Kaldur getting hugs (◕‿◕✿)
Kaldur holding hands with someone (✿◠‿◠)
Kaldur getting kissed (◕‿-)
Kaldur having sex (。♥‿♥。)
Kaldur getting any affection from anyone (ノ◕ヮ◕)ノ*:・゚✧
Three Goblin Art

tannertan36
h
taylor price

@theartofmadeline

blake kathryn
Keni
Cosimo Galluzzi
Stranger Things
occasionally subtle
Show & Tell

titsay

No title available
2025 on Tumblr: Trends That Defined the Year

No title available

Origami Around
🪼
Xuebing Du

oozey mess
YOU ARE THE REASON

seen from Malaysia

seen from Türkiye

seen from Türkiye
seen from United States

seen from Malaysia

seen from Indonesia

seen from Japan

seen from Singapore
seen from United States

seen from United States

seen from Italy
seen from Japan

seen from Malaysia

seen from Hungary
seen from United Kingdom
seen from United States

seen from United States
seen from Italy
seen from United States
seen from United States
@dcrphelper
Kaldur getting hugs (◕‿◕✿)
Kaldur holding hands with someone (✿◠‿◠)
Kaldur getting kissed (◕‿-)
Kaldur having sex (。♥‿♥。)
Kaldur getting any affection from anyone (ノ◕ヮ◕)ノ*:・゚✧
black female models who are not naomi campbell or tyra banks
Iman Mohamed Abdulmajid
Beverly Johnson
Grace Jones
Naomi Sims
Akuol de Mabior
Veronica Webb
Pat Cleveland
Grace Bol
Ajak Deng
Ataui Deng
Alek Wek
Yasmin Warsame
Aya Jones
Leomie Anderson
Chrishell Stubs
Ellen Rosa
Diandra Forrest
Mambu Bayoh
Cora Emmanuel
Eva Marcille
Yaya DaCosta
Ajuma Nasenyana
Senait Gidey
Yasmin Wijnaldum
Jasmine Sanders
Ysaunny Brito
Riley Montana
Sessilee Lopez
Selena Johnson
Joan Smalls Rodríguez
Jourdan Dunn
Fatima Siad
Chanel Iman
Stephanie Bertram Rose
Herieth Paul
Winnie Harlow
Liya Kebede
Melodie Monrose
Imaan Hammam
Monica Adeng
Aluad Deng
Katoucha Niane
Lineisy Montero
Karly Loyce Celine
Devyn Abdullah
Kara Young
Alécia Morais
Kiara Kabukuru
Afrodita Dorado Dominguéz
Jasmine Tookes
Marihenny Pasible
Waris Dirie
Samantha Archibald
Sarah Marie
Oluchi Onweagba
Bijon Hill
Amilna Estevao
Damaris Goddrie
Donyale Luna
Caroline Bwonobo
Nyasha Matonhodze
Malaika Firth
Anais Mali
Grace Wales Bonner
Awa Lo
Nyasha Matonhodze
Mari Agory
Laura Ruth Harrier
Maria Borges
Cassandra Ventura
Vickie Sorensen
Carola Katy Da Rosa
Larissa Barros
Ashlee Desire
Leila Nda
Iesha Hodges
Mame Camara
Samira Carvalho
Olive Estephani
Lana Ogilvie
Aminata Sanogo
Tami Williams
Djenice Duarte
Crystal Noriega
Nykhor Paul
Aamito Lagum
Aleece Wilson
funny how peter pettigrew is always headcanoned as ace and/or aro
bet it has nothing to do with how he’s fat eh
nothing at all
funny how edits and aesthetic posts always use the “platinum trio” as meaning draco, blaise and pansy when the real trio that was mentioned time and time and time again was draco, crabbe and goyle
again, probably nothing to do with how they’re fat
funny, again, how lucius malfoy and vernon dursley have clear parallels and similarities, and that lucius is definitely worse a person than dursley, yet lucius is the one who gets redemption arcs in fics
just a coincidence that vernon is fat
Funny how fatphobia is never the canon prejudice people decide to overwrite.
Funny how Neville is always drawn as tall and thin, even in the many works of fanart that look nothing Matthew Lewis, despite the books’ descriptions of him as ‘plump’, ‘chubby’, and ‘round-faced’, erasing one of the few heroic fat characters in the series, one of the only ones not to have his weight used as shorthand for a cruel personality.
a post on some shit i’ve seen
“I have a male character, but they’re very feminine so I think they might be a trans woman.”
This is not how being trans works. Being gender non-conforming =/= trans. Here is a list of reasons why this is sexist and transphobic.
It implies that men and women must behave a certain way and that anyone who does not adhere to these gender roles must be a different gender.
It implies that gender non-conforming trans people do not exist.
It negates sex dyshoria.
It enforces gender roles.
It enforces stereotypes and misconceptions trans people have been fighting against for a long time.
Your male character can be feminine without being trans. They are still a man.
“It’s offensive to describe trans people as being ‘born in the wrong body’.”
No, it’s not.
This is a narrative that many trans people use because it is an easy and succinct way to describe sex dysphoria. Dysphoria is more complicated than this, but this narrative is not offensive.
Stop silencing dysphoric people. Your character can describe themselves like this if they so choose to.
“I have a male character, but I picture him as having little body hair and wide hips, so I think I might make him a trans man–”
