daily
will byers stan first human second
noise dept.

❣ Chile in a Photography ❣
No title available
$LAYYYTER
𓃗
tumblr dot com
he wasn't even looking at me and he found me
cherry valley forever
trying on a metaphor

JVL

seen from Russia

seen from Ecuador

seen from United States
seen from Venezuela
seen from Mexico
seen from Russia
seen from United States

seen from Australia

seen from United States

seen from Saudi Arabia

seen from United States
seen from Germany
seen from United States
seen from Senegal
seen from United States
seen from United States

seen from United States

seen from United States
seen from United States
seen from United States
@clairedenis
Lost Highway (1997)
Lotr characters by https://guilhermefranco.com.br
RIZ AHMED
by NOUA UNU for CLASH MAGAZINE (January 2021)
art by Justin O'Neal
“He is BOB, eager for fun, he wears a smile, everybody run”
Twin Peaks (1990-1991)
Rachel Weisz
John Cassavetes & Gena Rowlands in The Alfred Hitchcock Hour ‘Murder Case’ (1962)
The latest Tweets from Hellen (@filmeclash)
Follow me there bbs
Gena Rowlands and John Cassavetes in The Alfred Hitchock Hour: Murder Case
This is so cool
Frankly, I thought things would be easy, but they’re not. Every morning when I wake up, I feel so uncertain. I think, I just finally fell asleep, why did you wake me up only to face those same worries over and over? If you were me, would you want to wake up?
YI YI (2000) dir. Edward Yang
No, I’m the real thing.
PERFECT BLUE / パーフェクトブルー (1997), dir. Satoshi Kon
JENNIFER’S BODY (2009) / Dir. Karyn Kusama
The Handmaiden (2016) dir. Park Chan-wook
DREW BARRYMORE Bad Girls, 1994
It’s every man’s worst nightmare, getting accused of something like that. Can you guess what every woman’s worst nightmare is?
PROMISING YOUNG WOMAN 2020 | dir. Emerald Fennell
takeshi kaneshiro as he qiwu in chungking express (1994) dir. wong kar-wai