ISABELLE HARADA visual artist http://www.isabelleharada.info/
I met Izzy in Portland, OR while she was attending PNCA. I slept on her small couch in her dorm and watched nights upon nights of King of the Hill. I’ve known her to create abstract collages reminiscent of desert road trips and illustrations of funny comics that I can relate to. She’s currently getting her MA at CalArts in Art and Technology, curates an art gallery in East L.A. and I’m always excited to see what she’s working on.
whats your newest project? The answer to this question is different depending on what facet of my life you are looking at. 1.) As an artist, I've been working on a series of paintings called WRONG HOLE :( : works that lie on the intersection of intensity and humor; punctuated moments of awkwardly light-hearted horror. 2.) As an Artist, I've been working on the schematics for an installation that has yet to be titled (but will not be "Untitled"). It is a video installation utilizing a lot of two way mirrors and the viewers shadow to create an environment of fully immersive disorientation– a work you can literally get lost in. 3.) As a curator, I am working with a gallery called Infinity Room that has a bunch of new and exciting shows lined up. -We've just offered a residency to FuckWalker and his series of works called Livingroom. These multi-disciplinary endeavors are difficult to describe, but essentially create an alternative experience combining music, art, and a party; while also provoking conversation about community and immediacy in the internet age. Interested parties can find out more about it in this interview with foundations mag: http://www.foundationsmag.us/-We've got Mtendere Mandow (Teebs) lined up for a show in October sometime 4.) As a passive capitalist, I'm working at a couple galleries: one at Bergamont Station, and one in DTLA. I am in the process of familiarizing myself with the techniques used to sell artwork that costs more than my yearly income.
why are you doing what you're doing? Well, I do most of the things I do for no other reason than having a compulsion to. I believe thats what makes it so satisfying, like itching a scratch. When I make, I am synthesizing that which is around me into a sort of cohesive and visual conclusion. I do the things that I do to gain an understanding of my surroundings and to locate my point of view on the world. When I work, I'm learning.
favorite meal? I have three types of favorite meals: home-cooked, fancy as fuck, and free. They all have their merits, and sometimes they overlap. My favorite food is applesauce because its incredibly versatile. It also requires no prep time, so it fits into my schedule nicely.
purpose of your job? The purpose of any job is to sell things. I sell tangible "art objects," but I also sell the ideas embedded in these objects, and the narrative of the artist that created them. I sell the idea of these things being encompassed and expressed in the consumer's life, home, and collection.
what've you done the past 5 years? The last five years I have been on a quest with a constantly changing objective. I say quest and not journey because I approach these impermanent objectives as if my life depended on their success. (and essentially it does) Initially, it started with going to art school to get a degree in fine art photography, which quickly turned into animated arts, and finally blossomed into video installation and code writing. Following that, I fell in love and moved to Los Angeles (scrapping some other plans for a BS in theoretical physics or moving to Tokyo). Upon arrival to LA, I started making paintings, curating, and working in several galleries sprinkled throughout the city: from DTLA, to Bergamont Station. biggest accomplishment in the last 6 months? In the last six months I was accepted into the Art and Technology MFA program at CalArts, which I guess isn't an accomplishment seeing as I haven't completed it (while I did without a doubt accomplish securing the finances for it, which is a hurdle in and of itself).
what's next and, why?? There's been a couple things stewing in my head.1.) An animated mini series; because goddamn I should make use of the degree I have already and I'd like to commit to a more long term project.2.) Lots of grant writing; because I can't afford the materials to make my installations.
a song you're listening to right now. NOPE, not choosing just one. Sorry:Hailu Mergia, Mulatu Astake, Knxledge, Mndsgn, William Onyeabor, Suzanne Kraft, Kate Bush, The Velvettes (and Tammi Terrell in general), Ahnnu, Gravy Train!!!!, Bikini Kill, Brian Eno, J Dilla favorite outfit?? All black, all the time for the most part. Right now, I'm diggin' what I'm wearing: my Goodwill Ann Taylor Loft skirt, Cthulhu tee, and high top black vans.
last show you went to? Last show I went to that was not work related was Dam Funk at the Hammer Museum. have you made any money from your art? Yes, but not in any notable collections.
do you ever feel lonely, and why? Often and for several different reasons. Moving to LA, I didn't have many friends, as most of the people I knew here previously are currently pursuing their dreams elsewhere. Consequently, a lot of time is been spent with my boyfriend and his friends who, while nice, creative, and intelligent, are not my own, and see me as someone's girlfriend rather than an independent human. Additionally, I spend 90% of my time working. While gallery life is social, – from studio visits, to openings – the interactions that I have are most akin "schmoozing" than anything else. Don't get me wrong: there is definitely a time and place for this, you literally cannot be a self-sustaining artist if you don't (unless you can afford a dealer). Luckily however, I love the people I work with one thing you've learned from traveling? One thing I've learned FOR traveling: know how to say excuse me, i'm sorry, and thank you. One thing I've learned FROM traveling: People can always surprise you with their generosity. what are your biggest inspirations?/what are other artists doing that you find inspires you? Miranda July and Ben Jones for their mastery of the multiple disciplines encompassed in their practices; Olafur Eliasson for his technique, aesthetic, and subject matter; Marina Ambramovic for her powerful honesty, and tenacity; and Sophie Calle for her quirky approach to the subjects she circles in her work. Suzy Poling's series, Subdivided Landscapes (2012-2013), are inspirational for their ability to synthesize two locations at the same time by using parallels of texture in material.
do you feel like you are a success and, why? I feel like I am for the most part successful in my endeavors, but I doubt I'll feel successful until I'm dead. The trajectory that is my career – yes, success is defined by my ability to sustain myself through my preferred activity – is constantly changing, and even as I reach a goal, its often already been re-routed to something else. I'm just terribly indecisive and I like it this way.










