paysage mauvais

et qui dou marès ſi ſe cueuvre / que nuls ne la puet mettre en œuvre / n’on ne la puet tirer de là / pour l’iave qui couverte l’a

[random-brushstrokes]

Robert Zünd (Swiss, 1827-1909) - Geländestudie mit Mann und Hund

[random-brushstrokes]

Zsigmond Vajda (Hungarian, 1859–1931) - Paris, Jardin du Luxembourg, The Medici Fountain

[ymutate]

Tomás Sánchez (Cuban, born 1948)

La meditación de la garza [Meditation of the heron], 1992

Tempera on paper

76.2 x 56.2 cm (30 x 22 ¹/₈ in)

Private collection

[random-brushstrokes]

Gustav Wentzel - Chess players (1886)

[laclefdescoeurs]

A wild cat with a pheasant and a fox in a landscape, Heinrich Lihl

[my-russia]

Forest Clearing, signed and dated 1878, Ivan Shishkin

[nexusdawn]

Funny Games (1997) dir. Michael Haneke

[1five1two]

Vladimir Pajevic.

[sabinerondissime]

Sacra di San Michele Monte Pirchiriano, in Val di Susa, provincia di Torino

[sheeanabrugh]

Hardness and strength are death’s companions. Flexibility and softness are the embodiment of life. That which has become hard shall not triumph.

FILMS WATCHED IN 2022: STALKER (1979) dir. Andrei Tarkovsky

[random-brushstrokes]

Thomas & Marie Oakey Dewing - Hymen (1884-86)

[random-brushstrokes]

Peter Weiss - Young Man in Churchyard (1938)

[letsgetemboys]

Time of the Wolf [Le temps du loup] (2003, dir. Michael Haneke)

[poliwait]

Julien Dupré (1851-1910) La vache blanche, Musee d'Orsay, Paris,

[sbsebek]

Sergey Basov

[random-brushstrokes]

Pedro Américo - Moses and Jochebed (1884)

[random-brushstrokes]

Robert Russ (Austrian, 1847-1922) - Courtyard of the Fürstenburg in Burgeis