wallacepolsom

Product Placement
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hello vonnie

Kiana Khansmith
Three Goblin Art

ellievsbear
taylor price
Cosimo Galluzzi
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Mike Driver
i don't do bad sauce passes

titsay
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"I'm Dorothy Gale from Kansas"
d e v o n
Alisa U Zemlji Chuda
Misplaced Lens Cap
cherry valley forever

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‘Facebook maakt een derde van zijn gebruikers ongelukkiger’ Foto Reuters / Eric Thayer door Niels Posthumus MEDIA Een sociaal netwerk dient je in principe gelukkiger te maken. Maar uit recent Duits onderzoek blijkt dat een derde van de Facebookgebruikers juist ongelukkiger is na een bezoek aan de website. Dat stelt het Amerikaanse tijdschrift Time deze week. Eigenlijk hoeft het ook niet echt te verbazen dat Facebook velen ongelukkiger maakt. Want praktisch iedereen probeert zich online nu eenmaal van zijn beste kant te laten zien. Mensen plaatsen foto’s van vakanties, niet van ruzies. Ze melden uitgebreid dat ze promotie hebben gekregen, maar verzwijgen het als ze ontslagen zijn. Een Facebookgebruiker krijgt zo vanuit zijn netwerk een stortvloed aan positieve informatie over zich heen. En met die overdreven positieve beelden van anderen vergelijkt hij zichzelf. Dat kan ertoe leiden dat hij het gevoel krijgt zelf maar weinig succesvol te zijn. VAKANTIEFOTO’S DE GROOTSTE BOOSDOENER Onderzoekers van twee Duitse universiteiten ontdekten (PDF) dat vooral bladeren door de foto’s van anderen nogal wat jaloezie, verdriet en eenzaamheid kan oproepen. Zij onderzochten een groep van 600 frequente Facebookgebruikers en concludeerden dat één op de drie zich na een bezoek slechter voelde. Vooral als er vakantiefoto’s van anderen waren bekeken. Waarom we ongelukkig worden door ons te vergelijken met anderen: Goede tweede was een (gevoelsmatig) gebrek aan aandacht. Bijvoorbeeld het uitblijven van veel felicitaties op je verjaardag of relatief veel ‘likes’ onder een doorgeplaatste link. Op die manier kan Facebook tot een stressfactor in het leven worden, schrijft Time. Zelfs frustratie en woede waren emoties die de onderzoekers aantroffen. Maar in die geval-len leken mensen op zijn minst te begrijpen dat hun Facebookbezoek niet erg prettig werkte op hun gemoed. Zij bleken sneller geneigd hun bezoek te verminderen. IS ER EEN LEEFTIJD WAAROP WIJ VAN FACEBOOK AF GAAN? En over je bezoek verminderen gesproken. The Atlantic vroeg zich afgelopen week af of wij ons Facebookbezoek niet sowieso wat zullen terugschroeven met de jaren. De meesten van ons plaatsen immers vooral updates over werk, feestjes en vakanties. Wat als al die zaken op een gegeven moment net even iets minder frequent voorkomen? Tegen de tijd dat je de zeventig bent gepasseerd bijvoorbeeld. Niemand lijkt er werkelijk over na te denken of er ooit een moment komt om Facebook vaarwel te zeggen, stelt het tijdschrift. En dat klopt. Maar waarschijnlijk doen we dat nooit, juist omdat zo’n moment simpelweg niet bestaat. The Atlantic stelt nota bene zelf dat ouderen juist op Facebook blijven om hun kinderen en kleinkinderen online te volgen. Waar Facebook voor jonge gebruikers soms frustrerend kan zijn vanwege een aandachtste-kort, is het voor grootouders een manier om regelmatiger in contact te blijven met kleinkinderen die niet elke week zin hebben om bij opa en oma langs te gaan. Wellicht dat Facebook ons dus op die wijze met de jaren juist steeds gelukkiger gaat maken.
The online music video for Robyn’s “Don’t Fucking Tell Me What to Do” is a little different from the others — in order to contribute to the video, a viewer must post a tweet with the hash-tag #killingme. Then, the message will pop up with the others in the latter half of the song
OK Go — “All Is Not Lost”
Click here for the interactive OK Go music video
OK Go’s “All Is Not Lost” video is yet another Google Chrome experiment that uses our “message” to determine the band’s choreography.
http://www.allisnotlo.st/index_en.html
http://www.coldwarkids.com/iveseenenough/
(via Chrome Experiments - Arcade Fire)