This is offensive. If you make a character trans because they posses physical characteristics that are seen as “undesirable” or “not typical” on people of their sex, then you are sexist and transphobic.
Cis men can have wide hips and little body hair. Trans men can have narrow hips and a strong jaw. Cis women can have lots of body hair and a deep voice. Trans women can be short and curvy.
“My character is androgynous and it’s difficult to tell their gender so I’m making them non binary.”
Okay…
By claiming that non binary people are always androgynous appearing, you are creating a new set of gender roles and expectations while simultaneously doing everything in the first thing I talked about.
“Non binary” and “gender non-conforming” are not synonyms, but this doesn’t mean non binary people can’t be/aren’t gender non-conforming.
“Cis people are boring so my characters are all trans.”
This is the wrong mindset when talking about representation for trans people and when writing trans characters. When you equate “cis” to “boring” and “trans” to “cool” and “interesting,”, you are fetishizing and dehumanizing trans people.
We are not trendy accessories that will make your story better simply by being there.
BTW, boring trans people exist. Because, you know, we’re people and not this year’s most popular Christmas gift.
“Reveal that your character is trans by showing their scars/body.”
Allies and transphobes alike have a fascination with the bodies of trans people. It has gotten to the point where “allies” spread private information about the medical lives of trans people to the general public. This has turned into a “how to spot a trans person” game.
Your characters do not need to be half-naked to show that they are trans.
“Dysphoria is self-loathing and can end up bringing too much angst to your story.”
Dysphoria is not self-loathing. This is a huge misconception. Dysphoria is a disconnect between someone’s brain and their physical sex.
When people experience sex dysphoria, their sex characteristics feel foreign. It is not simply “hating your body.” That narrative should not be used in fiction. Ever. It is false. Body positive feminists (both lib and rad) use it to vilify sex dysphoric people.
Do not ignore dysphoria. A lot of people don’t know what it actually is and confuse it for internalized misogyny. Dysphoria needs to be a part of fiction featuring trans characters so that we can work to end the misconceptions about it.
Also, do not “cure” your character’s dypshoria with love or romance or sex or self-acceptance. That’s not how it works.
Like a lot of people today, I’m in major need of some kind of distraction from current events, so this is a reminder that I’m always open for reviews, opinions, and fc help!
I’m also looking at putting together a masterlist of diverse face claims for DC characters, so I would love people to send me their favorite fc choices!
#GiveKaldurABoyfriend
midniter:
I’m gonna put it simple:
As y’all already know, we are getting a third season of Young Justice.
Cartoons have been more LGBT-inclusive lately. Adventure Time, Legend of Korra, Steven Universe, etc.
Kaldur’s comic counterpart is confirmed to have a boyfriend (though, unfortunately, it hasn’t been further explored yet).
Also, if I remember well, the YJ show’s crew had already implied that he was not straight before (I couldn’t find sources now, sorry)
I mean, the boy’s already bi, so just let it be shown in the show.
The reason we’re getting a new season is that the fans have campaigned for it. So maybe we have chances if we campaign for this as well.
So, I encourage you to use this hashtag on your twitter or whatever. LET’S DO IT!!
Young Justice Wishlist
Even though I probably won’t believe the show is actually back until I’m watching season three, I’ve been thinking about what I’d want in the show since season 2. I’ve seen a few lists like this floating around, so feel free to chime in here and add on
Jason Todd
Happiness for Kaldur
New Non-Light villains please for the love of god
Jason Todd
A boyfriend for Kaldur
MORE BATGIRLS
Artemis/Zatanna pls
Just let them be gay
Let everyone be gay
A Royfriend for Kaldur
Jason Todd
A NON WHITE WASHED Damian
Cassandra Cain
Gimme some titans (Starfire, Cyborg, Donna fucking Troy, etc.)
Hugs for Kaldur
Seriously though can everyone just hug Kaldur for the entire season? That’s all I want. Give my fish son the love and affection he deserved goddamn it
KOY REUNION FEATURING LIAN
JASON FUCKING TODD
GIVE ME MY TRASH CHILD
GIVE ME ANY OF THE BATKIDS
I love Dick and Babs and Tim but come the fuck on
Give another bat a chance
No Joker
Please just don’t
Don’t invite the stupid clown
Harley can show up tho
