Red Berry Plant and Butterfly, by Shibata Zeshin, 1807- 1868, Japan.

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occasionally subtle
TVSTRANGERTHINGS
"I'm Dorothy Gale from Kansas"

❣ Chile in a Photography ❣

titsay
d e v o n
Sade Olutola

shark vs the universe

oozey mess
Alisa U Zemlji Chuda

Product Placement
cherry valley forever
Sweet Seals For You, Always
will byers stan first human second
Cosmic Funnies
noise dept.

if i look back, i am lost
almost home
Today's Document
seen from Malaysia
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seen from Malaysia
seen from United States
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@cobalt-curse
Red Berry Plant and Butterfly, by Shibata Zeshin, 1807- 1868, Japan.
The Nightmare Before Christmas Directed by Henry Selick (1993)
“Lucifero” - Roberto Ferri. 2021.
"American spiders and their spinning work: A natural history of the orb weaving spiders of the United States, with special regard to their industry and habits" (1889)
gakkinx
BIG FLAPPY
by Samantha Cavet
Bryan Christie
Jade mask, Mayan, circa 600 AD
HR Giger Tribute by Darja Kogn (VentralHound)
drawing diverse bodies is, like, super important. but like you also need to have love in your heart. otherwise it will end up looking like shit. everyone will be able to see right through you
if you draw diverse bodies with love in your heart, even if you are not very skilled at it yet, your love will shine through and be plain for all to see. similarly, even if you possess a large amount of technical prowess, if you draw diverse bodies cynically and without love, it will end up looking fucking awful. you do not earn my internet woke points unless you actually love your fellow humans.
"Fuchsia" Necklace designed by Alphonse Mucha for Georges Fouquet.
Opal, gold, sapphire and pearls.
Petit Palais, Paris.
Art Deco Art Nouveau
Pinhead explorations Last year I spent some time doing concept art for the recently released Hellraiser movie. I had to wait a year to be able to share these, but I'm really excited to finally be able to!
The really fleshy direction for Pinhead was in play really early, but I wanted to poke around all the possible ideas to make sure we had eyes on all of them before everything was settled. It's worth noting that this was before the part was cast, so there wasn't an opportunity to consider Jamie Clayton's face or body type.
I'm hoping it comes through in these paintings, I was trying to make Pinhead as sexy as possible while also being as gross as possible. Working to integrate deeply opposing traits is always so much fun and why I find this character so compelling.