[ C ]

[csnchz]

OPDC PLANNING GUIDANCE VISUALISATIONS by Publica

Illustrating visions and detailed design guidance for OPDC’s mixed-use neighbourhoods.

[csnchz]

Are you clo

yes i am!

[deseopolis]

Agora Anshelm. 2017.Leth & Gori

[yuan-yining-2017-blog]

Yesterday’s Tomorrow

Representation of Cedric Price’s Fun Palace

Based on  Price, Cedric. “Fun Palace: Typical Plan.” 1964.

[twelvewp]

Abandoned fun park, built by the Soviets. Guardalavaca, Cuba.

March, 1995

B&W infrared film

[archiveofaffinities]

Charles and Ray Eames, Eames House, Pacific Palisades, California, 1949

[deseopolis]

Bodies now last longer than the buildings they occupy. Buildings no longer hold memory. Their memorializing function has been displaced by images. Buildings are at best fragile images, props in heterogeneous publicity campaigns. Digital archives have taken over the role of storing memory from solid structures. Collective memory is diffused across an invisible electronic landscape rather than concentrated in singular monumental objects.

The Architectural cult of synchronization. Mark Wigley (via deseopolis)

[godwantsit]

[ppmj]

Caruso St John

1999–2003 Location: Kalmar, Sweden Client: Municipality of Kalmar Project Status: Built

[abelmvada]

Oh, look! It’s the movie trailer for your life! Who wants popcorn?

[theegoist]

Vishwa Shroff (Indian, b. 1980) - Doughty Street #45, Watercolour and ink on paper, 25.4 x 17.8 cm (2017)

[design-is-fine]

Albrecht Dürer, six pillows (verso), pen and brown ink, 1493. The Metropolitan Museum of Art.

[design-is-fine]

Rob Mallet-Stevens. Album “A Modern City”, 1922. Pochoir coloured plates. London, Benn Brothers, Via Nosbüsch-Stucke

“In 1911, he began publishing pochoir drawings of modern villas and other buildings in a geometric style influenced by Josef Hoffmann, Frank Lloyd Wright and Charles Rennie Mackintosh. These led to the influential album. Unlike Le Corbusier, Mallet-Stevens had no interest in radicalizing the urban plan. He simply took each of the standard buildings of the modern town, from the fire station to the individual house, and applied a ‘modern’ style to it. It is possible, however, that these illustrations proved much more influential for contemporary architects than Le Corbusier’s austere urban and architectural projects.” (Charlotte Benton, Art Deco 1910-1939, V&A)

[design-is-fine]

Leopold Bauer, Portfolio / Competition entry “House of an Art Lover”, 1902. Published bei Alex Koch, Darmstadt, Germany. The winner was Charles Rennie Mackintosh. Complete via wolfsonian

Bauer (1872-1938) was a pupil of  Otto Wagner at the Academy of Fine Arts in Vienna. He was both an architect and an arts & crafts designer, as well as a writer on these subjects. He took a mediating position between Historicism and Secession, thereby meeting the taste of most of his contemporaries. Antiquariat Rohlmann

[umajor]

Enzo Mari, Animal Puzzle

[gerhard-richter-art]

1024 Colours, 1973, Gerhard Richter

Medium: oil,canvas

[sad-dress]

marseille, 2008.