Happiness for Jason Todd and Kaldur’ahm, they’ve suffered enough, let them be happy
This got longer than I meant it to oops. I just have a lot of feelings about this.
on selectivity & why being selective or private is not the same as “elitism”:
dcrphelper:
selfindulge:
there are a few other posts like this out there but this became relevant & i felt the need to do a small write up on this.
if you’ve been in indie rp long or even just a little while it’s likely you’ve seen the words “selective” and / or “private” ( sometimes both at the same time ) floating around. if you’ve been in indie rp long then you’ve also probably seen the word “elitist” floating around as well, often times when describing specific rpers or fandoms that are particularly selective & / or private.
some people might not know what this means but here’s a run down of how i have seen most people describe it:
selective:
can be choosy with who they choose rp with
private:
only roleplays with mutual followers ( meaning they follow their rp partner and their rp partner follows them )
BEING SELECTIVE AND / OR PRIVATE IS NOT THE SAME AS ELITISM.
it’s understandable that some people may take it as a personal slight when an rper who is private & / or selective chooses not to rp with them, but don’t be confused. it isn’t. selectivity is not elitism. elitism in the way it is most commonly used by people in the rp community tends to paint roleplayers labelled it as “snobbish” aka: “one who despises, ignores, or is patronizing to those they consider inferior”.
selectivity can come across as being ignoring of those who are “inferior” but the truth of the matter is more often than not the selectivity of a particular roleplayer or fandom has more to do with the any number of the following:
they have had bad past experiences and retain selectivity in order to keep themselves safe & comfortable
they have anxiety
they have a lot of followers and therefore a lot of potential threads & are attempting to keep things orderly & under control as to not become overwhelmed
they prefer an uncluttered dash to keep anxiety at a minimum
they have anxiety & prefer to stay within a certain group of people because it helps them feel safe & comfortable
they have trouble maintaining muse if their writing doesn’t mesh well with the other person
they have trouble maintaining muse if they feel they can’t get along with the other mun ooc
so basically what i’m saying is writers are selective & private NOT because they feel you are inferior or are “elitist” but because:
roleplaying is a hobby
selectivity helps keep that hobby fun, safe, comfortable & easy to maintain for them
IT IS RARELY IF EVER a personal slight against you or because they do not like you specifically. it is almost always because of one of the reasons listed above. selectivity helps maintain an individuals rp space safe, fun, comfortable, a hobby what roleplaying is.
please stop making those who are selective & / or private feel guilty for maintaining these things. being turned down to roleplay with someone can be disheartening but in my experience it is rarely a personal slight against you and can be for any number of reasons outside of it. making that roleplayer feel guilty for turning you down is a manipulative and not good thing to do and is actually more than likely a part of WHY so many roleplayers are selective & / or private. making people feel guilty for maintaining their hobby and keeping it a hobby for them kind of defeats the purpose of roleplay.
additionally, NO ONE OWES YOU AN EXPLANATION for why they do not want to write with / follow you. i understand that can be a hard pill to swallow but more often than not in my personal rp experience, explaining to someone why i do not want to write with / follow them has led to unnecessary drama or them being unnecessarily rude about it when i have been nothing but polite. you are not ever owed an explanation for why these things are. explaining those things can cause those rpers unnecessary anxiety, stress, & drama that– once again– makes roleplay less of a hobby than it should be.
people have the right to not want to roleplay and / or follow you. the sooner you accept that that is not against you personally, the easier this hobby will become, trust me.
