FRANCE, studio NOIR COULEUR, 2018. #JusticePourAdama ©COMPAGNIE NOIR COULEUR

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@compagnienoircouleur
FRANCE, studio NOIR COULEUR, 2018. #JusticePourAdama ©COMPAGNIE NOIR COULEUR
13 ans après leur dernière sortie à la @fondation_blachere nos petits "châssis-cadres" pola repartent en tournée avec à leur bord les Ouologuem girls ! Le Morvan en août, le Mali en septembre. A suivre. #africanphotography #photographieafricaine #studionoircouleur
On l'oublie et c'est un tort ! Adama Kouyaté est un grand photographe, son travail en est le reflet le plus incandescent. Baiser. MALI, Ségou, 1971. ©Adama. Kouyaté.
2 ans qu'il est parti déjà ! Parce que les analogies entre eux sont nombreuses, j'espère que Malick SIDIBÉ aurait comme Willy RONIS, aimé qu'à sa mort on dise de lui, simplement, modestement, que c'était un brave type, et qu'il était bon photographe.
“Albert’s photographs, largely rendered in black and white, radiate an unrelenting sense of celebration, where local community events re-centered the ‘Black is Beautiful’ movement of 1960’s America within a British context. While they adopt conventional markers of pageantry, these contests existed to champion a markedly different beauty ideal to that which was expounded elsewhere in mid-century Britain, creating spaces in which a new generation of young black women could affirm their identity.” Text by Monique Todd via AnOther Mag (2016) … Holley modeling jewelry at Blythe Road, Hammersmith, London, early 1970s, from the portfolio of ‘Black Beauty Pageants’ by Raphael Albert.
Irving Penn - Two Cat Women, New Guinea, 1970
Irving Penn - Hippie Family, 1967
Night of December 31, 1969 (New Year’s Eve), Bamako, Mali - photo by Malick Sidibé
(***Click image or title link to view in high resolution***)
Two men in Benin City, Nigeria c.1950 Check this blog!
Untitled, 1969,by Malick Sidibé
Irving Penn, Japanese Girl, 1980
MALI, Koulikoro, 2015. ©Arnaud ROLLAND/L'OEIL AU BEURRE NOIR
Pointe Noire (1975) by Maurice Bibilou “Pellosh”
R.D.C 1974 by Maurice Bibilou “Pellosh”
by Robert Frank
Assembly Line, Detroit, 1955 [x]
by Bernard Plossu
Sur la route d’Acapulco, Mexique, 1966. From Le Voyage mexicain series. [x]
Cameroon, 1986, by Jacques Toussele