FKi, Iggy Azalea, and Diplo – I Think She Ready Shopping with Iggy in the interactive video for I Think She ReadyNo more Primark queues and McDonald's wraps. All hail, the world's first shoppable video! T-shirts! Necklaces! Stuff! This might not be the most touching or creatively inspiring interactive video, but it sure feels like a glimpse into a dystopian future. Just click on the S in the video and you, too, can purchase what Iggy, FKi and Diplo are wearing. (via Top five: interactive music videos | Music | theguardian.com)
Kanye West wanted album cover to be banned, says artist Painter behind My Beautiful Dark Twisted Fantasy album art claims rapper requested explicit image as a publicity stunt
Kanye West’s provocative album cover for My Beautiful Dark Twisted Fantasy was intended to be banned, according to the artist who painted it. George Condo claims his depiction of West and a, er, nude armless angel was requested by the rapper to create controversy. Yes, a publicity stunt by Kanye West. Difficult to believe? Hardly. But still we’re impressed with the rapper’s audacity. The controversy over Condo’s painting has always been a little dubious. In October 2010, a month before the release of the album, West tweeted: “Yoooo they banned my album cover!!!!! Banned in the USA!!! They don’t want me chilling on the couch with my Phoenix!” Implying that Walmart had been offended by an oil-painted nipple, West cited the cover of Nirvana’s Nevermind album, with its photograph of a naked baby. “So Nirvana can have a naked human being on their cover, but I can’t have a PAINTING of a monster with no arms and a polka dot tail and wings,” he wrote. But Walmart denied banning anything. “We’re excited about Kanye West’s new album and we look forward to carrying it in our stores on 22 November,” the company said. “We did not reject the cover artwork and it was not presented to us.” According to a profile of Condo in the latest issue of the New Yorker, the cover was designed to create controversy. West was looking for “something that will be banned”, Condo said (via New York magazine). The rapper visited the painter’s New York studio, they spent several hours listening to songs, and then Condo made “eight or nine paintings”. Most of these were used for My Beautiful Dark Twisted Fantasy. For the cover, “West chose [the one with] … a naked black man on a bed, straddled by a naked white female creature with fearsome features, wings, no arms and a long, spotted tail”. We wonder how long he waited to tweet the scandal.
(via Kanye West wanted album cover to be banned, says artist | Music | theguardian.com)
Future of concerts: Social wearables and interactive light shows
(via Future of concerts: Social wearables and interactive light shows)
2009: Josh Freese Puts Himself on Sale
Drummer Josh Freese is already known for being the alternative generation’s ultimate band whore — he’s played with Nine Inch Nails, Guns N’ Roses, Devo, Weezer, the Offspring, and more — but he’s far from being a superstar. So it made sense in 2009 when he decided to raise money directly, via Kickstarter, to pay for his solo album Since 1972. Freese savvily turned the rewards up to absurd levels: High donors could use him to get their cars washed, laundry done, feet massaged, or even be in your band for a month. In the process, he gathered enough donations to make the album — and provided fans with a much better way to spend money than sending a member of Animal Collective to Africa. J.S.
2007: Nine Inch Nails Plays Hide the Flash Drive
Some artists announce new albums with a press release, and some reveal their plans by planting a flash drive in a Lisbon, Portugal venue’s bathroom. For Nine Inch Nails’ Year Zero, the band’s final obligation on their long-running Interscope contract, Trent Reznor teamed with a marketing group called 42 Entertainment to create an alternate-reality game to rev up excitement for the dystopian concept album. Trent had his computer-savvy fans rummage through spectrograms and IP ranges to gather clues and tell the LP’s backstory in the weeks leading up to Year Zero’s April 2007 release. No word on what else you can find in a Lisbon bathroom. D.K.
