FYEAHMOVIES @fyeahmovies - Tumblr Blog

Even if we let you live… you won't last long.

The Furious 火遮眼 (2025) dir. Kenji Tanigaki

#the furious #2020s #gif #flashing gif

Academy Award Winners for Best Cinematography: 1991 — Dean Semler, ACS, ASC Dances with Wolves (1990) Directed by Kevin Costner Aspect Ratio: 2.39 : 1

"Kevin [Costner] initially wanted to shoot in 1.85 because it was a very personal story, and I said maybe we ought to do some tests. So we went up to South Dakota and shot 1.85 vs 2.40, and it was obvious that it had to be a widescreen because it was about the land and the sky." — Dean Semler for Global Cinematography Institute, April 2016

#dances with wolves #90s #gif

orlaite

ВОСХОЖДЕНИЕ (The Ascent) 1977 | dir. Larisa Shepitko

#the ascent #larisa shepitko #1970s #gif

yingtan

Xie Miao as Wang Wei The Furious 火遮眼 (2025) dir. Kenji Tanigaki

#the furious #kenji tanigaki #2020s #gif

lokihiddleston

PROJECT HAIL MARY (2026)

#project hail mary #2020s #gif

moviepetals

"Hate is a very exciting emotion haven´t you noticed? Very exciting."

Gilda ( 1946 ) | dir. Charles Vidor.

#gilda #1940s #gif

wardengrill

@pscentral event 50: colours - blue

You go down to the bottom of the sea, where the water isn't even blue anymore, where the sky is only a memory, and you float there, in the silence. | Le Grand Bleu (1988)

#the big blue #luc besson #80s #gif

animationtvfilm

SHREK 2 (2004)

#shrek 2 #gif #2000s

rosettyller

Behind the scenes of PROJECT HAIL MARY (2026)

#project hail mary #2020s #gif #behind the scenes

kaizsche

DAISY EDGAR-JONES as MURIEL ON SWIFT HORSES (2025)

#on swift horses #2020s #gif

laracroftm

Project Hail Mary ( 2026 ) dir. Phil Lord & Chris Miller.

#project hail mary #2020s #gif

orlaite

For the attention of the spectator: this film presents an experiment in the cinematic transmission of visible phenomena. Without the aid of intertitles (a film without intertitles)—without the aid of a script (a film without a script)—without the aid of theatre (a film without sets, actors, etc.) This experimental work aims at creating a truly international absolute language of cinema based on its total separation from the language of theatre and literature. ЧЕЛОВЕК С КИНОАППАРАТОМ (Man With A Movie Camera) —1929, dir. Dziga Vertov

#man with a movie camera #1920s #dziga vertov #gif