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Like Him
a poem by Linus
I feel emptyâ
not the poetic kind,
not the âroom for growthâ kind.
I mean hollow like something vital
was ripped out
and my body never learned
how to seal the wound.
I wake up already missing him.
Like my heart clocks in early
just to suffer overtime.
Every guy I meet becomes a question mark
wearing his outline.
I search their voices for echoes,
their hands for muscle memory,
their smiles for the exact angle
that once made my whole future
feel safe.
And I hate myself for it.
Because it isnât fairâ
they didnât ask to audition
for the role of someone
who ruined me by leaving.
But donât tell me
âyouâll find someone better.â
Better isnât the point.
You donât replace a person
like upgrading a phone.
I donât want someone like him.
I donât want similar tastes
or shared trauma
or the same dumb jokes.
I want him,
with his specific flaws,
his exact timing,
the way he occupied my chest
like he planned to stay.
I want the version of me
who existed
when he loved me.
Do you understand how cruel that is?
To lose someone
and lose yourself
in the same breath?
He doesnât want me.
And somehow the world keeps spinning
like that isnât a catastrophic event.
Like my chest didnât cave in
the moment I realized
love isnât enough
if itâs only coming from one side.
I try to cope.
I really do.
I distract myself,
romanticize healing,
pretend Iâm âdoing the work.â
But at night
it all collapses.
The silence gets loud,
and my heart starts bargaining
with the past like itâs a god.
What if I loved him differently?
What if I was softer, quieter,
less me?
What if I could unlearn
everything that made me
easy to leave?
I am so fucking lonely.
Not the kind that wants companyâ
the kind that wants one person
and rejects every other offering
like an insult.
People say
âyouâll move onâ
like itâs an act of bravery
and not an act of amputation.
Like Iâm supposed to be proud
of surviving something
that killed the version of me
who believed
love could stay.
I donât know how to move forward
when my heart is still facing backward,
arms out,
waiting for someone
who already chose not to return.
So if I sound dramatic,
if I sound stuck,
if I sound like Iâm drowning
in a feeling everyone else
seems to outgrowâ
understand this:
I loved him honestly.
I loved him fully.
And now I am standing
in the aftermath of that truth,
trying to learn how to breathe
in a world
that keeps asking me
to let go
of the one thing
that ever felt like home.
Loving Him
a gay little poem by Linus
He was good for me.
Thatâs the problem.
He was good in the quiet waysâ
the way my name sounded safer in his mouth,
the way my shoulders forgot how to stay tense
when he walked into the room.
He was good like muscle memory.
Like home without an address.
I think about him every day
in ways that donât announce themselves.
In the space beside me on the bed.
In grocery store aisles.
In songs I didnât know were about him
until my chest collapsed halfway through the chorus.
There are songs I cannot listen to anymore
because they donât just remind me of himâ
they return me.
Suddenly I am crying in a parked car,
or the shower,
or the middle of a perfectly fine afternoon
because love does not wait for privacy.
He loved me gently.
And thatâs what makes this unbearable.
If he had been cruel,
I couldâve turned him into a lesson,
a warning label,
something sharp I learned to avoid.
But he was kind.
He was patient.
He was the kind of love that didnât bruise me,
just left.
Do you know how hard it is
to grieve someone who didnât hurt you?
To explain that the pain comes not from damage
but from loss?
I miss the way he knew me
before I finished the sentence.
The way he noticed the small things
and made me feel seen without being exposed.
I miss being loved without performing.
I miss being chosen
without having to ask.
And yes, I know time is supposed to help.
People say, youâll move on,
like love is a place you visit
instead of a language you learn fluently.
But some loves donât fadeâ
they go quiet.
They sit in your chest
and hum softly through your days,
waiting for a song,
a smell,
a thought too honest to stop.
I donât want to erase him.
I donât want to make him smaller
just so this hurts less.
I just want to wake up one day
and think of him
without my throat closing,
without tears feeling like the only translation
for how deeply he mattered.
Because he was good for me.
So good.
And loving him
changed me in ways
I will be carrying
for a long, long time.
sorry for the spam posting. i wrote a lot this past week and forgot to post. âđť
Mislabelled
a poem by Linus
I learned my name
before I learned my body.
It was handed to me
like a receiptâ
already printed,
already decided,
no returns accepted.
They told me who I was
while I was still soft enough
to believe them.
Mirrors became negotiations.
Not enemiesâ
worseâ
misinformed narrators.
They insist on telling a story
I donât remember auditioning for.
