liana finck
Aqua Utopia|海の底で記憶を紡ぐ
occasionally subtle
taylor price
Xuebing Du
ojovivo
Sweet Seals For You, Always
cherry valley forever
★
almost home
Misplaced Lens Cap
Sade Olutola
PUT YOUR BEARD IN MY MOUTH

No title available

No title available

tannertan36
untitled

titsay
Claire Keane
Game of Thrones Daily
The Bowery Presents

seen from Singapore

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@deactivatedevidenceofyouth
liana finck
Louis Fratino, ‘Kissing Couple’, oil on canvas, 2019
David Hockney
Ursula K. Le Guin’s writing routine
Bibliothèque Nationale de France: L’âne , La vache crinoline
We have to consciously study how to be tender with each other until it becomes a habit.
Audre Lorde (via liquidlightandrunningtrees)
Sticks and stalks pushed into muddy lake bottom, Andy Goldsworthy, Yorkshire Sculpture Park.1987
By Gael Force Art in Belfast Ireland
Bread and Puppet Theater, Nothing Is Not Ready Circus, performed in Glover, Vermont, on Aug. 24, 2014.
Portrait of a Reputation, Francesca Woodman
”Before we women can write, declared Virginia Woolf, we must ‘kill’ the ‘angel in the house.’ In other words, women must kill the aesthetic ideal through which they themselves have been ‘killed’ into art. And similarly, all women writers must kill the angel’s necessary opposite and double, the ‘monster’ in the house, who Medusa-face also kills female creativity.”
- The Madwoman in the Attic, Gilbert & Gubar
Alice Brasser (Dutch, b. 1965), Buen Retiro, 2010. Oil on canvas, 60 x 50 cm
Possession (1981) dir. Andrzej Żuławski
“…a state of gloomy self-suppression which resulted in complete apathy.”
— Virginia Woolf, from The Complete Works of Virginia Woolf; “Night and Day,”
The Braiding the Knoll - Angela Eastman.
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