Apologia Pro Vita Sua
Game of Thrones Daily
let's talk about Bridgerton tea, my ask is open
Keni

Andulka
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Jules of Nature
will byers stan first human second
🪼
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DEAR READER
dirt enthusiast
cherry valley forever
Cosimo Galluzzi
Three Goblin Art

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we're not kids anymore.
One Nice Bug Per Day

❣ Chile in a Photography ❣
RMH

seen from Spain
seen from India

seen from Japan
seen from United States

seen from India
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seen from Iraq
seen from United States
seen from United States

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seen from United States

seen from United States
seen from United States

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@cmvilla71
Apologia Pro Vita Sua
Conflagration
Old clown from the archives. Autobiography
Zombie Orgone Concentrator.
Intrgral Energy Framework v1. Orgone Concentrator. The word made flesh.
Listen and Understand.
A couple of clowns walk into a bar....
The new world and the transmutation of flesh.
Gold.
Transformation.
Happy Halloween
“What kind of a man am I, sitting at home, reading magazines, going into a frustrated fury about everything—and then going into my studio to adjust a red to a blue?” –Philip Guston
Grappling with the turbulence of the 1960s, Philip Guston introduced figures into his work in 1968 after nearly two decades painting abstractly. His new paintings were scathing and satirical, often addressing current events. Now on view in The Long Run, our showcase of late-career artistic innovation. … [Credit: Philip Guston. “Edge of Town.” 1969. Oil on canvas. Gift of Edward R. Broida. © 2017 The Estate of Philip Guston]
Oedipus and his murderous progeny.
I am that I am.
Above the vaulted sky.
Joel-Peter Witkin - Myself as a Dead Clown, 2007.
Firmament.
fragmentación 12.06.2018
death's oblivion lost.