Masahisa Fukase, Family Portrait, 1972
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cherry valley forever
Show & Tell
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#extradirty
Cosimo Galluzzi

Love Begins

⣠Chile in a Photography âŁ
occasionally subtle

Game Changer & Make Some Noise
taylor price

oozey mess
Jules of Nature
Keni
Doug Jones
Game of Thrones Daily

romaâ
PUT YOUR BEARD IN MY MOUTH
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@convistasalinterior
Masahisa Fukase, Family Portrait, 1972
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Yoshitomo Nara: 'I Donât Mind If You Forget About Me' (2001)
tired, but still shining
Julia Soboleva
The magic dogwood is an unusual Mexican subspecies of Cornus florida which is very sought-after for its large leaves and especially for its very unusual welded-together bracts reminiscent of Chinese lanterns.
Photo by Hiro 1962
Anne Mandeville (1915-2011) â The Mother Sea Lion (oil on canvas, c. 1960)
Shiro Kuramata, Luminous Chair, 1969
âVogue Pantomimeâ, Sarah Daykin by Tim Walker, scrapbook âVogue Pantomimeâ, Vogue UK 2004.
John Galliano Fall Winter 1998 Ready-to-Wear
Leda, 1510, Leonardo Da Vinci
Medium: oil,panel
Adolf Ulrich WertmĂźller (1751 â 1811), Leda and the Swan
Saturnâs Rings
Possible variations in chemical composition from one part of Saturnâs ring system to another are visible in Voyager 2 and other pictures as subtle color variations that can be recorded with special computer-processing techniques. These highly enhanced color views were assembled from clear, orange and ultraviolet frames from a distance of 8.9 million kilometers (5.5 million miles)I.
 In addition to the previously known blue color of the C-ring and the Cassini Division, the bottom picture shows additional color differences between the inner B-ring and and outer region (where the spokes form) and between these and the A-ring.Â
Gabriele Basilico, 1984, Contact sheet
âReflecting the relationship between an object, the chair, and the human body through images, I thought of the funny and grotesque marks that strong textured chairs leave on the nude bodies of the bathers at the seaside in summertime: a true negative contact which, temporarily, aesthetically reveals the original surface of contact. The idea of reconstructing a sequence of markings in the studio, bringing chairs and backs together, seemed exhilarating to me.âÂ
Christies
Cezary Bodzianowski Crystal Tulpe, Lodz , 1996
Hussein Chalayan S/S 2000 ph. Barnaby & Scott