1990: Madonna Justifies Her NC-17 Status You kids would not believe how consistently offended everyone used to get, particularly about sex. Less than a year after the racially charged Catholic imagery of “Like a Prayer” cost her a Pepsi deal, Madonna hired Jean-Baptiste Mondino to shoot a black-and-white clip for her new single, a “bonus track” from greatest-hits package, The Immaculate Collection. After the naughty images of S&M and bisexuality were too much for MTV, which refused to play the video, Madonna started peddling it as a video single and set sales records. Then she defended (and promoted) the video on Nightline, which played the whole damn thing on network TV. When it was pointed out that the ban had probably worked out in her favor financially, Madonna shot back “Yeah, so? Lucky me.” But she knew luck had nothing to do with it. K.H.
1987: The KLF’s Entire Absurd Career, Basically Like so many British pop provocateurs Bill Drummond and Jimmy Cauty always had a highly theoretical explanation for how their successful stunts were transforming society. The duo first materialized as the Justified Ancients of Mu Mu, a.k.a., the JAMs, named after a fictional conspiracy group from The Illuminatus! Trilogy. Their first single, “All You Need is Love,” an AIDS protest assembled from the Beatles song of the same name mashed up with Samantha Fox’s “Touch Me (I Want Your Body),” was never officially released due to threatened lawsuits, but became a critical and underground sensation. As the Timelords, they smooshed together Gary Glitter, the Sweet, and the Doctor Who theme for a No. 1 U.K. jam called “Doctorin’ the TARDIS.” By the time they formed the KLF, the duo started recording relatively gimmick-free acid-house hits (except for their debut, “Whitney Joins the JAMs,” which posited that Whitney Houston had joined the group by manipulating various unauthorized samples). Were the pranksters finally becoming domesticated? Well, not really. They went on to fire machine-gun blanks at a Brit Awards crowd, dump a dead sheep on the steps at the after-party, retire from music, pull their back catalog out of print, and publicly burn $1 million pounds on the remote Scottish island of Jura (where they’d burned a wicker man in an earlier ceremonial stunt). Ask them why and they’ll be happy to explain. K.H.
Back before the music industry could blame file-sharing for its incompetent business practices, recordable audio cassettes were the scapegoat. “Home Taping Is Killing Music,” whined a memorable ad campaign, and if so, “C·30 C·60 C·90 Go” — the very first cassette single, with a B-side left intentionally blank to encourage music piracy — saw itself as the euthanasiac pillow clamped over the mouth of the sad, wheezing fucker. Former Sex Pistols impresario Malcolm McLaren stole Adam Ant’s band out from under him and teamed them with pretty, plucky 13-year-old Annabella Lwin. Like most McLaren projects, it was a cheap rip-off disguised as an act of political liberation. And vice versa. And crazy fun. K.H.
1977: The Sex Pistols Play on a Boat – What Could Go Wrong? In honor of the 25th anniversary of Queen Elizabeth II’s ascension to the throne – and because they’d been banned from most clubs – the Sex Pistols chartered a boat for a celebratory cruise along the River Thames (wink wink). Coincidentally, the tabloid-tailed band also had a topical new single to promote: “God Save the Queen,” which saw “no future” for England as long as the inhuman ol’ gal was still on her lofty perch. The band’s intense “Silver Jubilee” performance on deck ended abruptly after just a few songs when the power cut out and the London coppers converged on the party. Pistols manager Malcolm McLaren, likely hoping for just such a confrontation, yelled, “You fucking fascist bastards” and promptly got the shit beat out of him. Despite being condemned in the resulting news coverage, “God Save the Queen” peaked a No. 2 on the U.K. charts, kept out of the top slot by the latest single from Rod Stewart, who many punks didn’t consider a human being either. K.H.