O

Tell me if you like me

[weltenwellen]

Joy Sullivan, from “Culpable”, Instructions for Traveling West

[vizuart]

Anna Loginova aka Anna Vindront - Sit Down and Think (2025)

[nevver]

Look through any window, Paloma Salgado Díaz

[coffeeandstrawberries]

Flower Still-life with an Alabaster Vase, 1783 by Gerard van Spaendonck via Rijksmuseum

[seaphine]

Maybe my problem was expecting the same heart I gave, to be given back.

[flowerytale]

Ocean Vuong, from On Earth We're Briefly Gorgeous

[askyea-poesy]

They say nothing lasts forever but they're just scared it will last longer than they can love it.

Ocean Vuong

[weltenwellen]

E. Hughes, from "My Mother at Twenty-One"

[bestiolin]

madeline kloepper

[weltenwellen]

“Sometimes you get so close to someone you end up on the other side of them.”

— Richard Siken, Editors Page: The Long and the Short of It

[weltenwellen]

Joanna Klink, from “On Diminishment”, The Nightfields

[wrdbnr]

Here's to knowing where we come from 2015/2025

[woshibai]

配方 RECIPE

[caruccio]

You’re someone’s dream person btw.

[daily-spooky]

Artwork by: Gusfink🖤

[swforester]

That's all you can do-

[zegalba]

Tania Font: Deconstrucció V (2020)

[literalchuhsien]

交織的悲喜

如果我的文章時喜時悲，沒辦法維持一個定調，那是因為人生本來就是一場悲喜劇，而我尚未涅槃。被拉扯著騰空或墜落，很難保持在同一種高度。

不想強裝快樂催眠自己，也不想永懷悲傷折磨自己，於是型態皆有，姿態各異。

我描述我的悲傷，讓你感到不這麼孤單；而我紀錄的快樂，也讓你知道，如果你有類似的悲傷，那麼，你也能和我擁有差不多——甚至更多——的快樂。

[femaleintimacy-deactivated20210]