additionally, even if people don’t like you specifically or your writing that is THEIR OPINION which they are entitled to & which may impact whether or not they want to write with you & that still doesn’t really make them elitist, it just means they have a personal preference that you don’t fit. it might be a hard reality check, but roleplay doesn’t revolve around you or me or anyone. all of us will be faced with people no matter who we are who do not like our writing, our choice in muse, our characterization, who we are ooc, AND THAT IS PERFECTLY HUMAN & OKAY. if that happens, you are still not allowed to make them feel guilty for that. actually, you’re allowed to, no one can stop you, it just still doesn’t make it any less inappropriate for you to make people feel bad about their preferences or get haughty about it and label it “elitist” because god forbid someone doesn’t like you or your writing or is selective in a way that excludes you.
the bottom line is — selectivity is for comfort, safety, & to keep things fun. whether a selective rpers choice not to roleplay with you is because they don’t like you specifically or not doesn’t matter. it doesn’t make it elitist. and it is NEVER appropriate to make people feel guilty over these things.
guilt tripping & starting conflict over selectivity does not help things. it makes people feel guilty, it actually contributes to that selectivity, it’s petty and it causes anxiety & unnecessary stress to a HOBBY ( god how many times do i need to remind people this is a hobby and not a job ).
something that’s ESPECIALLY important is that seeing as selectivity can many times directly tie in to an individuals mental health ( re: anxiety, depression, etc. ) guilt tripping is ESPECIALLY bad & can have severely negative impacts on those things. ignoring this is a really crap thing to do & hurts a lot of people & just in general perpetuates some nasty things. selectivity can be a tool to help with anxiety and depression as well as other mental health things that impact how people roleplay and spend their time here. guilt tripping applies to that in really bad ways and, again, calling selectivity “elitist” applies to those things as well. something i wish more people would keep in mind.
FURTHERMORE, HOWEVER, YOU ARE NOT OBLIGATED TO ANYONE’S TIME. NO ONE IS OBLIGATED TO ROLEPLAY WITH OR FOLLOW YOU. DON’T MAKE PEOPLE FEEL BAD ABOUT THESE THINGS IT’S NOT COOL.
Writer’s Resource - Wound Care
It’s probably one of the most common scenarios in a novel, comic, roleplay, script, or otherwise. Character B gets injured, and Character A knows wound care and takes care of it for them. But the old fashioned style of thinking runs rampant, especially with ‘classic wound treatment’ being educated generations down, leaving plenty of people unaware of more realistic and recent modern advances in traditional first aid.
Things To Remember:
Wash your hands.
It’s all too common for this step to be missed in writing. When wound care comes up, remember that the purpose of it is, underlying everything emotional, to get the wound clean. Hands not very recently disinfected and sterilized are more likely to cause infection, undermining everything else that Character A hopes to do. Even if it’s just a sentence or a footnote, remember to add in washing hands – with soap!
Clear the wound.
There are multiple options here, but they all come back to the same thing. Character A should always clean out the wound with hydrotherapy, which is fancy speak for running water for a very long time. Flushing a wound can be done with a non iodized salt solution, a dilution of very mild soap, or even plain but it must always come back to WATER. Run the wound under water for a few minutes to clean out dirt, bacteria, and loosen any debris stuck inside. Character A can and should use clean, sterile tweezers to remove this debris if the water is unable, then pat the wound dry with gauze.
Keep the wound clean.
Antibiotics are a necessity with any and all wound care. From petroleum jelly, a store bought antibiotic like neosporin or polysporin, or any other ointment. However for a lesser known and just as realistic option, remember you can also use ( with or alone ) sugar. On burns, deep gashes, cuts, or just about anything, packing the wound with sugar would let Character B’s body begin to heal without fear of bacteria, because the highly concentrated medium of sugar will not allow bacteria to survive.
If stitches are necessary.
Is the wound is deep enough to go to fat, muscle, bone, or other structures? Does it go right over a joint? Is it on the hands, fingers, or around the mouth or eyes? Have minutes passed without the bleeding slowing? These are prime locations that will medically require stitches – be it to assist the wound in closing, or stop natural motions from ripping left alone gouges wider. Stitches, or sutures, traditionally use thread made of silk or nylon and a curved needle with suture scissors to assist in the special kind of stitch that specially holds wounds together.
