DANCECINEMA

Welcome to DanceCinema, a blog dedicated to all forms of dance in media and theatre! tracking #dancecinemablog and #dancecinema

[dailyflicks]

DAILYFLICKS 30K EVENT: FAVORITE 90s FILM PER MEMBER ↳ DANCE WITH ME (1998)— Tanya (@nora-ephron)

How do you dance with no music?

[dailyworldcinema]

Cold War (2018) dir. Paweł Pawlikowski

[margotrobie]

Barbie (2023) Babylon (2023) Amsterdam (2022) Birds of Prey (2020) Once Upon a Time... in Hollywood (2019) I, Tonya (2017) Suicide Squad (2016) The Wolf of Wall Street (2013)

[prideandprejudice]

Pride and Prejudice (2005) | Red, White & Royal Blue (2023)

[adaptationsdaily]

Little Shop of Horrors (1986) dir. Frank Oz

[disdaidal]

When he calls you Ava... - Ava is the woman I am when I dress in drag. - So, you wear ladies' clothes? - And look fabulous.

— EAMON FARREN as DANNY & AVA in Carlotta (2014)

[thegraininessofitall]

Debbie Allen

Fame (1982–1987)  | Season 1, Episode 3

[madeline-kahn]

Music in Film: Theater Camp (2023) dir. Molly Gordon, Nick Lieberman

[divineandmajesticinone]

WONDER BAR (1934) | dir. Lloyd Bacon

“The other [scene that stands out above the rest] involved a handsome man, asking a dancing couple if he could cut in. The female partner, expecting his attention, agrees, only to see him dance with her male partner. Jolson then flaps his wrist and says, “Boys will be boys. Woo!”. This scene almost caused the Production Code to reject the film, and was featured in the opening scenes of the documentary film The Celluloid Closet (1996).”

[filmouts]

#oooff they beach off intensely indeed

[scottstiles]

Do you love me now that I can dance?

[dcminions]

MAMMA MIA (2008)

[classicfilmblr]

The Nicholas Brothers (Fayard and Harold Nicholas) Stormy Weather (1943) dir. Andrew L. Stone

[santiagocabreradaily]

Isla Fisher and Santiago Cabrera in Godmothered (2020) dir. Sharon Maguire

[malecharacters]

Sex education Season 1, episode 7

[stydixa]

HIGH SCHOOL MUSICAL 3: SENIOR YEAR (2008) Dir. Kenny Ortega

[celluloidrainbow]

SWAN LAKE (1996) dir. Matthew Bourne & Peter Mumford A re-imagining of Tchaikovsky’s original ballet, follows the tale of the Prince of a modern nation, starved for his mother the Queen’s love (or at the very least her acknowledgement) and plagued from childhood by visions of swans. When he discovers the betrayal of his Girlfriend, the Prince runs off to the lake intent on ending his life, but is stopped by the same Swan of his dreams. (link in title)