Samson and Delilah (1949) costume appreciation: 10/∞
costume design by Edith Head, Dorothy Jeakins, Elois Jenssen, Gile Steele, Gwen Wakeling
Period dramas | costume appreciation: 25/∞
Angela Lansbury as Semadar
seen from Türkiye
seen from United States
seen from United States
seen from France
seen from Ukraine

seen from Türkiye
seen from Latvia
seen from Malaysia
seen from Türkiye

seen from United States
seen from Türkiye

seen from United States

seen from Latvia
seen from United States
seen from United States

seen from United States
seen from United States

seen from Malaysia
seen from United States
seen from United States
Samson and Delilah (1949) costume appreciation: 10/∞
costume design by Edith Head, Dorothy Jeakins, Elois Jenssen, Gile Steele, Gwen Wakeling
Period dramas | costume appreciation: 25/∞
Angela Lansbury as Semadar
The Ten Commandments (Paramount, 1956), Anne Baxter "Nefretiri" Turquoise Gown
Designed by Edith Head
VERONICA LAKE as Susan Cleaver in Saigon (1947) costume design by Edith Head
Shirley MacLaine in What A Way To Go! (1964)
Costumes by Edith Head
GRACE KELLY Wardrobe Test Shot REAR WINDOW. Edith Head designer
"Shirley MacLaine is quoted as saying she was happy to work with Edith Head, with a $500,000.00 budget, 72 hairstyles to match the gowns, and $3.5-million gem collection, on-loan from Harry Winston. The value of the gems, adjusted for inflation, would be $23.5 million in 2016" What a Way to Go! (1964) dir. J. Lee Thompson || Costume Design by Edith Head
Cary Grant!
Another man extremely observant of what women wear is Cary Grant, and I use him frequently as medical consultant. Cary has lived everywhere; he has international background; his taste is impeccable. (I consider him not only the most beautiful but the most beautifully dressed man in the world.) ..... You can trust Cary Grant. His is a discerning eye, a meticulous sense of detail. When we were making To Catch a Thief, he came up to the Clinic and planned a color scheme for his wardrobe throughout the picture. He found what Grace Kelly was wearing in each scene, then selected clothes to complement hers. "She's wearing a pale blue bathing suit for the beach scene? Good, I'll wear plaid shorts. She's wearing a gray dress? How would it be if I wear a dark jacket and gray slacks?" That he admired the clothes I'd done for Grace was my best assurance and insurance.
Dress Doctor, by Edith Head
(Edith frames her practice as a costume designer as being akin to that of a doctor, hence why she calls her studio a "clinic" and Cary a "medical consultant.')
Hanna Schygulla and costume designer Edith Head, Los Angeles, Photo by Helmut Newton, 1980