If Character A needs to stitch a wound together, their knowledge may vary, and they may not have the correct tools. But here are some things you can make sure they know. Make a knot on each stitch, to better hold it in place. Hold the skin together while stitching, don’t trust the thread to pull both sides in by itself. If the flesh is ragged on each side, they may need to cut clean edges, mostly to insure that the stitches don’t tear out and the wound is even. Removal comes days later, with cutting each stitch besides the knot and pulling it out – it should tug, but be painless.
Wrap the wound.
That old belief that a wound should see fresh air is an absolute lie, as proven by many doctors over the years. Wounds should be kept constantly covered, and damp. Studies show that a covered, damp wound healed in 12-15 days while an air exposed, dry wound healed in over thirty. Not only this, but covering and dampening the wound brings less chance of scarring. Use wound dressings like wet to dry gauze ( which is just as common as traditional ), then wrap in a bandage, even two if necessary.
For long term wound treatment.
Whether Character A keeps a constant eye on B, or if Character B is on their own, they should both keep up wound treatment for realism. Each day change the bandage and gauze, or more, if found to be constantly wet. Use daily hydrotherapy to clean out dead cells and drainage from the wound. Pack with more sugar or antibiotic ointment. Lack of doing this would cause Character B an infected wound, likely turning to an abscess, and undo all the previous work.
Things to Avoid:
Put the alcohol down.
Since we’re not in the wild west and Hollywood is a liar, NEVER use strong antiseptics, vinegars, or alcohol to clean a wound. All things such as white vinegar, hydrogen peroxide, vodka, rubbing alcohol or iodine can burn and cause irreparable damage to the skin and flesh, increasing the healing time substantially.
Never applying pressure.
Between each stage of wound treatment, Character B should be applying pressure with a sterilized hand and clean towel or gauze to the wound, preferably with it above their head. This lessens the chance of bleeding out and allows the blood to slow, but not halt.
Don’t be afraid of pink.
A wound a doctor would be satisfied with seeing is the kind that scares most people: pink, red, and just on the right side of bloody. Any other colors, too little, or too much blood are all red flags for wound treatment.
Don’t be afraid of the doctor.
Unless Character A is a doctor, there may come a time where they have to admit their skills aren’t enough. If you can see bone, then the wound may need muscle stitches as well as skin. If it’s extremely swollen, the inflammation has gone from healthy to concerning. If it’s hot or has a stench, there’s a serious infection. Draw the line at a smart place, and let a doctor take over. Even in the fictional world.
arguing with a mod because you aren’t getting your way does not result in you getting your way.
stop trying to argue with admins and how they’ve set up their rp. stop arguing all together unless there’s sexism, racism, homophobia, ableism or any other issue that matters. admins know what they’re doing, they’ve built their entire page and what they want even if it goes against your wishes. admins have no responsibility to cater to everyone’s irrelevant needs!! admins are allowed to run their rp however they like!! because it’s theirs!! ask questions, of course, but stop when you’ve gotten your answer because nothing after that is gonna work in your favor
how to write a black character if you not black yourself, a how to by yours truly, me, cammy
yeah so aight, i did one of these like. last year, here’s the original post right here so yeah. there’s been a lot more stuff that’s been going on in terms with writing black characters and nonblack people being the authors and ones running the blogs since then and a lot of it is just garbage and needs repair. like, i just been thinking, jesus, we need to fix this, how’s it gonna happen. he told me to make another guide so here we are.
ONE. stop expecting brownie points for having a black character/faceclaim anywhere, and i mean ANYWHERE on your blog.
that shit is corny. why should you be gassed up and praised for having a black character? i’m black and i don’t get praised for having a black character, so why are you different? no one gets gassed for using a white faceclaim, so you shouldn’t get gassed up for using a black one? diversity shouldn’t be praised or gassed up, deviating from the norm of a very white/nonblack roleplay environment or any general media, writing, what have you doesn’t deserve an award. you’re supposed to step outside of that and write different characters, you don’t get a cookie.
