One Nice Bug Per Day
Sade Olutola

Kiana Khansmith
let's talk about Bridgerton tea, my ask is open

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roma★
Sweet Seals For You, Always
The Stonewall Inn
hello vonnie
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Misplaced Lens Cap

★

Jar Jar Binks Fan Club
PUT YOUR BEARD IN MY MOUTH

shark vs the universe
Keni
cherry valley forever
taylor price
KIROKAZE
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@crestvo
Sadly the zine which this piece was created couldn't be completed. Originally created as merch print, this the inofficial 90s French poster for "Adolescene of Utena". ;)
Adolescence of Utena as a sequel to RGU is such a brilliant tackling of how Anthy navigates the fallout of leaving behind the abusive world of her brother.
Her brother is dead. Her abuser is gone. The specter of him infects her world though. Anthy seeks out Utena. She brings the people Utena knows and loves into a miraculous school, and she goes to meet Utena, but then the moment is ruined. Utena does not remember Anthy. Even worse, Utena wears the Rose Seal.
In a world void of her abuser, Anthy realizes she does not know how to desire or be desired as anyone other than the Rose Bride. So she falls back into the role. She tries to seduce Utena as the Rose Bride. She tries to fit herself and Utena into a dynamic she is familiar: the naive Prince and the attentive Rose Bride. It doesn't work, and the body of Anthy's trauma rots beneath the roses until it's dug up.
I've always been confused about why Utena was so fixated on Touga in the movie, but on my most recent rewatch, it clicked. In the original series, Utena misremembers Touga as her Prince. In the movie, she is misremembering Touga once more, attributing to him promises and emotions she actually felt for Anthy. Touga is the violence Utena experienced in Akio's world and then forgot once she entered Anthy's world. It's another body Anthy did not account for.
When Utena has her breakdown in the rose garden, she acts in a way familiar to Anthy. She tackles Anthy and shoves her to the ground. White butterflies, associated with sexual violence, flutter in the background and Anthy gives into it willingly. She swears this is what she wants: to be Utena's even if it means being Utena's Rose Bride. But Utena surprises Anthy again. She doesn't hurt Anthy, she just mourns the fact that she never got to see the stars with Touga. And this brings directly to mind their most precious promise from the series: Someday, together, we'll shine.
Utena falls asleep, and Anthy is able to act against the role of the Rose Bride for Utena's sake. She stands, and she destroys her rose garden so that Utena can see the stars.
When Utena confesses what she wants, Anthy does the impossible for Utena: she becomes a Rose Bride without roses. It's another step in Anthy and Utena's long and difficult journey of navigating the effects of the trauma they've experienced, and, like the series, it affirms that the agency required to recover from abuse is in the hands of the victim.
Persona (1966), Mulholland Drive (2001), and the lesbian doubles
t4t mikulen moments
"technically a spoiler" art for my metafictional vampire yuri revenge story Slaying Maeve. Its about a lot of things but I like thinking about a creator's relationship to their creations. What can your creations reflect back at you? What can fiction reveal about reality?
experimenting with colors and glitter pens with this older utena drawing, idk if i ruined it
a world where fantastical sexuality in art is not seen as a gutter to emerge from
i think the fact that i can say over and over again 'i am not being ironic, this is not a bit, my books are not a joke' and have people on the right AND left just say 'NO YOU ARE' to my face (or my mask) over and over again is very telling. culture just cannot deal with neurodivergent people yet
i am very thankful i have the confidence to weather decades of people calling my work ‘shit posts’ or ‘intentionally bad’. i think it has personally made me very strong and confident in my art, but it is fascinating how hard it is for some folks to even CONCEIVE of someone this different than them
most creators have these BIG DREAMS and goals, like winning an oscar or traditionally publishing a book: my dream is to live in a world where the average person has a relationship with joy and sincerity and sexuality and fantasy that makes my books seem not outrageous at all. which is how i see them
i know buds mean well when they post stuff like ‘i cant believe chuck tingle went from erotica to traditional bestseller lists’ and thats FINE. i take it in the kind way it is intended. at same time, i want to live in a world where fantastical sexuality in art is not seen as a gutter to emerge from
when i finally trot off and ride that lonesome train, my biggest hope is that someone like me will have JUST SLIGHTLY fewer folks insisting that they must be a character or a joke or an ironic creation because no REAL person would do that. i am real. they will be real too. HERES TO THEM
Seeking revenge for her damnation, Amatista vows to slay the vampire who made her- the alluring and dangerous Maeve. But as desire and vengeance blur, Amatista begins to question the truth of her transformation, her maker, and the very fabric of her reality.
SLAYING MAEVE is metafictional lesbian vampire revenge fantasy romance I have been working on for a bit. I hope to make it a full fledged story/project.
kusimayu and her little baby goat :(((((
manananggal hours (oc)
misa my phone-addicted crash out manananggal oc because Halloween soon
LOVED Knights of Guinevere!!
Had to make some fanart ✨🫶
Wanted to do an Utena thing ✨️