Verbatim (feat. Jim White & Masami Tomihisa)
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shark vs the universe

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Xuebing Du
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trying on a metaphor
let's talk about Bridgerton tea, my ask is open
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he wasn't even looking at me and he found me

if i look back, i am lost
seen from Spain
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@onetwofeb
Verbatim (feat. Jim White & Masami Tomihisa)
Jeff Parker ETA IVtet
Jay Bellerose - drums and percussion
Anna Butterss - acoustic bass
Josh Johnson - alto saxophone with electronics
Jeff Parker - electric guitar with electronics
August 20, 2025
John Luther Adams - The Immeasurable Space of Tones
— be not caused —
Beauty — be not caused — It Is — Chase it, and it ceases — Chase it not, and it abides —
Overtake the Creases
In the Meadow — when the Wind Runs his fingers thro’ it — Deity will see to it That You never do it —
Emily Dickinson (1863)
detail from emily dickinson’s herbarium circa 1839-1846
Philip Glass, Music in Similar Motion (1969), Music in Fifths (1969), Chatham Square, 1973 — cover drawing by the artist Alan Saret
“It was made like a piece of automatic writing. I was filming Le Joli mai, completely immersed in the reality of Paris 1962, and the euphoric discovery of “direct cinema” (you will never make me say “cinéma vérité”) and on the crew’s day off, I photographed a story I didn’t completely understand. It was in the editing that the pieces of the puzzle came together, and it wasn’t me who designed the puzzle.”
— Chris Marker on La Jetee.
Curtis Mayfield
We’ve Only Just Begun ( 1972)
Before The Surround
before the surround of what night – we would lean into that,
how it was said, a suggestion smaller than what waves and
calls for our attention – we’re walking here with what we
secret away and take when we’re gone – later,
and it’s even more narrow on the morrow – this passage is a
signal to look away and notice how it continues steady, even
without what your grip found – imagine that, an interest in
what’s required as well as its display – some things
(it was a perfect music, thirty years is no thing now,
your face there, our minor finitude),
I say only to know its weight and sound as it hits ground,
so when stepping away I am with its feel at my back.
what hasn’t been said directly is further on ahead and we’ve
been told to not be surprised by its precision as it, too, knows
an impression will be left – that said, still: you will have to change
some of your life – it can be very convincing.
Mister-Lucky
Mister-Lucky
The more passionately thought denies its conditionality for the sake of the unconditional, the more unconsciously, and so calamitously, it is delivered up to the world. Even its own impossibility it must at last comprehend for the sake of the possible.
Adorno, Reflections From a Damaged Life
Wayne Shorter ft. Milton Nascimento - Ponta De Areia (1975)
Snorri HallgrĂmsson - I Know You'll Follow
Aretha Franklin - What a Fool Believes LIVE 1981
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Mister-Lucky
Evening Light (Raga Yaman)