TWO. stop acting like you own black faceclaims.
that shit is just weird and uncomfortable. if people wanna use a certain faceclaim, then they’re gonna do it. you don’t own them as a person or faceclaim, so don’t get mad when you see duplicates of them and act entitled. black celebrities have their own agency and really don’t act or do anything really just so you can feel like you own their resources on tumblr dot edu.
THREE. use other faceclaims that aren’t light skinned or “racially ambiguous.”
kehlani? kiersey? zoe? zendaya? tinashe? nicki? bey? rihanna? they need a rest. they’re tired, okay, listen to me. your character being black or you using a black faceclaim does not mean they have to be light skinned. use someone different? i promise it’s not gonna kill you, i swear it won’t. if resources and icons are the only things holding you up with using black people with darker skin as your faceclaim then maybe you just don’t need to write a black character at all. there’s people on here that make icons, go ask for some requests if it’s really an issue and you don’t know how to make them? go on pb_updates, look outside of tumblr for icons, like, there’s just zero excuse for it.
FOUR. stop using poc in the place of black.
that shit is aggravating too. black isn’t a bad word like i said. don’t be afraid to say your character is black? poc and black aren’t interchangeable all the time like please stop.
FIVE. if you aren’t black and you’re writing a black character, you need to cool it on talking about black issues/culture.
what i mean by this is if you’re not black, you don’t need to stick your nose where it don’t belong. don’t think just because you write a black character, you can speak up on black experiences or things specific to black people. don’t talk about aave and using it or antiblack slurs, it’s not your place. don’t think you know everything about black culture because you possibly could not know. just. don’t speak over black people and what we go through. you’re free to bring attention to black issues and things like that? but if someone asks you, go ahead and direct them to an actual black person so you don’t get in trouble on here.
SIX. be aware of antiblack/colorist tropes.
your only evil character being dark skinned? bad look. always shipping light skinned femmes with dark skinned masculine people while leaving dark skinned femmes without any kind of relationship/connections? bad look. your light skinned characters being regarded as pure and beautiful and brown/darker skinned ones being regarded as ugly and mean? bad look. there’s tons of other tropes that play into colorism and antiblackness and if you aren’t sure that you’re about to do it, ask someone who’s black and/or do your research just to make sure you don’t contribute to these harmful stereotypes and tropes.
SEVEN. get it together with your graphic designs of your black characters.
if you do art or make your own icons, that’s dope, big ups to you for having that kind of talent and determination. what isn’t dope is when you have your art of your black characters and it just looks like a recolor of a white character. yeah, not all black people have “black” features or they have”white” features those of which that are usually considered to be more “delicate” like having smaller lips or noses and is already a shitty and racist ideal in itself, but its enough of us that do for you to get it together and learn how to draw them. black people have big noses and lips, afros, braids, dreads, twists, discoloration, like! we’re not a monolith and don’t all look like we’re white painted black, get it together. if you can’t draw black characters that look black, maybe you need to step your art game up considerably.
EIGHT. stop ignoring what black writers say concerning struggles with their black characters.
i’m sorry, but we all know the roleplay community is racist. we all know at this point, there’s no way you can’t. if you’ve gone your whole time on here writing white characters and having them praised then going to writing a black character that gets little to no recognition, don’t even be surprised at all. you’re gonna get ignored, you’re gonna struggle for interactions, just keep that in mind because unfortunately in this community, it comes with the territory. it’s going to take time and you’re not going to get a thousand followers in three weeks like you would with a white character. people are gonna be racist and disrespectful towards your character at some point, there’s really just no getting around it most if not all the time as sad as it is. if we can’t surpass any of these problems, don’t think that you can.