Every morning I wake up
and take inventory:
what fits,
what doesnât,
what I can hide,
what will betray me
by existing too loudly.
Gender dysphoria is subtle sometimes.
Itâs not always painâ
sometimes itâs static.
A low hum of wrongness
that follows me into rooms
and sits beside me in chairs.
Other days itâs violent.
It grabs my reflection by the throat
and says,
âExplain yourself.â
I practice introductions in my head
like theyâre spells.
Name.
Pronouns.
Tone.
Posture.
I rehearse existing
before I step outside.
Bathrooms feel like interrogations.
Clothing stores feel like dares.
Every form with a checkbox
asks me to choose between
being accurate
and being safe.
They say,
âYou look fine.â
As if fine means true.
As if comfort can be measured
from the outside.
I want to explain that dysphoria
is not hatred of my bodyâ
itâs grief.
Grief for alignment.
Grief for ease.
Grief for the version of me
that gets to move through the world
without translating myself
at every turn.
Some days my body feels like a costume
I canât take off
even when I sleep.
Some days I catch glimpsesâ
in shadows,
in reflections that donât have time
to lie yetâ
and for half a second
I recognize myself.
Those seconds keep me alive.
Language both saves me
and wounds me.
Pronouns can feel like oxygen
or like hands around my throat.
You never forget the first time
someone sees you correctly.
Your chest loosens.
Your spine remembers how to stand.
You never forget the times they donât.
Each one stacks.
Each one teaches your shoulders
to brace.
They ask,
âWhy does it matter so much?â
Because being misgendered
isnât just a wordâ
itâs a reminder
that the world sees a story
written over mine.
Because being seen
is not a luxury.
Itâs a survival instinct.
I am tired of explaining
that this isnât a phase,
isnât confusion,
isnât me trying to be difficult.
I am not rebelling against my bodyâ
I am trying to come home to it.
Transitionâ
social, medical, internalâ
is not becoming someone else.
Itâs excavation.
Digging through layers of expectation
to find the shape
that was always there.
And yes, I am afraid.
Of permanence.
Of regret.
Of being wrong.
But I am more afraid
of living my entire life
as a compromise.
I deserve a body
that feels like mine.
A name that doesnât flinch
when spoken aloud.
A future where I donât have to
mentally edit myself
to be acceptable.
I am not asking to be understood perfectly.
I am asking to be believed.
I am learning how to take up space
without apologizing.
How to correct people
without shrinking.
How to look at my reflection
and say,
âWeâre getting closer.â
Gender euphoria exists.
Itâs quiet,
but itâs holy.
Itâs the first time your voice surprises you
in a good way.
The first outfit that doesnât feel like armor.
The first time someone says your name
and your body doesnât tense.
Those moments are proof.
I am not confused.
I am becoming.
And one dayâ
maybe not soon,
maybe not easilyâ
the mirror will stop arguing.
It will simply say,
âYes.
Thatâs you.â
Life of the Disassociated
a poem by Linus
My life is happening
somewhere slightly to the left of me.
I can hear itâ
laughter bleeding through walls,
time clicking forward,
people becoming older versions of themselvesâ
but Iâm stuck behind glass,
palms flat,
watching my reflection age
while I wait for the door
to remember how to open.
Dissociation doesnât crash in.
It doesnât scream.
It dims.
Like someone slowly lowering the volume
on my own existence
until Iâm living on subtitles
and missed context.
I show up to days
the way a ghost shows up to housesâ
technically present,
emotionally unfinished.
Moments pass me
like cars on a highway
while Iâm pulled over,
hazards on,
pretending I meant to stop here.
I keep thinking
Iâll re-enter my life soon.
After this week.
After this fog.
After I feel more real.
But weeks stack.
Years learn how to stand on each otherâs shoulders.
And suddenly Iâm grieving time
I technically survived.
Birthdays come and go
like notifications I swipe away.
Photos prove I was thereâ
smiling, arm around someone I loveâ
but I donât remember being inside my body.
I remember watching it happen
from a few feet behind my eyes.
Everyone else is collecting memories.
Iâm collecting evidence.
Iâm supposed to be building a future,
but how do you plan a life
when you donât fully occupy the present?
How do you dream
when your mind keeps floating
just high enough
to miss the landing?
Sometimes I feel like Iâve wasted my lifeâ
not in the dramatic way,
not with bad choices or reckless decisionsâ
but quietly.
Accidentally.
By not being here
while it unfolded.
