The Hitchhiker's Guide to the Galaxy on a Star Trek padd

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ojovivo

blake kathryn
Monterey Bay Aquarium
dirt enthusiast

Andulka
occasionally subtle
Sade Olutola
One Nice Bug Per Day
I'd rather be in outer space 🛸

@theartofmadeline
Lint Roller? I Barely Know Her
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PR's Tumblrdome
will byers stan first human second
todays bird
Sweet Seals For You, Always

Origami Around
Show & Tell

JBB: An Artblog!
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@claw789
The Hitchhiker's Guide to the Galaxy on a Star Trek padd
Bob Picardo for fun
1980 Hollywood Players Directory
1980 Academy Players Directory
Q as Borg
from the game Star Trek: Borg (released 6 November 1996)
Robert Beltran as Commander Chakotay, 1995
Kate Mulgrew, 1995
Kate Mulgrew in Manions of America, 1981
Kate Mulgrew in Ryan's Hope, May 25, 1976
Kate Mulgrew in Ryan's Hope, May 25, 1976
(Kate just turned age 21 in this pic)
More Magazine, March 2004 (same from http://www.totallykate.com/articles/more304.html)
Voyager tidbits
“Kate [Mulgrew] was quite vocal about her dissatisfaction with Janeway sleeping with a hologram”
--ST: Voyager writer Bryan Fuller (Dec 2000) TrekToday
I told Miyazaki I love the “gratuitous motion” in his films; instead of every movement being dictated by the story, sometimes people will just sit for a moment, or they will sigh, or look in a running stream, or do something extra, not to advance the story but only to give the sense of time and place and who they are.
“We have a word for that in Japanese,” he said. “It’s called ma. Emptiness. It’s there intentionally.”
Is that like the “pillow words” that separate phrases in Japanese poetry?
“I don’t think it’s like the pillow word.” He clapped his hands three or four times. “The time in between my clapping is ma. If you just have non-stop action with no breathing space at all, it’s just busyness, But if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb.”
Which helps explain why Miyazaki’s films are more absorbing and involving than the frantic cheerful action in a lot of American animation. I asked him to explain that a little more.
“The people who make the movies are scared of silence, so they want to paper and plaster it over,” he said. “They’re worried that the audience will get bored. They might go up and get some popcorn.
But just because it’s 80 percent intense all the time doesn’t mean the kids are going to bless you with their concentration. What really matters is the underlying emotions–that you never let go of those.
— Roger Ebert in conversation with Hayao Miyazaki
Doug Jones talks about Saru’s butt [x].
So that’s what Doug Jones looks like.
I’ve met Doug Jones and can confirm he is wonderful human being. Possibly more fun in real life.
NINE
So I just watched Thor: Ragnorak, and it seems to me like the real question of the movie is where is Sif. Like honestly she could have solved everything, she would have seen through Loki’s disguise and I bet she could have beat the shit out of Hell if she’d been there.
At least she didn’t get off’d like the Warriors Three... A chance Sif will live on in fic, I guess...
character posters: irene adler
D'you know the big problem with a disguise, Mr. Holmes? However hard you try, it’s always a self-portrait.
Sums up Homelessness in Los Angeles.