i don't do bad sauce passes
wallacepolsom
will byers stan first human second
"I'm Dorothy Gale from Kansas"
let's talk about Bridgerton tea, my ask is open
trying on a metaphor
AnasAbdin
Keni

Product Placement

shark vs the universe
Peter Solarz
🪼
cherry valley forever
Cosimo Galluzzi
he wasn't even looking at me and he found me
Jules of Nature

blake kathryn

titsay
Monterey Bay Aquarium
we're not kids anymore.

seen from United States
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@clovavavoom
Movie-goers, China, July 20th 2020
Lynn Shelton, an indie filmmaker who helped popularize the mumblecore genre with works such as “Humpday” and “You Sister’s Sister,” died Saturday of a blood disorder. …
American director Lynn Shelton has passed from an unspecified blood disorder at the age of 54.
Shelton was a passionate advocate for Seattle and Washington State and her feature films are primarily set there. She began directing in 2006 and made 8 feature films including Your Sister’s Sister starring Rosemary DeWitt and Emily Blunt, Touchy Feely starring DeWitt and Ellen Page, and Laggies starring Keira Knightley.
Shelton was also worked in TV and directed episodes of Mad Men, The Mindy Project, Fresh off the Boat and Little Fires Everywhere.
Kehlani & Teyana Taylor - Morning
Jodie Comer and her amazing performance in KILLING EVE: 3.05 “Are You From Pinner?”
‘jade split’ in almeda by solange x cellophane by fka twigs
I could do this cuz I’m a demon
Dis Amine - Lala &ce ft. Pucci JR
Adèle Haenel in De mon âme à ton âme - KOMPROMAT
how to stop endlessly analyzing your own behavior as if you were a scientific experiment
19 / 20 february 2012
“fame” perfume film, directed by steven klein
los angeles, california
But I’m a Cheerleader (1999) Jamie Babbit
“sometimes I wonder if Mary breastfed Jesus. if she cried out when he bit her or if she sobbed when he would not latch. and sometimes I wonder if this is all too vulgar to ask in a church full of men without milk stains on their shirts or coconut oil on their breasts preaching from pulpits off limits to the Mother of God. but then i think of feeding Jesus, birthing Jesus, the expulsion of blood and smell of sweat, the salt of a mother’s tears onto the soft head of the Salt of the Earth, feeling lonely and tired hungry annoyed overwhelmed loving and i think, if the vulgarity of birth is not honestly preached by men who carry power but not burden, who carry privilege but not labor, who carry authority but not submission, then it should not be preached at all. because the real scandal of the Birth of God lies in the cracked nipples of a 14 year old and not in the sermons of ministers who say women are too delicate to lead.”
— Kaitlin Hardy Shetler (via spiralingquestions)
me:
céline sciamma’s voice in my head: cinema is built on male gaze, cinema is basically propaganda for male gaze, male gaze is convention. so female gaze would be departing from convention. it’s about bringing a new narrative on screen. like, for instance, the fact that this love story relies on strong equality means that the scenes are not gonna be built around conflict. so we are departing from the narrative of conflict. and we basically live in narrative of conflict. we are being told, a lot so by your culture, that a good scene is a good bargain. if you depart from that narrative you create a new tension because equality is full of surprises. equality, inclusivity, they bring surprise. they bring new tension in the room that is not built around conflict.
me: