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John F. O’Donnell and I talk about Isis and the new Children’s Bulletproof shield. Then I reveal the various plans of evil people, from organizations destroying democracy to autonomous killing machines. Also covered: hacker Jeremy Hammond, the Trans-Pacific Partnership, big data, Eric Cantor vs. Dave Brat, the CIA on Twitter, fracking, homeless spikes.

#redactedtonight [03] Evil People Have Plans - Killer Robots, ALEC, TPP and More I reveal the various plans of evil people, from organizations destroying democracy to autonomous killing machines. Also covered: hacker Jeremy Hammond, the Trans-Pacific Partnership, big data, Eric Cantor vs. Dave Brat, the CIA on Twitter, fracking, homeless spikes. Redacted Tonight with Lee Camp airs every Friday at 8pm EST on RT America and every episode can also be found on www.YouTube.com/RTAmerica. Also check outwww.FaceBook.com/RedactedTonig¬ht and http://LeeCamp.netfor new stuff.

My first full hour special in 2 years, that was filmed LIVE in NYC at Bowery Electric! Get it for whatever amount you feel is appropriate. Recommended donation is only $5. Get the new hour WE ARE NOTHING by clicking here

This is an image from Banksy, that Street Art Utopia posted in their 106 beloved Street Art Moments from 2010.

Immortal Technique Speaks with Alex Jones: They Seek Middle Ground Between Far Left and Far Right.

Still Bleeding Heart says: "Don’t be intimidated by the length of this video. However long you can listen to it, please do. I assert that you will get out what you put into listening to this. For those of you that know me already I think you will agree and already know what I am saying."

Check out other original artwork from Void

Thanks to Lucramotives for posting this video where Immortal Technique gives listeners a brief 3rd world history lesson in this song off his 2008 album of the same name. Hate it or love it. The original post can be found here

~The birth of Stereotypes~

Art rebels in Berlin convey glee, not anarchy

Ben told me in his soft voice how he had hitchhiked through all of the US after finishing high school in what must have been the early 1950s. 'Not even Jack Kerouac was on the road then,' I replied, impressed.

Read the full interview here

Here is Cale Sampson's latest video "Truth Is" Thanks to Hanging @ The Back for posting such awesome videos like this!

Go to Facebook and check out Jenna Pope's page to see amazing images from this weekends XL Pipeline Protest at the White house!

This is "Angel In The Desert" by Marcus Ericksen. This is an extabit at the National Veterans Art Museum.

Since its inception in 1981, the NVAM has been a space for military personnel, veterans, and civilians to open a dialogue over the real impact of war. All artwork is created by veterans and, on some level, serves as therapeutic for them and the communities they exist within.

The truly unique museum features work by combat veterans from all conflicts. The National Veterans Art Museum also has many educational opportunities to help you access, explore and connect with our one-of-a-kind collection.

Fra.Biancoshock lives and works in Milan, Italy. He never consider himself as an artist, until, one day he looked at himself in the mirror to unveil his real nature and to understand the purpose of his work...

You can read on him in this feature on hifructose

Banksy goes to Palestine...

David Loewenstein wants us to remember Zoccotti Park was just the beginning.

"GIVE A WALL ST. BANKER ENOUGH ROPE AND HE WILL HANG HIMSELF."

255 foot / 75 metre long wordplay painting in Miami, Florida. This controversial piece by Go Above was aired nationally on CBS, NBC, and FOX nightly news.

Mike Alewitz of the American based Labour Art and Mural Project has travelled the world bringing his street paintings of working class issues to countries as diverse as Iraq and Germany. Inspired by the images of Holy Cross, this summer Mike came to North Belfast to share his visual message of international solidarity and struggle with the people of Ardoyne. Read the full story here...

Through simple phrases spelt out in neon, Etchells creates miniature narratives, moments of confusion, awkwardness, reflection and intimacy in public and gallery settings. Encountering these signs, in the streets of a city or in the space of a white cube gallery, the viewer becomes implicated in a situation that's not fully revealed, or a linguistic formulation that generates confusion or ambiguity. As often in Etchell's work in these neons the missing parts of the picture are as important as the elements that are present. Invoking a story, or projecting an idea out-of-context, the work invites us in, but into what exactly we can't be sure.

You can check out more of Tim Etchells' work here

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