Hey, fellow storyteller here. I just want to let you know that I see you're talented, but your writing skills could use some work. For example, the cartoon you made that's making the rounds lately needs a shorter title to be easier to search. "Pretty, Pretty, Please, I Don't Want To Be A Magical Girl" is such a mouthful. Try something like Magical Girl Aika or Aika & Zira's Magical Adventures. The title should easily roll off the tongue and give a clear idea as to what the show is about. Additionally, you really need a better grasp of "show, don't tell." Instead of spoonfeeding the audience exposition, you should just focus on the present-day activities of the characters and show the magical elements organically through the perspective of Zira. Also, cut back on the dialogue if it's expository and unnatural. Ask yourself, "How would these characters talk if they were real people?" If you really want this pilot to be picked up, you got to make the characters more relatable and likable. It's not enough to have Aika be the magical girl that wants to be normal or Zira be the over chatty fan girl. What is normal for Aika? Is it being a reserved, quiet, obedient student that's shy and socially awkward? Or is it happy-go-lucky, bubbly sweetheart that sees the best in people and has a clear sense of righteousness? You really need to figure these things out before putting pen to paper. To help you better understand writing 101, here are Pixar's 22 Rules For Storytelling as well as a link to a beginner's guide to writing 101: https://www.writerstreasure.com/creative-writing-101/ I also recommend watching some of your favorite shows and movies and analyze why they worked so well. Hopefully this helps you realize your mistakes when working on the pilot so that you can do better next time.
I appreciate the advice but I think I’m okay! I am well aware of the the rules of pixar as I was chosen to be a part of their story intensive back in 2017. As well as these rules work for feature, they’re not all quite as applicable for an 11 minute comedy series. These writing techniques are something I’ve learned from my 7 years working at DTVA (better to be clear than leave your audience guessing!). Not saying you have to like my writing style at all though, it’s not for everyone. Every genre requires different styles of writing and I think you limit yourself by abiding to one studio’s way of doing things. The premise itself, by sort of being a parody can only succeed if the audience is in on the joke, which does require SOME explaining especially for folks who aren’t familiar with the genre! I’m also playing on anime tropes which includes the wordiness and overexplainy-ness that I personally find funny and camp at this point. The goal is to make it feel like anime but also its own thing.
I feel ya on the title LMAO. This project was not supposed to go beyond the pilot and was originally just a personal portfolio piece for myself to show off my storyboarding. So I made a dumb ass title parodying long anime/light novel titles. It made me laugh in the moment so I went with it, not expecting it to blow up or gain studio interest. But since there has been studio interest and I’ve gotten a couple formal offers, I’d be open to changing it depending on who I end up going with (or if I stay independent). I’m still in the middle of deciding if and how I want to move forward with this premise since it wasn’t planned for and showrunning is something I’ve personally been avoiding for a while (because it’s hard and scary haha)
As for their characterization, I think it’s important to remember that this is just an 11 minute pilot hahaha. Plenty more character development to come over a paced out amount of time should I decide to make this a full series~ Aika’s happy go lucky optimism, naivety about the world as well as her innate need to make people feel happy (despite reluctantly doing her job) is all there if you look for it. Pilots are all just setups and should be simple by nature.
Again, I appreciate the advice and am well aware I still have a lot to learn. Always room for improvement! I’m learning a lot from talking to my peers and other showrunners but I also have gotten to the point in my artistic journey where I finally feel comfortable trusting my own gut and making decisions I feel are best for the type of stories I want to tell and who I want to make them for. It’s gotten me this far!
I was originally just gonna leave this alone after the person who sent the ask blocked me, but it's dug it's way into my brain so I'm gonna try and critique the critique! Besides, dude has me blocked already so I can just do this for the funsies. Unless it doesn't apply to sideblogs... but anyway. And out of respect to Kiana, I'll keep the unnecessary dunking to a minimum.
...The thing about this critique is that it's all very... by the book. And by that I mean boring. I don't think any of these things would actually make the pilot better. I mean, considering how positive the feedback and response to it has been... yeah.
Also, bringing up Pixar's rules... don't get me wrong, having some rules are good, but rigidly sticking to them, saying that you HAVE to follow those rules is just gonna limit you in the long run. Especially since Pixar themselves don't stick to them. Like, let's grab one rule for example's sake...
If Pixar stuck to this rule all the time, the movies would be... a lot more difficult to follow. The 1st thing that comes to mind might end up being the most obvious thing... but sometimes that's because it's the best way to go about it. Occam's Razor and all, the most obvious answer is the one that is most likely to be right. So, to borrow a phrase from a Disney movie... The code is more what you'd call guidelines that actual rules.
Most of the critique just seems to be the guy saying "This doesn't appeal to me, here's how to make it appeal to me" which... isn't exactly critique.
Like, the one thing I'll give him is him saying that the name "Pretty Pretty Please, I Don't Want To Be A Magical Girl" is a mouthful. He's got a point there.
...But that doesn't mean it needs to change. I think it would be detrimental for it to change.
First off, look at it. That's a memorable title, and it tells you what to expect from the show. There are ways to shorten it, like 'I don't want to be a magical girl', 'don't want to be a magical girl', and even the abbrievation IDWTBAMG. As Kiana said, it was supposed to parody long anime titles, like "Is It Wrong to Try to Pick Up Girls in a Dungeon?".
Secondly, let's look at the titles he suggests... "Magical Girl Aika or Aika & Zira's Magical Adventures". I don't think I've ever seen such generic names... and they miss out one of the most important parts of the show, that being that Aika doesn't WANT to be a magical girl.
Exposition stuff... you expect that in a pilot. You're being shown a new universe so you need to get a handle on what's going on. And I think Kiana hit a good balance between keeping the dialogue feeling like what characters would actually say, the only different really being is that they were a bit more specific about some things... but even then, sometimes people like to be specific when they talk about things. Saying "Show don't tell" is all well and good... but the guy doesn't actually give any specific advice on how you should do that for this specific thing. Just very general 'show it through blah blah blah', nothing specific.
Many, many other people have already pointed out that he clearly doesn't know who he's talking to, bringing up Pixar's rules and creative writing 101 to someone who works at Disney, so I won't go into that.
Basically, this, to me, just seems like very poor and generic 'critique' with a healthy dose of 'make it appeal to me specifically'. Considering the majority of the feedback has been positive (a fair chunk of people being negative just try to discredit it as an indie work because they work at Disney) I don't think much needs to be changed, especially not something that'd require strictly abiding by rules that are more made for 2 hour movies rather than 11 minute pilots.
Also, for a writer, the guy doesn’t seem to know how paragraphs work, so he ended up actually making his critique pretty hard to read.
But anyway, that's my critique of the critique, because the idea burrowed into my brain and wouldn't leave.

















