Marlene Dietrich as Helen Faraday / Helen Jones in Blond Venus (1932)
cherry valley forever
sheepfilms
Xuebing Du

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YOU ARE THE REASON
Show & Tell

roma★
hello vonnie

tannertan36
Fai_Ryy
Noah Kahan
RMH
he wasn't even looking at me and he found me
Monterey Bay Aquarium

Janaina Medeiros

oozey mess

❣ Chile in a Photography ❣
NASA
Aqua Utopia|海の底で記憶を紡ぐ
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@fyeahmovies
Marlene Dietrich as Helen Faraday / Helen Jones in Blond Venus (1932)
"The other places are like kindergardens compared with this. It smells so incredibly evil! I didn't think such a place existed except in my own imagination."
The Shanghai Gesture (1941) | Director : Josef von Sternberg.
DIRTY DANCING (1987) dir. Emile Ardolino
Even if we let you live… you won't last long.
The Furious 火遮眼 (2025) dir. Kenji Tanigaki
Academy Award Winners for Best Cinematography: 1991 — Dean Semler, ACS, ASC Dances with Wolves (1990) Directed by Kevin Costner Aspect Ratio: 2.39 : 1
"Kevin [Costner] initially wanted to shoot in 1.85 because it was a very personal story, and I said maybe we ought to do some tests. So we went up to South Dakota and shot 1.85 vs 2.40, and it was obvious that it had to be a widescreen because it was about the land and the sky." — Dean Semler for Global Cinematography Institute, April 2016
ВОСХОЖДЕНИЕ (The Ascent) 1977 | dir. Larisa Shepitko
Xie Miao as Wang Wei The Furious 火遮眼 (2025) dir. Kenji Tanigaki
PROJECT HAIL MARY (2026)
"Hate is a very exciting emotion haven´t you noticed? Very exciting."
Gilda ( 1946 ) | dir. Charles Vidor.
@pscentral event 50: colours - blue
You go down to the bottom of the sea, where the water isn't even blue anymore, where the sky is only a memory, and you float there, in the silence. | Le Grand Bleu (1988)
SHREK 2 (2004)
Behind the scenes of PROJECT HAIL MARY (2026)
DAISY EDGAR-JONES as MURIEL ON SWIFT HORSES (2025)
Project Hail Mary ( 2026 ) dir. Phil Lord & Chris Miller.
For the attention of the spectator: this film presents an experiment in the cinematic transmission of visible phenomena. Without the aid of intertitles (a film without intertitles)—without the aid of a script (a film without a script)—without the aid of theatre (a film without sets, actors, etc.) This experimental work aims at creating a truly international absolute language of cinema based on its total separation from the language of theatre and literature. ЧЕЛОВЕК С КИНОАППАРАТОМ (Man With A Movie Camera) —1929, dir. Dziga Vertov
FRANKIE AND JOHNNY (1991) dir. Garry Marshall
THE HUNGER GAMES: SUNRISE ON THE REAPING (2026) dir. Francis Lawrence