Mace and Quinlan
Mace’s role as a mentor to Quinlan is something that’s explored beautifully throughout the comics, along with mace’s own feelings of guilt over Quinlan’s fall to the dark side.
Communal teaching within the Jedi is so nice to see.
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Jules of Nature
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One Nice Bug Per Day
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@clearbluewaters
Mace and Quinlan
Mace’s role as a mentor to Quinlan is something that’s explored beautifully throughout the comics, along with mace’s own feelings of guilt over Quinlan’s fall to the dark side.
Communal teaching within the Jedi is so nice to see.
“You fixed her.”
STAR WARS: EPISODE II – Attack of the Clones OBI-WAN KENOBI – Part III
dragon and human hanging out. they both think their species domesticated the other one’s
the dragon comes over and sniffs the human for a bit then gently lays her head in the human’s lap to request petting. the human obliges
the human thinks “wow it’s really cool that they got an animal that normally eats humans to be docile enough towards us that i can pet her”
the dragon thinks wow its really cool that they got a skittish prey animal to be brave enough around dragons to offer me grooming behavior
The thing is nobody at pride is evaluating you to determine if you’re queer enough to be there because they’re too busy thinking “it’s so hot out” and “why is this lemonade 12 dollars?”
dark/gothic judaica: an aesthetic that could be an artistic goldmine
Torah Ark Curtain from 20th century North Africa // Scene from a production of The Dybbuk by Vilner Trupe, 1910s // art by E.M. Lilien just in general // veil & style by Mirjam on wrapunzel // Jewish Henna by Bella Ríos // 1910s Jewish dress from Galicia // "Hebrew Dark Academia" pin posted by jewish_opinion on pinterest // Marissa Nadler - a gothic folk musician who is Jewish // Rosh Hashana card from CJH Museum Collections // Art from Hershel and the Hanukkah Goblins by Eric Kimmel, Illustrated by Trina Schart Hyman. Scholastic, 1990 (this book was an essential part of my childhood) // "Schemajah Hillel," page 18 from the book "Der Golem", illustrations by Hugo Steiner-Prag // The Praying Jew (Rabbi of Vitebsk) by Marc Chagall, 1914 // Yemenite-Israeli dancer Rachel Nadav lighting the Shabbos candles // Tefillin Bag, c.1930, Eretz Yisrael. belonging to a Shmuel Yankovitz // Lili Liliana in "Der Dybbuk", 1937 // The Tzadik’s Son, 1912, by Lazar Krestin // Marrakesh Mezuzah // Pomegranate photo from unsplash
Marjane Satrapi, Persepolis
you have to love trans women more than you hate transmisogyny, you have to love jews more than you hate antisemitism, you have to love Black people more than you hate white supremacy, you have to love Indigenous people more than you hate colonialism, you have to love the disabled and mentally ill more than you hate ableism, you have to love. you have to love.
You know Tevye is a perfectly ordinary not that uncommon name but if you named a fictional character Tevye everyone would expect him to bidi bidi bom
IF ☝️ he were a wealthy man
dick and babs are good because they both have insane insane control issues. dick needs to be able to be help all of his loved ones at any time any place any day of the week or he’ll feel like his life is spiraling out of control. and if any of babs’s loved ones try to help her with anything for any reason, well, you’ll never guess how she’s planning to feel about that
I'm glad this comic goes out of its way to show Barbara do this to both her love interests. Babs do you have any interests you'd like to discuss with the class.
BROOOOO LIKE THATS BESTIE!!!!!!!!
she will forever and always look up 2 him no matter what.
One of the things I was very proud of in my first run of BOP is that we had no serious romantic subplots through the entire five year run. I felt it was important to show that a book with female leads didn’t HAVE to be about romance or the girls talking about boys. There’s nothing wrong with that, but how many media portrayals of straight female leads actually manage to NOT have that element constantly? It’s a way of saying that women have no value absent from their relationship and value to men. Male action heroes can go without a romantic subplot and no one blinks twice. But there is a constant buzz in the air around all female leads about who they should be sleeping with.
Another factor was that the most likely candidate for a good romance plot was Babs, and to use the common parlance, I am a hopeless, unapologetic Dick and Babs shipper. I just…well, look at this panel. That’s not me writing, that’s just organic, it’s just what’s there before the page is written. They are fantastic together.
It was around this time that I started to seriously re-identify with Babs. Batgirl was THE hero of my childhood that meant the most to me. I was the only one in my school with red hair, and here was a red-haired woman who could kick ass and was smarter than Robin and, oh, my god, she’s the reason I loved comics in the first place. I started to think like her while writing her. I’ve said it before, but it’s a red-haired chick in glasses sitting in front of a computer all day controlling people’s lives. That seemed STRANGELY FAMILIAR.
The interesting thing was that Devin Grayson, whom I adore and who I idolized somewhat, was writing Nightwing at the time. Devin is an out-and-proud bisexual, and heavily into role-playing. When she writes, she adapts, she kind of becomes the characters (she’s talked about this before, I’m not revealing secrets). And we were playing City of Heroes for a while, where she played a Nightwing character and I played Batgirl. She’s the kind who stays in character.
So when we were coordinating the appearances of Nightwing and Babs in each other’s books, she would write in Nightwing’s voice, and she would call me Babs. It was a working relationship unlike any other I’ve experienced and it very quickly became oddly comfortable to think of the person on the other end as Dick Grayson emailing me, somehow the “Gail” and “Devin” part became a little more distant each time. It was a little scary, like being an observer to your own creative process, rather than the person behind the wheel.
I don’t suspend disbelief like that, it was a writing aid and not reality, but it’s very powerful to find yourself lost in a character, where some of the things they say don’t seem to come from your own consciousness at all, but some remarkable place where they really do live and carry on with thoughts of their own.
So writing these scenes with Babs and Dick was one of the most fun times I’ve had in comics. And I’ll add that while some female creators were a little chilly and unhelpful to me when I was starting out, Devin was ENDLESSLY supportive and helpful. I think she was a powerful, humane voice in comics and I miss her presence immensely. I have learned a lot from a lot of different writers, but no one I’ve met committed to their characters’ inner lives the way Devin did.
A very talented writer and a very special person.
Oh, and Babs + Dick 4evah, while I’m at it.
(via fuckyeahbirdsofpreycomics)
(via fuckyeahbirdsofpreycomics)
if i keep attempting to paint i will eventually teach myself something
thinking about the (english-translated) lyrics to pō atarau, the māori folk song that plays when the hail mary and the blip-a separate.
farewell, / but return again / to your loved one, / weeping here
I spent the last 2 weeks getting knowledge of mandalorians