2:30pm. That is when Spring Break starts for not only my students but for me as well and I am only a little excited. This quarter has been filled with so much new by way of my teaching style I can not wait to share it with you.
As many of you know, this is my first year of teaching. I teach Class Piano three blocks every day out of the four our students attend (one planning block). I have an Instrumental Music Education degree and believed I would be teaching high school band full-time in my first job, and my goodness I was wrong.
I vowed to myself and everyone around me I would NOT teach beginning band as my first job because I did not have the patience to work with middle schoolers, let alone start kids on instruments I am passionate about (i.e. trumpet and percussion). Someone somewhere must have heard me say this arranged for me land a job at the high school level teaching BEGINNER PIANO.
I have learned more about myself as an educator doing this than I think I would have if I would have landed a full-time assistant band director gig elsewhere. The difference in this course from last semester to this semester is staggering. My students from last semester ask me frequently āwhy didnāt we have all this cool stuff last semester?ā When I respond, I am honest and tell them, ābecause it was my first semester and I had not thought of many of these ideas yet.ā
Last semester I was scared to allow everyone to move at their own pace, encouraging everyone to stay with the class, pushing some students a little too hard. This semester I have implemented aĀ Version concept. This concept keeps all students at the same level by way of music theory (modifying, of course, for my exceptional students with IEPs), but divides all the students up into four differentĀ version groups.
These version groups are divided by four different names that may sound familiar to some of us educators: Emerging, Proficient, Accomplished, and Advanced. The students are placed in these groups based on their rank in the Pass-Off system I have implemented this semester as well.
The pass-off system works as follows. Students have a list of all the pass-offs in the book, and when they haveĀ mastered an excerpt, fulfilling all parts of the rubric to the best of their ability, they receive a sticker on our pass-off chart (see below). Many of you might think, āStickers? Really? Theyāre high school kids, they donāt care about stickers.ā You could not be farther from the truth, at least for my students. Due to the fact I only teach 31 students throughout my day, all of them fit on the pass-off chart, which allows the individual students to not only track their progress against their peers within their class, but also with all of their peers learning the piano at SouthSide right now!
Students I had trouble getting to focus and practice/learn/ask questions before I implemented this have kicked it in to high gear because they do not want to look like they are lazy to the rest of their peers.
Now, I did wait several weeks into the semester before I started this for a few different reasons:
The primary reason, because my students needed to learn and begin developing a solid technique and learn HOW TO practice correctly. I wanted to make sure they were solid enough on the fundamentals before we started developing the individual.
Ā I wanted to make sure my student rosters were settled so we did not have a slew of students that dropped my course at the last minute, on our chart taking up space.
I waited to start to ensure proper playing technique, to prevent any bad habits from forming.
Please do not panic, just because we have started Pass-Offs, that in no way means I have stopped paying attention to the studentsā technique. The rubrics I use for these pass-offs has a very strict technique component, where if this is not utilized to the best of the studentās ability, they do not receive a āpassā and must continue working on the piece for at least another full day before they can attempt to pass off again.
The students are also required to not only play one of the excerpts from our book, but also a technical exercise, whether that be a scale, a warm-up from another book we use, or something else I specify that is designed to assist the students in further developing their technique.
Upon our return from Spring Break and after a review to get their hands back used to the keyboard after a week off, I intend to add sight-reading to the students lessons. As they have demonstrated mastery of the fundamental rhythms and note identification, they will begin expanding on this knowledge.
These are just a couple of things I have implemented this semester and have noticed a HUGE difference and BOOST in confidence within the students that find this course a little more difficult. My students that also find this to be very easy, they are not as bored as they are able to move at their own quick pace, asking individualized questions, or allowing me to go over more advanced concepts with them as opposed to losing the rest of class.
This has been an incredible semester so far. While I am excited about Spring Break and am ready for a little time to rest and recoup before our final push for the year, I know the 4th Quarter is going to continue these studentsā incredible success with their capstone solos.
Stay tuned for more updates!
The Start of the 4thĀ Quarter 2:30pm. That is when Spring Break starts for not only my students but for me as well and I am only a little excited.