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YOU ARE THE REASON
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Hanif Abdurraqib, They Can't Kill Us Until They Kill Us
le suicidé, édouard manet, circa 1877
The important point he always kept in mind was that he was playing a part. Usually, in his mind, he was playing the part of someone else, but sometimes he played the part of himself (his own self): that is, he was not simply and spontaneously himself, but he played at being himself. His ideal was, never to give himself away to others. Consequently he practised the most tortuous equivocation towards others in the parts he played.
R.D. Laing, The Divided Self