NINE. step your character concepts up.
the stereotypes are tired, ok. the drug dealers/lords, the violent rap artists, fashion bloggers with bad attitudes, like? why? and it’s not that black people like that don’t exist, because they certainly do. the big problem is that no one bothers to develop these characters at all? it’s just a trope pasted on a face, they have no emotional agency or ties, the audience has no emotional ties with the character. outside of that, black people do the same stuff nonblack people do? we’re doctors, teachers, lawyers, stay at home parents, models, business owners, anything nonblack people do, black people do too. stop just pasting stereotypes and tropes on to your black characters without developing anything at all and expecting it to just be cool and not shitty or boring and think you’re gonna get by that way.
TEN. please chill with the fetishization and hypersexualization of black bodies.
this shit is aggravating. aggravating and nasty. if all you can do with your black character is reduce them to how their body looks and how sexy they are or how much they have sex you need to get it together. this is not me saying not to write hypersexual black characters, but this isn’t even the same thing. like if all you talk about is how “thicc uwu look at her ass uvu” your character is and how much they love to fuck it’s like, gross. the history of black people being fetishized for their bodies and being unnecessarily hypersexualized is a horrible and disgusting one, so you need to be careful not to do any of that period.
anyways, this is just a fraction of what i need to touch on to be honest, just a small little part. this post is probably worded harshly or what have you, but please understand where i’m coming from. i’m just tired of the shitty antiblack tropes and the racism and entitlement, okay? black people, real and fictional, need to be respected.
petition for more characters over the age of 30 to be in roleplays
petition for more characters over the age of 30 to be in roleplays
why are themes for fucking ants why has the lord given the rpc the insane urge to hate me for my eyes why what the fuck i can’t see man please just make more accessible themes because im blind as shit man i can’t take the 50 px icons and the 5 px font and the insane urge to have the text almost match the bg why
Helpful things for action writers to remember
Sticking a landing will royally fuck up your joints and possibly shatter your ankles, depending on how high you’re jumping/falling from. There’s a very good reason free-runners dive and roll.
Hand-to-hand fights usually only last a matter of seconds, sometimes a few minutes. It’s exhausting work and unless you have a lot of training and history with hand-to-hand combat, you’re going to tire out really fast.
Arrows are very effective and you can’t just yank them out without doing a lot of damage. Most of the time the head of the arrow will break off inside the body if you try pulling it out, and arrows are built to pierce deep. An arrow wound demands medical attention.
Throwing your opponent across the room is really not all that smart. You’re giving them the chance to get up and run away. Unless you’re trying to put distance between you so you can shoot them or something, don’t throw them.
Everyone has something called a “flinch response” when they fight. This is pretty much the brain’s way of telling you “get the fuck out of here or we’re gonna die.” Experienced fighters have trained to suppress this. Think about how long your character has been fighting. A character in a fist fight for the first time is going to take a few hits before their survival instinct kicks in and they start hitting back. A character in a fist fight for the eighth time that week is going to respond a little differently.
ADRENALINE WORKS AGAINST YOU WHEN YOU FIGHT. THIS IS IMPORTANT. A lot of times people think that adrenaline will kick in and give you some badass fighting skills, but it’s actually the opposite. Adrenaline is what tires you out in a battle and it also affects the fighter’s efficacy - meaning it makes them shaky and inaccurate, and overall they lose about 60% of their fighting skill because their brain is focusing on not dying. Adrenaline keeps you alive, it doesn’t give you the skill to pull off a perfect roundhouse kick to the opponent’s face.
Swords WILL bend or break if you hit something hard enough. They also dull easily and take a lot of maintenance. In reality, someone who fights with a sword would have to have to repair or replace it constantly.
Fights get messy. There’s blood and sweat everywhere, and that will make it hard to hold your weapon or get a good grip on someone.
