FYEAHMOVIES

Welcome to FYEAHMOVIES, your #1 source for anything film related. We provide you with quality gifs, edits and movie-related news. This is NOT a spoiler-free blog.

[katestewartt]

"You've carried this all alone, all this time?"

[wardengrill]

Marlene Dietrich as Helen Faraday / Helen Jones in Blond Venus (1932)

[collinskitty]

"The other places are like kindergardens compared with this. It smells so incredibly evil! I didn't think such a place existed except in my own imagination."

 The Shanghai Gesture (1941) | Director : Josef von Sternberg.

[asystolle]

DIRTY DANCING (1987) dir. Emile Ardolino

[yingtan]

Even if we let you live… you won't last long.

The Furious 火遮眼 (2025) dir. Kenji Tanigaki

[rogerdeakinsdp]

Academy Award Winners for Best Cinematography: 1991 — Dean Semler, ACS, ASC Dances with Wolves (1990) Directed by Kevin Costner Aspect Ratio: 2.39 : 1

"Kevin [Costner] initially wanted to shoot in 1.85 because it was a very personal story, and I said maybe we ought to do some tests. So we went up to South Dakota and shot 1.85 vs 2.40, and it was obvious that it had to be a widescreen because it was about the land and the sky." — Dean Semler for Global Cinematography Institute, April 2016

[orlaite]

ВОСХОЖДЕНИЕ (The Ascent) 1977 | dir. Larisa Shepitko

[yingtan]

Xie Miao as Wang Wei The Furious 火遮眼 (2025) dir. Kenji Tanigaki

[lokihiddleston]

PROJECT HAIL MARY (2026)

[moviepetals]

"Hate is a very exciting emotion haven´t you noticed? Very exciting."

Gilda ( 1946 ) | dir.  Charles Vidor.

[wardengrill]

@pscentral​ event 50: colours - blue

You go down to the bottom of the sea, where the water isn't even blue anymore, where the sky is only a memory, and you float there, in the silence. | Le Grand Bleu (1988)

[animationtvfilm]

SHREK 2 (2004)

[rosettyller]

Behind the scenes of PROJECT HAIL MARY (2026)

[kaizsche]

DAISY EDGAR-JONES as MURIEL ON SWIFT HORSES (2025)

[laracroftm]

Project Hail Mary ( 2026 ) dir. Phil Lord & Chris Miller.

[orlaite]

For the attention of the spectator: this film presents an experiment in the cinematic transmission of visible phenomena. Without the aid of intertitles (a film without intertitles)—without the aid of a script (a film without a script)—without the aid of theatre (a film without sets, actors, etc.) This experimental work aims at creating a truly international absolute language of cinema based on its total separation from the language of theatre and literature. ЧЕЛОВЕК С КИНОАППАРАТОМ (Man With A Movie Camera) —1929, dir. Dziga Vertov

[melis-writes]

FRANKIE AND JOHNNY (1991) dir. Garry Marshall