People say,
âTime flies.â
Noâ
time runs
when youâre not looking.
It takes advantage of your distance.
It sprints while youâre dissociated,
then turns around and asks,
âDid you enjoy it?â
I want to scream,
âI wasnât even there!â
I missed conversations
that couldâve changed me.
I missed mornings
that deserved to be remembered.
I missed versions of myself
that existed only briefly
before dissolving into blur.
And the hardest part?
No one notices my absence
because my body stayed.
I nodded.
I laughed.
I functioned well enough
to fool everyoneâ
including myself.
But inside,
I was watching my life
like a movie I meant to pay attention to
and somehow didnât.
Sometimes I mourn
the person I couldâve been
if I had been more present.
I wonder how many choices
were made on autopilot.
How many paths I drifted into
because I wasnât fully awake
to choose otherwise.
There is so much guilt
in surviving something invisible.
So much shame
in saying,
âI was gone,â
when you never left the room.
But Iâm learning thisâ
Dissociation is not laziness.
Itâs not indifference.
Itâs a nervous system
that learned distance
was safer than depth.
I didnât abandon my life.
I adapted to survive it.
And maybe nowâ
now that I can name it,
feel the ache of time passing,
notice the grief instead of numbing itâ
maybe this is me
stepping back toward myself.
Slowly.
Unevenly.
With long pauses
and missed steps.
I canât get the lost years back.
I canât rewind to the moments
I watched instead of lived.
But I can be here
for this one.
This breath.
This second
that hasnât slipped away yet.
My life is still happening.
And even if I arrive late,
even if Iâm shaking,
even if I donât feel fully realâ
I am choosing
to step out from behind the glass.
Not perfectly.
Not all at once.
Just enough
to sayâ
Iâm here now.
The Kids We Used To Be
a poem by Linus
tw: s/h
When I was twelve,
I learned that silence could bruise.
That sometimes, pain doesnât screamâ
it whispers:
âYou deserve this.â
I was too young
to know what coping meant,
too old
to ask for help without feeling guilty.
So I wore my pain
where no one could see itâ
under sleeves,
behind excuses,
beneath the kind of smile
you learn from sitcoms and survival.
I remember the first time I thought,
âMaybe the hurt on the outside
will make the inside quieter.â
And for a moment,
it did.
But silence is temporary
when the war is internal.
I was a kid
playing doctor on my own wounds,
writing apologies to my body
in red ink.
I didnât know
you could love yourself without earning it.
Didnât know
that pain could pass
without being punished first.
And nobody saw me.
Because nobody looks too closely
at the kid who always says âIâm fine.â
We learn early
that being okay is easier to explain
than being alive.
Butâ
hereâs the thing about time.
It doesnât fix you,
but it waits for you to learn.
And one day,
somewhere between growing up
and giving up,
I realizedâ
I didnât want to keep living like a ghost
in my own story.
So I started talking.
Started telling.
Started letting the sun
touch my skin again.
Started calling my scars
by their true name: evidence.
Because they arenât trophies.
They arenât shame.
Theyâre proofâ
that I was hurting,
and then healing,
and nowâ
here.
Now,
I laugh too loud.
I take up space.
I dye my hair bright colors
and wear tank tops in summer.
My arms see daylight again.
My heart does too.
I am cleanânot perfect,
just honest.
I am happyânot constant,
just present.
I am growingâ
like grass through concrete,
like light through curtains,
like me.
And sometimes,
I look at old photos
of that kid with tired eyes,
and I want to tell them:
âHeyâ
youâre gonna make it.
Thereâs a version of you
who hums in the shower,
who sleeps through the night,
who writes poems instead of apologies.â
I want to tell themâ
âYou donât have to earn being loved.
You donât have to bleed to feel real.â
Because the truth is,
I used to harm myself
because I thought that was the only way to feel.
Now,
I feel everything.
And itâs loud,
and itâs messy,
and itâs mine.
So hereâs to the kids we used to beâ
the ones who learned survival before self-worth,
who made it through nights
they never thought would end.
Weâre here now.
Clean.
Whole-ish.
Happy.
And when I trace the lines on my arms,
they donât say âpainâ anymoreâ
they say,
âproof.â
They say,
âI stayed.â
They say,
âI am still here.â
And thatâ
that is enough.
once, then never again
a poem by Linus
Love had always been something for me
that Iâd only seen in movies,
read about in books â
something described as warm,
as something that swallowed you whole,
body and soul.
I never understood it.
