PROJECT HAIL MARY (2026)

祝日 / Permanent Vacation

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@theartofmadeline
occasionally subtle
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YOU ARE THE REASON

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Today's Document
Keni

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PUT YOUR BEARD IN MY MOUTH
styofa doing anything

if i look back, i am lost
Sweet Seals For You, Always
DEAR READER
"I'm Dorothy Gale from Kansas"
Misplaced Lens Cap
RMH

blake kathryn
Xuebing Du
seen from United States
seen from United States
seen from United States
seen from United States
seen from Malaysia

seen from United Kingdom
seen from Singapore

seen from United States

seen from Singapore
seen from Venezuela

seen from Kenya
seen from Venezuela
seen from Saudi Arabia
seen from United Kingdom
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@fyeahmovies
PROJECT HAIL MARY (2026)
"Hate is a very exciting emotion haven´t you noticed? Very exciting."
Gilda ( 1946 ) | dir. Charles Vidor.
@pscentral event 50: colours - blue
You go down to the bottom of the sea, where the water isn't even blue anymore, where the sky is only a memory, and you float there, in the silence. | Le Grand Bleu (1988)
SHREK 2 (2004)
Behind the scenes of PROJECT HAIL MARY (2026)
DAISY EDGAR-JONES as MURIEL ON SWIFT HORSES (2025)
Project Hail Mary ( 2026 ) dir. Phil Lord & Chris Miller.
For the attention of the spectator: this film presents an experiment in the cinematic transmission of visible phenomena. Without the aid of intertitles (a film without intertitles)—without the aid of a script (a film without a script)—without the aid of theatre (a film without sets, actors, etc.) This experimental work aims at creating a truly international absolute language of cinema based on its total separation from the language of theatre and literature. ЧЕЛОВЕК С КИНОАППАРАТОМ (Man With A Movie Camera) —1929, dir. Dziga Vertov
FRANKIE AND JOHNNY (1991) dir. Garry Marshall
THE HUNGER GAMES: SUNRISE ON THE REAPING (2026) dir. Francis Lawrence
OBSESSION (2026) Dir. Curry Barker
IS GOD IS (2026) ♫ Serial number, killing machine, the illest of means To an end built on the filthy sound you're experiencing
"GRAVITY" 2013, dir. Alfonso Cuarón
Ryan Gosling's man/guy films
"Popularity is so much better than being a social leper. Popularity is a job, Al, not a privilege. It's nothing but work and worries. Work to get in. Work to stay in. Get a clue." Costume Design Appreciation - Christina Milian in Love Don't Cost a Thing (2003) dir. Troy Byer
From the moment we enter this life we are in the flow of it. We measure it and we mark it, but we cannot defy it. We cannot even speed it up or slow it down. Or can we? Have we not each experienced the sensation that a beautiful moment seemed to pass to quickly, and wished that we could make it linger? Or felt time slow on a dull day, and wished that we could speed things up a bit?
The Illusionist (2006) dir. Neil Burger
BARBIE 2023 | dir. Greta Gerwig