A serious battle also smells horrible. There’s lots of sweat, but also the smell of urine and feces. After someone dies, their bowels and bladder empty. There might also be some questionable things on the ground which can be very psychologically traumatizing. Remember to think about all of the character’s senses when they’re in a fight. Everything WILL affect them in some way.
If your sword is sharpened down to a fine edge, the rest of the blade can’t go through the cut you make. You’ll just end up putting a tiny, shallow scratch in the surface of whatever you strike, and you could probably break your sword.
ARCHERS ARE STRONG TOO. Have you ever drawn a bow? It takes a lot of strength, especially when you’re shooting a bow with a higher draw weight. Draw weight basically means “the amount of force you have to use to pull this sucker back enough to fire it.” To give you an idea of how that works, here’s a helpful link to tell you about finding bow sizes and draw weights for your characters. (CLICK ME)
If an archer has to use a bow they’re not used to, it will probably throw them off a little until they’ve done a few practice shots with it and figured out its draw weight and stability.
People bleed. If they get punched in the face, they’ll probably get a bloody nose. If they get stabbed or cut somehow, they’ll bleed accordingly. And if they’ve been fighting for a while, they’ve got a LOT of blood rushing around to provide them with oxygen. They’re going to bleed a lot.
Here’s a link to a chart to show you how much blood a person can lose without dying. (CLICK ME)
If you want a more in-depth medical chart, try this one. (CLICK ME)
Hopefully this helps someone out there. If you reblog, feel free to add more tips for writers or correct anything I’ve gotten wrong here.
How to apply Writing techniques for action scenes:
- Short sentences. Choppy. One action, then another. When there’s a lull in the fight, take a moment, using longer phrases to analyze the situation–then dive back in. Snap, snap, snap. - Same thing with words - short, simple, and strong in the thick of battle. Save the longer syllables for elsewhere. - Characters do not dwell on things when they are in the heat of the moment. They will get punched in the face. Focus on actions, not thoughts. - Go back and cut out as many adverbs as possible. - No seriously, if there’s ever a time to use the strongest verbs in your vocabulary - Bellow, thrash, heave, shriek, snarl, splinter, bolt, hurtle, crumble, shatter, charge, raze - it’s now. - Don’t forget your other senses. People might not even be sure what they saw during a fight, but they always know how they felt. - Taste: Dry mouth, salt from sweat, copper tang from blood, etc - Smell: OP nailed it - Touch: Headache, sore muscles, tense muscles, exhaustion, blood pounding. Bruised knuckles/bowstring fingers. Injuries that ache and pulse, sting and flare white hot with pain. - Pain will stay with a character. Even if it’s minor. - Sound and sight might blur or sharpen depending on the character and their experience/exhaustion. Colors and quick movements will catch the eye. Loud sounds or noises from behind may serve as a fighter’s only alert before an attack. - If something unexpected happens, shifting the character’s whole attention to that thing will shift the Audience’s attention, too. - Aftermath. This is where the details resurface, the characters pick up things they cast aside during the fight, both literally and metaphorically. Fights are chaotic, fast paced, and self-centered. Characters know only their self, their goals, what’s in their way, and the quickest way around those threats. The aftermath is when people can regain their emotions, their relationships, their rationality/introspection, and anything else they couldn’t afford to think or feel while their lives were on the line.
Do everything you can to keep the fight here and now. Maximize the physical, minimize the theoretical. Keep things immediate - no theories or what ifs.
If writing a strategist, who needs to think ahead, try this: keep strategy to before-and-after fights. Lay out plans in calm periods, try to guess what enemies are thinking or what they will do. During combat, however, the character should think about his options, enemies, and terrain in immediate terms; that is, in shapes and direction. (Large enemy rushing me; dive left, circle around / Scaffolding on fire, pool below me / two foes helping each other, separate them.)
Lastly, after writing, read it aloud. Anyplace your tongue catches up on a fast moving scene, edit. Smooth action scenes rarely come on the first try.