No title available
"I'm Dorothy Gale from Kansas"
KIROKAZE
Keni
Today's Document

❣ Chile in a Photography ❣
noise dept.

No title available
Noah Kahan

Origami Around
untitled
tumblr dot com
Xuebing Du

Love Begins

izzy's playlists!
sheepfilms
taylor price
EXPECTATIONS
occasionally subtle
art blog(derogatory)

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@compassandsquare
Donna for the new BBC Sherlock.
I would watch the hell out of that. Make it happen please.
Only if Tom is Watson
yes please
#SexCrims has provided me with a new This Is Fine image to use for all my This Is Totally Not Fine feelings.
Flash #181 cover by Brian Bolland
No dad but seriously what IS a “brimper”
Fuckin’ Henry (via mattfractionblog)
Hey Matt - what breed is Lucky? Golden Retriever? Mutt? Thx bro.
He is a comic book dog
1982 - Anatomy of a Cover - Daredevil #185 by Frank Miller and Klaus Janson
Uhoh
Preview of “The Art of the Iron Giant“ (2016/08/02)
Real Estate - Richard Brautigan
I have emotions that are like newspapers that read themselves. I go for days at a time trapped in the want ads. I feel as if I am an ad for the sale of a haunted house: 18 rooms $37,000 I’m yours ghosts and all.
Hello Mr Fraction. Do you have any nice things to say about Mark Waid? I'm writing a creator spotlight for him and would love to get your input if possible.
listen, one time, mark waid beat the shit out of me and took my wallet. not my money, not my id – my wallet. he gave me the important stuff back, he just said he liked the wallet a lot and i needed to learn a little lesson.
other than that he is straight-up one of my favorite people in comics.
one time mark waid gave me a real nice wallet
Details are dangerous [in drawing], because an overabundance of details is a bad thing. It’s like filling the page just because it’s there, or feeling that because you put in a lot of details, you’re doing a wonderful job, but that’s wrong. Details must take into account the natural rhythm of the eye, like breathing. Details must follow the flow of the story and accentuate its strong moments. Details are like background music in an orchestra. You have the violins and the brass and you must play with all these like a conductor to control the mood of the reader as he reads the story.
Moebius (Jean Giraud), from the essays in the back of “Silver Surfer: Parable” (1998 edition)
I was Trying to Describe You to Someone, by Richard Brautigan
I was trying to describe you to someone a few days ago. You don’t look like any girl I’ve ever seen before. I couldn’t say “Well she looks just like Jane Fonda, except that she’s got red hair, and her mouth is different and of course, she’s not a movie star…” I couldn’t say that because you don’t look like Jane Fonda at all. I finally ended up describing you as a movie I saw when I was a child in Tacoma Washington. I guess I saw it in 1941 or 42, somewhere in there. I think I was seven, or eight, or six. It was a movie about rural electrification, a perfect 1930’s New Deal morality kind of movie to show kids. The movie was about farmers living in the country without electricity. They had to use lanterns to see by at night, for sewing and reading, and they didn’t have any appliances like toasters or washing machines, and they couldn’t listen to the radio. They built a dam with big electric generators and they put poles across the countryside and strung wire over fields and pastures. There was an incredible heroic dimension that came from the simple putting up of poles for the wires to travel along. They looked ancient and modern at the same time. Then the movie showed electricity like a young Greek god, coming to the farmer to take away forever the dark ways of his life. Suddenly, religiously, with the throwing of a switch, the farmer had electric lights to see by when he milked his cows in the early black winter mornings. The farmer’s family got to listen to the radio and have a toaster and lots of bright lights to sew dresses and read the newspaper by. It was really a fantastic movie and excited me like listening to the Star Spangled Banner, or seeing photographs of President Roosevelt, or hearing him on the radio “… the President of the United States… “ I wanted electricity to go everywhere in the world. I wanted all the farmers in the world to be able to listen to President Roosevelt on the radio…. And that’s how you look to me.
(via somethingchanged-deactivated201)