I was never âboy-crazy,â
not even when I was still âa girl.â
Then I became a man,
and nothing about that changed.
No blushing.
No racing heart.
No giggling over messages on my phone.
At eighteen,
I had never been in love.
In middle school,
I picked boys
I was supposed to be âin loveâ with.
I saw everyone else falling in love
and thought:
âThis must be something youâre meant to do.
So Iâll do it too.â
But it was never real.
Never truly.
Just a performance
to seem normal.
And then âŚ
We met at a house party.
We talked all night.
He sat down next to me
when the alcohol had clouded my brain.
I rubbed his back
when he threw up two hours later.
And we became friends.
Slowly â
very, very slowly â
I felt warmth in my chest.
I was never quick to fall in love.
I wasnât in love at all.
I was floating.
In orbit.
I watched
as others plunged headfirst into chaos,
while I stood on the shore
and wondered:
Is it really that deep?
But he â
with him, something was different.
Suddenly his name tasted different.
My heart learned a rhythm
it had never practiced before.
Suddenly,
the thought of losing him
hurt â
like a wrong breath.
I thought:
So this is it.
The thing movies talk about.
The thing symphonies are written for.
The reason
people run through airports
and kiss in the rain.
Have you ever touched something
so warm
that years later
your hands still remember the heat?
That was him.
And then â
he left.
No drama.
No shouting.
Just silence.
A door
that closes softly,
but for good.
And I swear,
since then
every love song feels
like itâs laughing at me.
Because now I understand.
I tasted it once,
and the aftertaste remains.
People talk about âletting goâ
as if love were something
you could wash off â like dirt.
And everyone says:
âYouâll find someone new.â
But they donât understand â
I donât find love.
I donât just feel it.
I donât feel it at all,
maybe once a decade,
if the universe is kind.
The rest of the time,
I am the witness.
I watch.
I listen.
I collect fragments
of other peopleâs romance,
like shells
I will never use.
I scroll through photos of couples,
and thereâs a pull inside me â
not envy,
just curiosity.
How do they do it?
How do they fall again and again
without losing themselves?
I envy their repetition.
Their ease.
The way love comes to them
like oxygen.
For me, itâs like lightning â
once in a lifetime,
beautiful,
terrible,
and then gone.
So yes â
I long.
I long for longing itself.
For the chaotic, cinematic,
terrifying desire.
For the way love makes people brave.
The way it makes them foolish.
I want to feel that rush again â
reckless,
tender,
alive.
But my heart
just sits there quietly,
like a bird
that once learned how to fly
and has forgotten it again.
And yet,
there is beauty in this stillness.
Beauty in the way
I love my friends
without wanting to possess them.
The way I write about closeness
without calling it romantic.
The way I find magic
in laughter,
in shared silence,
in the small gesture
of being remembered.
Maybe that is my version of love.
Not the storm,
but the quiet after.
Not the lightning,
but the hum of the sky before it.
Because even if I never fall again â
I am full of feeling.
Full of tenderness.
Full of poems
about a heart
that beats differently,
but beats.
So no â
I was never in love,
except once.
And that is enough.
Enough to understand
why people chase it.
Enough to know
how it destroys and renews.
Enough to miss it,
even when itâs gone.
And maybe,
if the universe is kind,
Iâll feel that warmth again.
But if not â
thatâs okay too.
Because I was there.
Once.
And once
was real enough
to echo forever.
Pain and Affection
a poem by Linus
I learned love
in rooms where I had to stay quiet
to stay safe.
I learned it from people
who called chaos passion
and distance maturity.
From hands that held me
like they were afraid I might ask for more.
I learned early
that love meant shrinking.
That wanting too much
was the fastest way to be left.
So I stayed
in relationships that felt like negotiations.
Like I had to earn kindness
with patience,
earn honesty with forgiveness,
earn loyalty by pretending I didnât need it.
I mistook survival
for compatibility.
I mistook intensity
for intimacy.
And every time I got hurt,
I told myself,
At least they chose me.
As if being chosen
was the same thing as being cherished.
Then you showed up.
And you didnât raise your voice.
Didnât make me prove my worth
by suffering.
Didnât treat affection
like a resource that might run out
if I touched it wrong.
You listened â
not like you were waiting for your turn to speak,
but like my words mattered
even when they were messy.
You loved me
without conditions I had to memorise.
Without tests I didnât know I was taking.
You made consistency feel romantic.
And that terrified me.
Because when love is gentle,
you realise how much youâve survived.
