Today's Pairing is Gyorgi Ligeti's Requiem and Elem Klimov's film Come and See (1985). Both portray war in a tragic, terrifying, and sometimes hysterical manner.
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Sweet Seals For You, Always
I'd rather be in outer space 🛸
art blog(derogatory)
PUT YOUR BEARD IN MY MOUTH
Lint Roller? I Barely Know Her
todays bird

❣ Chile in a Photography ❣

titsay

if i look back, i am lost

Jar Jar Binks Fan Club

Product Placement
he wasn't even looking at me and he found me
One Nice Bug Per Day
Mike Driver
The Bowery Presents

Discoholic 🪩

#extradirty

oozey mess
Today's Document

seen from Italy
seen from Israel
seen from United Kingdom
seen from Kenya
seen from United States
seen from Brazil
seen from Russia

seen from Belgium
seen from TĂĽrkiye

seen from United States

seen from United Kingdom
seen from TĂĽrkiye
seen from United States

seen from Malaysia

seen from TĂĽrkiye
seen from Brazil
seen from United States
seen from United States

seen from Algeria

seen from Japan
@classicalmusicpairings
Today's Pairing is Gyorgi Ligeti's Requiem and Elem Klimov's film Come and See (1985). Both portray war in a tragic, terrifying, and sometimes hysterical manner.
Today's pairing is Nikolai Kapustin's Nocturne, Op. 20 alongside George Seurat's Les bords de Seine au pont de Suresnes.
Kapustin was a Soviet-born composer known for fusing classical sensibilities and jazz in his compositions. Seurat was a painter who painted few works overall, but is generally considered to have initiated Neo-Impressionism with the chromoluminarist techniques that he employed in such famous paintings as A Sunday Afternoon on the Island of La Grande Jatte.
Today's pairing is No Exit by Jean-Paul Sartre and Dmitri Shostakovich's 15th Symphony.
I personally feel that Shostakovich's 15th fits with many theatre of the absurd plays due to the atmosphere it creates both in the beginning and ending of the symphony, and due to the startling effect of the symphony's several allusions to outside works.