crispy + specific

[crispyandspecific-blog]

Excerpt from "The End of Eating Everything," directed by Wangechi Mutu and featuring Santigold.

[caille]

Live from the Armory Show 100th Anniversary Opening

Paul Holdengraber (Interviewer): “It reminds me of a wonderful line by Borges, where he says every artist creates his own precursors.”

Ed Ruscha (Artist & all-around beloved badass): “Well. OK.”

h/t: Felix Salmon

[crispyandspecific-blog]

RIP / finger guns 4ever

[natashavc]

FOREVER

[crispyandspecific-blog]

Today's spirit animal.

[gifmovie]

[crispyandspecific-blog]

Today's spirit animal.

[hmzeitgeist]

Lana Del Rey — Born To Die

(Animated by Max Capacity)

[mercikarl]

[crispyandspecific-blog]

Today's spirit animal.

[superfad-blog]

[crispyandspecific-blog]

Today's spirit animal. #doyouknowwhoprinceis

[adayinthelifeofamonster]

[the-13th-floor]

[crispyandspecific-blog]

Today's spirit animal.

[fergieandjesus-deactivated20170]

[crispyandspecific-blog]

Today's spirit animal. #whatlikeyoublend

[crispyandspecific-blog]

Swoon.

[crispyandspecific-blog]

The Woodmans talk about Francesca the way that some academics talk about a subject that they are trapped under the weight of—tiredly and dispassionately, tinged with occasional bitterness. They discuss her art, her personality, and her death with the kind of distanced and calculated tone that one would expect from a historian, not from grieving parents and especially not from a pair of self-described romantic and creative free spirits.

The extreme passive-aggression that characterizes these debates over Francesca's work and legacy (such as her father's claim that her self-portraits come off as "self-preoccupied") makes it clear that the impact of Francesca's life and death is lasting, and that her parents' control over her image and her images (which are intertwined more often than not) is at once tenuous and incredibly direct, as George and Betty remind us again and again that they have the ultimate authority over their daughter's artistic and personal legacy due simply to the fact that they are alive and she is not.

Cine-File capsule for THE WOODMANS (C. Scott Willis, 2010).

[victor-minin]

[crispyandspecific-blog]

Today's spirit animal.

[loneliestgirl15]

the one here is looking for someone to work late nights or early mornings during the summer! i might work in a 24 hour laundromat! i’m going to clean things and people will give me tips to fold and wash their laundry! when no one is looking im going to bury my face in the clean laundry and smell it! i won’t have any co-workers! i will sit in the laundromat at 2 in the morning alone and smell things and listen to dryers! i will listen to dryers! from now on all of my paintings are going to be of laundromats and things inside of laundromats! people will give me money to listen to dryers! i will warm my hands in clean laundry that i will take out of the dryers when they are finished drying! im buying a new bike! with tires that aren’t rotting! i won’t have to buy a car! i ate sticky rice and bought you chocolate with no dairy in the chocolate! i can ride my bike to the laundromat! i can tie a box to the back of my new bike and put my cat in it! i might work in a laundromat! i will probably never work in a laundromat

Ellen Kennedy, i might work in a laundromat! (via muumuuhouse)

Youth! Exuberance?

[batarde]

Late Autumn (Yasujirô Ozu, 1960)

In Ozu, everything is ordinary or banal, even death and the dead who are the object of a natural forgetting. - Gilles Deleuze, Cinema 2: The Time-Image.

[eggsackley]

[crispyandspecific-blog]

Today's spirit animal.