You realise how much of your past
was never supposed to be normal.
With you,
I stopped bracing for impact.
I laughed without checking the room.
I slept without fear in my jaw.
You didnât fix me â
you just treated me like I was never broken.
And thatâs the cruelest part.
Because when you left,
you didnât just leave a hole â
you left a blueprint.
You taught me how it should have been
and then took it with you.
You ruined my ability
to settle.
Now I canât unlearn
what safety feels like.
I canât unknow
that love doesnât have to hurt
to be real.
And I hate you for that.
And I love you for that.
Because now, when someone raises their voice,
my body says no.
When someone withholds affection,
my chest recognises the manipulation.
When someone calls chaos love,
I know theyâre lying.
You didnât stay â
but you changed the rules.
And maybe thatâs the tragedy.
That the person who treated me right
was never meant to be the one
who stayed â
just the one who taught me
I deserved better.
So if you ever wonder
whether you mattered â
you did.
You were the proof.
The standard.
The line I wonât cross backwards again.
And even though losing you hurt
in a way I didnât have language for,
I would rather know
what real love feels like
and lose it
than spend my life
thinking pain was all I was worth.
Mosaic
a poem by Linus
âI am a mosaic of everyone Iâve ever loved,
even for a heartbeat.â
I read that sentence somewhere a few months ago. Maybe an Instagram comment section, under a particularly sad video about a breakup.
And since then, it stuck with me. Stayed with me, burrowed in my chest in a way some quotes do.
âArt is meant to comfort the disturbed and disturb the comfortable.â - Banksy
âBut still, like dust, I rise.â - Maya Angelou
âAnd if you had to die, Iâd envy the earth that wraps around your body.â - Albert Camus
âŚ
âŚ
I am a mosaic of everyone Iâve ever loved,
even for a heartbeat.
Not just the ones who stayed.
Not just the ones who knew my middle name
or my favourite way to be held.
I mean everyone â
the almosts,
the accidents,
the people who brushed past my life
and rearranged the furniture on their way out.
I am proof that contact leaves evidence.
Because love doesnât need permanence
to be permanent.
Some people were in my life
for the length of a song.
Three minutes and forty-two seconds
and suddenly I walked differently.
Suddenly I laughed with my whole chest.
Suddenly I knew a new way to say my own name.
I am tiled with moments
that never got anniversaries.
Never got labels.
Never got permission
to matter as much as they did.
There are fingerprints in me
that donât match anyone whoâs still here.
Old friends.
Strangers.
Lovers I never got to call lovers
because the timing was a locked door
and we didnât have the right key.
But my body remembers them anyway.
My body remembers how safety felt
before it learned fear.
My body remembers how hunger felt
before it learned to apologise for wanting.
I carry pieces of people
like stained glass in my ribs â
some of it warm,
some of it sharp,
all of it catching the light
when I stand in the right place.
And yes â
some of them hurt me.
Some of them loved me
with hands that shook
and then wondered why I flinched.
Some of them taught me
that affection can sound like control
if you whisper it sweetly enough.
Some of them didnât mean to break me â
and some of them absolutely did.
There are missing tiles in my chest
where I had to learn
how to fill the gap myself.
Where I stood there
with glue on my hands
thinking,
No one teaches you how to repair the damage
left by someone who swore they cared.
No one teaches you
how to stop measuring new love
against old wounds.
No one teaches you
how to believe gentleness
when youâve had to survive without it.
But I learned.
I learned by watching myself continue.
I learned that even the people
who stayed for a heartbeat
left me something useful.
A warning.
A boundary.
A new language for pain.
A sharper instinct.
A softer heart â
somehow both.
I am made of borrowed courage.
Secondhand hope.
Lessons I didnât sign up for
but passed anyway.
I am made of the friend
who held me together in a bathroom stall.
The person who saw me once â really saw me â
and that had to be enough.
The love that arrived like a wildfire
and the one that felt like a lamp left on
when I came home late.
And hereâs the thing â
I am not ashamed of how much of me
belongs to other people.
Because loving deeply
was never my flaw.
Letting myself be changed
was never my mistake.
If anything,
this mosaic is evidence
that I let the world touch me
and didnât turn to stone.
So donât call me shattered.
Call me assembled.
Call me deliberate.
Call me a living archive of connection.
I am a cathedral built from moments
that didnât last
but mattered anyway.
I am a mosaic of everyone Iâve ever loved,
even for a heartbeat â
and if you look closely,
if you really look,
every piece still points back to me.